Chapter 13

It's probably because it's relatively late. There are not many people in the restaurant. Except for the table where two black people are sitting, there are four or five guests in the corner. Besides, the waiters are all standing near the counter. From the transparent glass curtain wall, the situation in the restaurant is clearly visible, which is enough to ensure the shooting effect. While dialing 911, Murphy turns on the recording function of the mobile phone, so you have to be prepared for something. "This is 911!" A woman's voice rang out from the receiver, "what's the matter with you?" "Hello, I want to report something." Murphy through the glass curtain wall, staring at the two black, "last night in the Santa Monica Valley bill road committed robbery and death of the location of the two criminals." The person across the line immediately asked, "where are you?" "I'm following them." Murphy had already finished the draft. "They just stopped at the intersection of Ronald Avenue and seventh street in Beverly Hills. Now they're in a chain of pizzas called 'morz'. I can see them ordering food in it." "Good!" The other party confirmed, "it's the Moores pizza chain at the intersection of Ronald Avenue and seventh street in Beverly Hills, right?" "Yes, this is it!" Seeing the waiter serving food to two black people in the restaurant, Murphy stopped for a moment and continued, "I can confirm that these are the two culprits who committed the crime last night. That's them!" "Can you give a brief description of their characteristics?" On hearing this, Murphy's mouth tilted slightly. "Of course! One black man was wearing a striped coat, the other was wearing a beige long shirt. They were all bald, about 30 years old. Now there are only two black people in the shop "Sir..." Maybe it's about offering a reward, and the other person asks, "what's your name? How can I contact you? " "Murphy, Murphy Stanton." Murphy immediately replied, "this is my phone." He added, "I see they seem to be carrying guns!" "You said they had weapons?" At this point, Murphy is not going to continue. "Sorry, I'm going to hang up. I think they've noticed me." This is an excuse, of course. After hanging up the phone and putting away the mobile phone, Murphy took the portable camera from the co pilot. After skillfully turning it on, the camera aimed at the two black people in the restaurant through the rolled down window glass. He concentrated on looking there, want to focus on, quality and quantity of shooting his own director of this good play. The case took place in the rich area of Santa Monica, which is also the famous Beverly Hills. Murphy believes that the police will never turn a blind eye to the information provided by him, and will definitely send people to come here as soon as possible. Will those two criminals be captured without any help? Judging from the scene last night, this possibility is almost zero. How can two black people who are so cruel not resist the arrest of the police? Although he did not see two black men with guns at all, Murphy guessed that there was a high probability of a gun fight. Think about it, it's a very real gun fight between police and bandits. In "stealing the line of fire" directed by Michael Mann, the gun fight scene is praised for its classical realism, but compared with the scenes that may happen next, what can that scene be? Before entering Hollywood, there is a chance to shoot a super hot gun fight. It's really rare. What's more, once he shoots a police bandit gunfight, what kind of price can news videos sell? There are fewer and fewer vehicles on the road, and the surrounding area becomes quiet gradually. The occasional night wind gets into the car, bringing a little coolness to Murphy. There are a lot of sweat beads on his forehead. Although the play is going completely according to his idea, he still feels nervous when the climax is coming. Time seemed to be standing still. Murphy held his breath and looked at the two black people through the video camera. They were still eating and would not leave for a short time. A police car quietly turns into the road and comes from the opposite side of Murphy. When it is about to reach the location of the pizza shop, it stops at the side of the road. Two patrolmen get off and walk towards the main door of the restaurant. "It's coming at last!" Murphy murmured that the camera was changed to a wide-angle lens. When the two patrolmen came to the restaurant door, they were also photographed in the picture. Two patrolmen pushed the door and walked into the restaurant. They didn't seem to see the two black people. They just walked straight to the counter, as if they were just ordinary customers coming to buy supper. But their appearance obviously aroused the vigilance of the two black people. Murphy could see clearly from the picture taken by the camera. Both black people put their hands in their clothes, and the fatter one took out something and put it under the table. The parking space was carefully selected by Murphy. From this point of view, you can see the scene under the dining table. Murphy immediately switches to a close-up shot. What appears on the small screen of the portable camera is a dark M9 pistol, and the muzzle of the gun points to the two patrolmen.Controlling the camera, Murphy constantly switches between wide angle and close-up, just like a working director and photographer, meticulously shooting all the wonderful pictures. So far, the venue, the shooting background and the pros and cons are all in place, and Murphy only waits for the final gunfight. However, the two black people were more restrained, and