Hamasaki naohara: "now that you're ready, let's start."
Jiang Fuyue took the mahogany box from the music teacher.
"Come on!"
"Thank you."
She smiled, then slowly went on stage and took out the instrument she was going to use in the box in front of everyone.
WOW——
"It's this thing!"
"Sister Yue took it out!"
"The cow is approved."
"Just look at the musical instruments and we'll win."
“……”
Exchange students in other countries looked at each other——
"What is that?"
"Why do Chinese students react so strongly?"
"The end is in the shape of a trumpet and connected to a pipe - Oh! What instrument is this? I've never seen it."
"Aren't Chinese classical musical instruments the kind with several lines that can be pressed and pulled up?"
"I know! It's called zither! But this is obviously not."
Edmund snorted. After hearing enough stupid speeches, he was finally willing to open his mouth to solve people's doubts
"That's suona! It's a wind instrument with a very long history. It's one of the oldest instruments in China. Do you understand?"
"But it's so ugly."
Edmund said meaningfully, "that's because you haven't heard it."
"What happened to the sound?"
"... listen to yourself."
"Well, what's in naohara Hamasaki's arms?"
Edmund looked at the stage.
"Sanwei string?" Jiang Fuyue raised her eyebrows. "It's worthy of being the king of musical instruments in r country. It looks good."
Hamasaki naohara raised his eyes and looked straight into her hand. His tone was flat: "your suona is also very special."
Four eyes are opposite, and one touch is divided.
The judges announced the beginning of "communication".
They first looked down to check the instruments in their hands.
Hamasaki naohara plucked the strings to test the sound, and Jiang Fuyue checked the suona live core.
The traditional suona consists of five parts: whistle, Qi card, invader, rod and bowl, of which the "core" is the most important.
The core of the traditional suona is a single tube type. In the last century, the famous wind musician Mr. Guo Yazhi invented the suona "live core" device, so that the traditional suona can play a chromatic scale and twelve tone system.
The expressive power of Suona is thus enriched.
Twenty years ago, a reclusive performer named "Qitan yingyue" invented a performance method of "thousand hand Bodhi" based on the "live core" device.
From the existing audio data, this playing method can not only temporarily change the semitone or semitone scale, but also use suona as a high semitone transposition instrument on the premise of unchanged fingering.
What's more, he effectively adjusted and corrected the small deviation in the interval relationship after the promotion of the "live core" by controlling his mouth strength.
A song played down, can be called perfect!
Unfortunately, Qitan yingyue has disappeared for 20 years since he left that legendary audio, during which no more of his performance works have been published.
Judge white looked at the suona in Jiang Fuyue's hand and fell into melancholy for a moment.
He had the honor to listen to that audio and was deeply shocked at that time. During his stay in China, he always wanted to visit this strange Tan yingyue.
Unfortunately
"Mr. White?" whispered the man next to him.
He then gathered his thoughts and picked up the microphone: "next, please tell us the two players to play the music."
Naohara Hamasaki: "my repertoire is" Kanda sacrifice. "
Jiang Fuyue was concise and comprehensive: "a hundred birds and a Phoenix."
White: "I declare that the performance officially begins."
Hamasaki naohara's eyes were cold and raised his hand to move the strings.
At almost the same time, Jiang Fuyue sank into the Dantian and blew the first sound