Chapter 1142

Blizzard villa mode, also known as island mode, refers to a narrative mode in which a group of people are trapped in a limited space and can't get in touch with the outside world. During this period, a series of events occur. Detectives can only use limited means to solve cases.

This kind of model is really a classic suspense routine. The most famous is Agatha Christie's no one survived.

However, this mode is classic. An Yizhi has experienced it several times in the game. To be honest, there is nothing new.

He even thought very badly, did the system finally run out of brain holes? To reuse such an old-fashioned model.

However, it turns out that an Yizhi thinks too much, and you can't understand the systematic brain hole

Humans and mosquitoes have something in common. For example, they are phototaxis.

For human beings, darkness is a great enemy and will also make human beings feel insecure, which belongs to the 'sequelae' left over from long evolution.

On the contrary, in a dark environment, if there is a wisp of warm light in front, human beings will move forward in the direction of light conditionally, which is a biological instinct.

From a rational point of view, the emergence of a lamp also means that an Yizhi has found the right place and will soon enter the plot, but he doesn't understand.

Blizzard villa mode is not a novel routine. Why don't the system directly throw it to the place where the plot takes place?

If you don't go directly to the plot, it usually means that this copy has a high degree of freedom, and the player needs to choose the next plot development.

But an Yi pointed out that when he wanted to go down the mountain, he was blocked by the "white fog" and could not go down the mountain smoothly. No matter how he went, he would return the same way and could only choose the way up the mountain.

This is a very contradictory point, which may be useful.

Ann pointed to these in her head and didn't stop at her feet.

The appearance of lights may well represent the beginning of the plot. Anyway, it's right to take a look first.

With the closer distance, an Yizhi gradually saw the whole picture of the light.

It was a wooden house built in a mountain depression. It looked like a double-layer structure. It was not a villa, but rather a house with a garage.

The light an Yizhi saw was actually a kerosene lamp hanging in front of the door swaying in the wind and rain. When he was close, he could smell the smell of burning kerosene. To be honest, it didn't smell good.

He looked around and saw a tire print extending into the garage on one side of the house. He could also see that there seemed to be some inconspicuous light in the wooden house. At the same time, he could smell the smell of cooking food mixed with the smell of kerosene.

These all mean that there may be someone in the cabin.

No matter what the virtue of this copy is, an Yizhi is really tired of walking in the trough in the rainstorm. It's really uncomfortable to say that he is spoiled and can't stand hardship. His fingers and toes are frozen.

He pulled his raincoat hat, then quickly stepped into the small canopy in front of the wooden house, reached out and knocked on the door with the kerosene lamp.

"Anyone?"

After two successive greetings, an Yizhi heard the sound of "pounding" walking behind the door, like the sound of a heavy man walking through a wooden floor.

He took a slight step back and quietly touched the pistol in the outer pocket of his coat. He could paste each other's face at any time in case of danger.

Before long, with the sound of a bolt sliding, a tiger backed figure opened the door and appeared in front of an Yizhi.

To be honest, if he hadn't exposed his face first, Ann Yizhi might have thought this guy was a bear.

He looked like a strong old man with gray beard and hair, and his face was full of traces of wind and frost. He was almost full of stories.

But he was wearing a velvet nightgown and fluffy slippers, which was a little cute compared with his huge body.

In his hand, he also carried a glass lantern using candles, which made an Yizhi a little confused about the age setting of this copy.

Since there are tire traces, which are very similar to the traces of modern cars, the lighting can only rely on kerosene and candles without electricity. Even considering that this is a mountain, the power grid is not easy to come over. Is it really so difficult to get a flashlight?

These messy thoughts in her mind didn't affect an Yizhi's greeting:

"Hello, my name is anslop. I'm an zoobotanist. I was sketching in the mountains today. Unexpectedly, there was a heavy rain and I couldn't go down the mountain for the time being. I heard the voice of a wolf outside, so I took the liberty to ask if I could stay?"

There is nothing to prove her identity. An Yizhi can only judge whether she is playing an zoobotanist or a painter through the sketch book.

The reason for choosing an zoobotanist is that an Yizhi really doesn't have any artistic cells. Although he can sketch a little, he can't even fart when asked to evaluate paintings or works of art. It's possible to pretend that the painter has exposed his secrets.

Pretending to be an animal botanist is less likely to reveal the truth. After all, an Yizhi doesn't read so many miscellaneous books for nothing. He can't fool the past with the knowledge learned in the animal world.

The other party didn't seem suspicious of an Yizhi's words. A kind smile appeared on the strong old man's weather beaten face:

"I'm very sorry for your experience. Please come in. I'm just making stew. You need some hot food. It's just cold."