they were not sure why the police were here. After all, the other person might just come to buy pizza for supper. Another police car came from the opposite side and stopped near the previous one. Two policemen also got off and went to the restaurant. The two patrolmen were very slow. When they walked past, they took out their pistols and checked them. Although they finally put them back in the holster at their waist, they were obviously ready to use them. Murphy's camera temporarily leaves the restaurant, aims at two patrolmen, and then follows them back to the restaurant. Although the two policemen also went to the counter, it seemed that they just came to have supper, but the two black people's expressions changed. In the picture of Murphy switching to close-up, we can see clearly what they murmured, and then the fatter black man stood up first. "Oh, my God!" Murphy could see clearly that as the fatter black man stood up, he raised his hand with the M9 pistol and pointed it at a later patrolman. The reaction of the police was also quick. When the black man stood up, he also felt for the holster around his waist. "Bang! Bang... " When the gun rang, a policeman was bleeding and fell to the ground on his back. Two black men shot at the policeman one after another. The rest of the policemen also took out their guns to fight back. The fatter black man became the second one to be shot. The bullet seemed to have hit him in the head. He was hit by a large caliber pistol at such a short distance, and a big blood mist burst out from the back of his head, which sprayed directly on the glass curtain wall behind him and dyed a big red. Until then, the other customers in the restaurant, who had already been scared, gave out a piercing scream. Maybe it's living in a country like the United States, where guns are rampant. They have been educated before. After being scared, those customers didn't run around. Instead, they stuck their heads under the dining table one by one to avoid accidental injury. Although calling God in his mouth, Murphy's hand was always stable and photographed them one by one. The gunfight in the restaurant is more real and cruel than any movie. In just a few seconds, the second policeman was shot, and the blood flowing out after he fell to the ground looked so dazzling, so dazzling, it could attract everyone's attention. The rest of the black man was quite fierce. After shooting down the second policeman, he turned his head and fired a shot at the glass curtain wall behind him. The glass was like broken ice, falling to the ground. He dashed there, jumped directly from the dining room into the parking alley, opened the door of the black car and went in. Two policemen are still shooting. Different from the movie, it's really hard for the police to shoot the people in the high-speed vehicle. The black car drove out of the alley and turned onto the road where the Ford car was parked. When Murphy saw that there was another police car coming to support him and directly pursued the black criminal, he shot the last wide-angle camera for the restaurant, installed the portable camera on the co driver's bracket as fast as possible, aimed the camera at the front, and quickly started the car to follow him. In the front, the black people run for their lives in a hurry; in the middle, a police car bites tightly; in the back, Murphy follows closely, and the camera is still shooting. The speed of the car was getting faster and faster, and it was close to 70 miles per hour in a flash, but neither the criminals nor the police nor Murphy himself meant to slow down. In a twinkling, the black car in front of him came to a crossroad, but he ran into a red light. The black man would not stop and rushed into the crossroad without any deceleration. It's Beverly Hills. It's one of the most prosperous areas in Los Angeles. Even in the middle of the night, there are a lot of cars coming and going. In the movie, it's always dangerous to run through the red light of this traffic flow, but the reality is not the movie after all. The black car rushed into the intersection. Just halfway through the road, it was hit by a Chevrolet SUV, which was coming rapidly on the right and couldn't stop. The harsh sound of metal collision sounded, and the black car was hit by an off-road vehicle which was far heavier than itself. It could no longer maintain its balance and rolled out laterally. Here is an intersection, there are other vehicles in the traffic, rolling black cars immediately triggered a series of collisions, all kinds of vehicles are like the park's bumper cars, a mess of the collision into a pot of porridge. When Murphy stepped on the brake, his Ford car stopped outside the intersection. Seeing the situation inside, he immediately took the camera that was still shooting on the co pilot and changed it to manual shooting. Not only that, Murphy jumped out of the car and rushed to the scene of the accident, looking for a suitable angle to shoot the rare accident.At this time, as the center of the accident, the deformed door of the black car was kicked open from inside. A man full of blood swayed out, supporting the ground with his empty hand, and seemed to want to stand up. It was not only Murphy who got out of the car, but also the police who pursued the police car. Seeing that the black man with blood all over wanted to get up, the two policemen who slowly approached immediately pulled the trigger [it's going to be 515 soon. I hope it will continue to hit the red envelope list of 515. On May 15, the red envelope rain will be able to give back to readers and publicity works. A piece of love, certainly better! 】