Every person, every bird and beast, the details of his body are extremely refined and vivid.

It can be seen that the painter who painted this mural must be everyone.

On the far left and right side of the mural, there stands a giant giant giant tree. On the left, standing among the mountains, it is dark and purple, emitting a cool and quiet atmosphere.

Around this huge tree, many gray creatures linger on the earth. Some are preparing to walk into the mountains. I don't know why.

The tree on the far right is straight and red, with nine branches, nine leaves and nine fruits. On each of the nine branches stands a golden tripod.

Compared with the one on the left, this tree gives people a different feeling. It is vibrant, hot and sunny.

Looking at the two giant trees of completely different types, and the creatures on the ground who walk from east to west, and the more they go to the west, the more sad they look on their faces, Jiang Le fell into deep thought for a time.

The red giant tree on the far right of the mural, if he guessed correctly, is likely to be the legendary Fusang.

Fusang is a giant tree recorded in the book of mountains and seas,

It is said in the book of the Liang Dynasty, the kingdom of Fusang, where all the Yi people live, that Fusang lies more than 20000 miles east of the Great Han Dynasty and lies in the east of China. Its soil is mostly made of Fusang wood, so it is named.

It is described in the book of ten continents in the sea: Dai Zhou: there are many trees with mulberry leaves and mulberry trees. The trees are 2000 feet long and more than 2000 meters around. The trees have the same root and depend on each other. It is named fusangye.

Ancient people believed that Fusang was the place where the sun rose, so in the murals, the giant tree in the East was as red as fire, and Jiang Le was understandable.

The nine golden three legged birds standing on the Fuso tree can be seen as the divine bird in mythology and Legend - Jinwu.

Fusang and Jinwu, which represent the sun, mean the east of the earth, while the west is opposite to the East.

"Is there any giant wood in the west?" Jiang Le asked himself.

In an instant, an idea jumped out of his mind.

Jianmu!

Jianmu is a sacred tree worshipped by ancient ancestors. In legend, Jianmu communicates with heaven, earth, man and God. Fuxi, Yellow Emperor and other emperors return to the world and heaven through this tree.

Among the many cultural relics unearthed in Sanxingdui, Guangyuan City, there is one of the most famous bronze trees. This tree has exquisite workmanship, including branches and leaves, flowers, fruits, birds, animals, hanging dragons and divine bells.

Many archaeologists believe that the prototype of the bronze tree is probably Jianmu.

From this, we can know that there must be some special relationship between Sanxingdui civilization and Jianmu.

The mural is huge, and there must be many clues and information that have not been found by Jiang Le. Jiang Le took out his mobile phone from his pocket and photographed the whole mural in order to record every detail on the mural in detail.

However, at this time, in a coffin pile not far away, a skeleton lying on the coffin attracted Jiang Le's attention.

The skeleton was wearing leather jackets and jeans and a pair of sneakers on his feet, which was obviously a modern product. Next to the skeleton, there was another skeleton leaning against the coffin.

This skeleton is even more amazing. He is wearing a military helmet, a military uniform and a submachine gun in his hand.

"Modern people?" Jiang Le was surprised.

Is this the reason why the state announced that it would no longer excavate the Sanxingdui site?

In this place full of ancient coffins, it is of great significance to see the bones of modern people.

This means that the state once sent special personnel to explore and investigate here, but I don't know why these people didn't go out alive in the end.

Looking for a pass nearby, Jiang Le finally found a lot of modern human bodies, a total of 14.

None of these bones had any scars, which showed that they died not because of murder, but because of natural death.

Obviously, I am in a treasure house of great wealth, but I can't bring out a trace. I have to say that this is one of the most painful things in the world.

After shooting the details of the complete mural, Jiang Le put away his mobile phone and continued to walk deeper to the left of the grottoes. The deeper he went, the fewer coffins piled up on the ground.

At the same time, the shape and material of these coffins have also changed greatly, and began to have copper, iron, gold and silver. Obviously, the wind of luxury has increased.

After hundreds of steps, there was a stone step. As the stone steps ascended, a huge Phoenix foot stone table was reflected in Jiang Le's eyes.

On this stone table, there are two wooden boxes and a lot of messy paper. Judging from a ballpoint pen scattered in the paper, it should be left by those modern people who died outside before.

He picked up a piece of paper and Jiang Le immediately browsed the text on the paper.

"After being sucked in by the vortex, we have been here for two days. At present, we still can't find a way to leave here. If this continues, everyone will die here."

"The secret of Sanxingdui civilization should exist in this scroll on the table. We are studying it, and the summarized reports will be recorded on paper. If someone comes here one day, I hope you can go out alive with these materials and give them to the country."