More than not suspicious, the other party was also very enthusiastic.

Although this kind of warm and hospitable guy is not ruled out in reality, an Yizhi is still used to thinking about the disadvantages of all strangers as much as possible and considering whether the other party has ulterior motives.

In the final analysis, there are only a limited number of people in the world who can make an Yizhi fully believe without reservation. Let alone NPC, even if they are all players, they will try to figure out the meaning of each other with the worst ideas. The difference is only the level of vigilance.

Especially in the temporary copy with high risk, you can't be too vigilant.

An Yizhi has great deductive talent. He pretends to be happy, thanks like an old man, and walks into the house from the space left by the other party.

"You can put your raincoat and coat here."

The old man pointed to the hanger by the door and said:

"Go ahead and you'll find the living room. I'll get something to eat."

With that, he turned unprepared, fully displayed his back in front of an Yizhi, and walked into a room on the left side of the porch. The smell of the food floated out from where it should be the kitchen.

The old man didn't take the candle in the lantern before he left. Ann didn't bang it. With the help of the dim light of the candle, you can see that the corridor is decorated with many specimens, such as the heads of deer and wolves. It seems that the old man likes hunting and showing off his booty.

Living alone in the mountains, he likes hunting and is hospitable.

This is the information collected so far.

An Yizhi took off his raincoat and coat and put them on the hanger. He was wearing a white shirt and vest inside his coat. It seemed that the material was of good quality.

But in this way, there is no place to hide the pistol. No matter where it is, it will be revealed as long as you sit down.

This makes an Yizhi a little tangled. Without a guy in his hand, he really lacks a sense of security in a strange environment.

But on second thought, even if there is a gun in hand, with the safe shooting method, the sense of security still doesn't exist

So he only took with him tobacco and pipes, which were insignificant on his body and would not cause misunderstanding even if they were found. He was quite single and walked along the corridor.

When passing through the kitchen, an Yizhi glanced inside quietly. He saw the old man who had just talked humming a minor tune, stirring in front of the big pot with a spoon in his hand, and throwing some chopped firewood to the stove from time to time.

Generally speaking, there was nothing suspicious for the time being. Ann didn't dare to stay in front of the kitchen door. She just glanced and continued to move forward.

When you see a staircase that turns up, the right side of an Yizhi is the living room that prevents things such as sofas. There is a closed door opposite the living room. It is unclear what role it plays for the time being.

Stepping into the living room, a burst of warm air surrounded him, and his frozen fingers felt a pleasant relief before moving forward in the rainstorm.

The warm breath comes from the fireplace, which is burning with red flame. The user is also very considerate to install a metal valve with hollowed out on the fireplace to prevent smoke from pouring directly into the living room.

A row of firewood was neatly stacked on one side of the fireplace, and the sofa was not far in front of the fireplace, placed on an oval soft carpet.

An Yizhi sat down on the sofa with the formal appearance of "visiting a stranger's house for the first time" and looked up at the top of the fireplace.

There hung a giant salmon specimen half a meter long, with a specimen of a larger giant bone tongue fish on the side, which should be the prey of the old man.

On the other side of the firewood, there is a closet with picture frames scattered on it.

This aroused an Yizhi's curiosity. He listened attentively. He heard that there was no sign of stopping when the old man cooked stew in the kitchen, so he quietly approached the picture frame.

The photos in the photo frame are color, and they are not the kind of "color photos" with black-and-white negatives painted by hand. The two have obvious differences that can be seen at a glance.

This made an Yizhi clearly realize that the current age of the copy should be after the 1960s. Only in this age did color photos begin to be popular on a large scale.

——Although it was not popular, it was completely swept into the garbage of history by digital technology.

Many of the photos in the photo frame are independent photos of the elderly, such as hunting or fishing. In addition, there are several photos that do not belong to the elderly.

An Yizhi saw a middle-aged man and a teenager. From the face, the two should be the son and grandson of the old man. The family both have a very strong physique. At the same time, they can also see some inheritance relationship from the facial features.

It's strange that an Yizhi didn't find the photos of the old man's wife, but it's not too strange. For an old man living alone, he has countless stories to explain.

Hearing the footsteps approaching, Ann quickly returned to the sofa with light hands and feet. Then she saw the old man holding a dinner plate with a bowl of thick soup with cream and a piece of white bread on it.

"You must be hungry. Come and try my cream soup, which is made of fresh vegetables just picked this morning."

The old man's smile makes people feel good, but an Yizhi is a little worried about the poison in the soup