Chapter 651

When the scene of ten thousand trees green was staged like a movie in the altar, the horizon in the distance began to darken, and a black line began to move slowly from the sky, casting a huge shadow on the earth.

The coal boss shouted impatiently, "where's the passage? Where's the passage home? Hurry up, we're going to fall into the deep well of time and space!"

Qingmu went to the willow branch cut on the ground, sat down, looked at the thin leaf just growing on the branch and said, "when it grows into a tree, we can go back."

"Quack? Wait for it to grow into a tree?" the crow was stunned for a moment, and then cried mournfully, "quack... When it grows into a tree, my flowers are old! My sauce elbows are hairy... Quack..."

Aoki touched the tender willow bud again with his hand and felt the countless ties with his distant hometown brought by the touch of new green. In his consciousness, he saw many weak wickers swinging in the wind, like a green door curtain. With only a slight lift, he could lift the curtain and walk into his long lost home.

Unfortunately, his outstretched hand could not reach the wickers. He was still a distance from the curtain. He felt that it was a bit like the boundary of a dream, as if he crossed from one dream to another. If his mental power was not strong enough, sometimes you could see the existence of a dream next door, but you could not touch its boundary and cross the past.

"The century old trees are really long, but we will soon be covered by the space-time static zone. The century here will take only a few days on the earth, maybe one day is enough," Aoki said.

"Then Ruhua won't be old! Sauce elbow... If it's winter, you can eat it... But it's better to put it in the fridge, or just make it again... A hundred years... Huh..."

The crow tilted his head and thought, and suddenly became frightened, "quack! If the flower is not old, we will quack! In the static area of time and space, we will die!"

"Therefore, we should hide outside the static area of time and space." Aoki stood up, returned to the center of the altar and held the soul of wood.

"Outside? You mean the room where the helicopter stops... The space-time bubble?" the crow looked around. "Of course, it's best if you can find that bubble, but I think the parking garage of the swordfish is very suspicious."

"Oh?" Aoki asked with a smile, "why?"

"What a coincidence," said the crow. "Why is the space-time bubble in a room on a ship? Why are they in the same place twice? Why..."

It thought for a long time and didn't think of anything else. It croaked, "why is there a space-time bubble?"

Aoki smiled: "because time and space bubbles can be made, just like sauce elbows."

"What? Can you eat?" the crow patted his wings, and then found that Aoki didn't mean the attribute of "eating", so he quacked awkwardly into the sky, "I mean... It's all, er... Craftsmanship, right, craftsmanship!"

Aoki nodded: "it's all craft."

Then he pulled the soul of wood out of the ground. The towering tree in consciousness crashed into mental fragments and disappeared like a broken image.

The floating boulders fell like they had lost the support of some power, which scared the crows to shrink their necks and croak.

"Don't be afraid, they will return to their original position. We stand in the middle. There were no stones here," Aoki said.

With the falling of boulders, the whole space rumbled and shook up. Aoki closed his eyes and carefully felt the spatial cracks formed in this shock through the soul of wood, which fed back to the spiritual changes.

As early as the time when the giant moon was in the sky, he found that the shape of the giant stone floating in the altar and the altar itself was very strange. Mrs. Larry also said that it was the relative superposition of the two pyramids. But the strange thing is why the two pyramids are not opposite to each other to meet the meaning of the symbol, but the two pyramids are inserted relative to each other to form a spatial overlap?

Now he knows that this overlapping part is a special layer of space. This layer of space is likely to have been deliberately left by the original altar builder or designer to eliminate the influence of the static area of time and space.

If so, the strength of the altar builder is incredible. It is not only the spiritual ability, but the interaction between spirit and material that can make the altar fall into the static area of time and space every time it is started. It is hard to imagine how terrible it would be if someone mastered the direct influence of spirit on the material world and the spiritual power was strong enough.

The black line in the sky is getting closer and closer, and the sun is isolated by the shadow, like being blocked by thick dark glass.

Before the shadow covered the altar, all the stones fell back to the ground. There were originally two layers of space where the two empty pyramids were superimposed. After the stone fell back to the ground, it became a normal space, and the extra layer should have been annihilated. However, due to the close relationship between this space and the spiritual force field, the fragments of space annihilation were caught by Aoki with the soul of wood and collected again, forming a new space-time bubble.

Due to the escape during annihilation, this space-time bubble is much smaller than the superimposed part of the original two pyramids, which is just about as large as the parking garage of the swordfish.

The black line moved from the top of the head, and the shadow completely shrouded them. They feel that they are in a strange world, just like living in a crystal house. The outside world is real and trance.

Qingmu slowly walked up the steps of the altar, and the whole trance space was moving with them. Standing on the top of the altar, you can see the trees and weeds in the distance decay and flourish at a high speed, just like playing a nature documentary with high-speed fast forward.

"Quack, there's this way! When did you become so smart?" the crow knocked Qingmu's scalp, which was a little unbelievable.

It suddenly thought of something and exclaimed, "quack! So, the bubble on the ship is also man-made? Wow, I said it was so clever! But... How did they do it?"

"Enough powerful spiritual power is enough." Qingmu gently stroked the soul of wood in his hand. "Without a sacred staff, I think no one's spiritual power can be so strong."

"Sacred staff? But isn't the soul of fire in Ronald Cohen's cabin?" said the crow puzzled. "How can you explain that the space-time bubble is in the parking garage?"

"When we saw them, they had fallen out of the static area of time and space, and there was no need for time and space bubbles at that time." Aoki recalled and thought, "maybe it was after they fell out of the deep well of time and space that Ronald took the soul of fire back to his room and wrote the last words... But what was his purpose?"

"What? But he's not old!" the crow shook his neck and fluffy his feathers to show that it was difficult to understand. "And..." it cried, "where did the space-time bubble come from later? Why are they still in the parking garage?"

Aoki said, "don't forget, what we see is only half the soul of fire."

"Isn't the other half on earth?"

"This is what Ronald said. We can't confirm whether what he said is true or false."

"You mean the half root is hidden in the parking garage? And... Quack!..." the crow seems to think of something terrible. "There is still a man hidden in the parking garage?"