Chapter 43

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"Kerry!"

In the temporary studio of the living room, Murphy called over Kerry Mulligan. The effect of the trial shooting just now was good, but he thought that Kerry Mulligan could do better. "You haven't come to the time of change yet. You should show the naive side more naturally."

After rejecting James Franco's invitation that night, Kerry Mulligan gradually formed a plan to temporarily suppress her views on James Franco. No matter rehearsal or field shooting, although her performance is far from perfect, it can also let people see her rapid progress.

James Franco, on the other hand, gets out of the role and looks at Kerry Mulligan, who is listening to Murphy. In recent weeks, he shows his so-called sincerity. The girl's attitude towards him has obviously improved. It seems that the rookie director's statement is very reasonable.

Although Kerry Mulligan won't fight with him, he occasionally talks and laughs, which comforts James francocchio's itchy heart. Everything is changing for the better

He raised his mouth as if to see the desire in his heart come true.

"You did a good job, Kerry." Murphy continued to say to Kerry Mulligan, "but I know you can do better. Didn't you tell me you were a genius? Show me all your potential. "

Kerry Mulligan wrinkled his nose. "I will."

"Get ready." Murphy waved to her.

Next to the makeup artist Jack Watson immediately followed Kerry Mulligan to make up for her and James Franco.

Next, it's a trial shoot. As a director and photographer, Murphy not only needs to adjust the actor's state and position, but also needs to find the most suitable shooting position and technique.

Although many shooting methods have ideas when making plans, for a novice like him, sometimes there is a big difference between ideas and field shooting.

"Lights ready!" Murphy picked up the camera and said, "get ready! Start

As a result of the previous trial shooting, both the ordinary lighting engineer John Douglas, the leading actor and heroine James Franco and Kerry Mulligan quickly entered the state, especially the latter two, according to the set position, appeared in Murphy's camera lens.

James Franco's cup is handed to Kerry Mulligan. Kerry Mulligan looks back at the living room, looks at James Franco with bright eyes, but does not answer the cup.

"What's the matter?" Asked James Franco.

Kerry Mulligan said naively, "adults tell us that we can't drink drinks from other men."

After several rehearsals and trial shooting, their mastery of the play is improving, but Murphy doesn't use the shooting method of the trial shooting just now, instead, he uses a new way of walking and shooting.

In shooting, not only actors and other staff behind the scenes need to be adjusted, but also directors and photographers need to be adjusted to find the most appropriate way to produce the best effect.

There are two ways that Murphy tries to take pictures in a closed way. They are also very helpful for him to take pictures in a closed way.

In addition, when he used stanicon to shoot, he also paid great attention to the spatial coherence of shooting.

Spatial coherence is very important. Murphy has long determined the shooting center of the temporary studio, the living room, and then made the independent pictures with the same elements through the method of overlapping, so as to clarify the spatial relationship between the characters.

Both the close-up of James Franco and the panoramic view of Kerry Mulligan are shot with the cup, which can not only express the strange relationship between the two, but also convey a message to the audience that the cup will play an important role in the following plot.

Murphy is also very careful to avoid too many close-up shots. The stereotyped close-up of Gao Daquan is not the only way to clarify the spatial relationship of characters. Otherwise, the continuous close-up shots in the film will only make the picture stiff and inflexible without any intelligence.

Therefore, Murphy takes Kerry Mulligan as the axis center and takes a clockwise detour. This 360 degree axis is also a common shooting technique in movies. In particular, the famous Michael Bay basically gives a 360 degree axis when showing the relationship and emotions of the characters.

Axis shooting was originally created for smooth editing. Many people think it's too rigid and should be broken, but Murphy doesn't think so. This technique is still widely used today, which shows its value. Especially for novice directors, a thing must be skillfully applied before breaking. Otherwise, what's the difference between it and random shooting?

Of course, there are also many directors who break the axis, such as breaking psychological expectations, creating a sense of confusion, changing the position of characters and so on, but they are all created after they are skilled.

After the trial shooting, Murphy didn't start shooting immediately. Instead, he announced a break and called the editor over.The editor was in place a few days ago. He came from channel 6 of fox Los Angeles TV station. He was the Griffith that Murphy had studied with. He only paid $10000 for friendship.

Compared with Murphy, Griffith, though not famous, is an experienced veteran in editing.

Experience can be used to share and learn. Griffith taught Murphy many details about how to schedule the work of an editor as a director, such as how the director arranges the editing staff on the shooting scene, how to communicate with them, how to deal with the rhythm, how to arrange the material, and how to use music and sound effects in editing.

Murphy and Griffith went into a temporary studio on the right side of the living room with some of the video materials shot today to make preliminary live editing of these video materials.

As an editor, he also needs to participate in the whole process of film shooting, but many directors will not edit live. Murphy needs live editing as a supplement, which can make up for the lack of experience. For example, whether the scene he designed can be reasonably completed, or whether this form can present his ideas, so he needs Griffith's experience Help from the rich.

On the other hand, Murphy needs to see if there are other possibilities in what he has.

In addition, such live editing can also help rookie directors find a sense of rhythm.

Rhythm is a virtual thing. There are many elements in a movie, so it has many aspects. Murphy thinks about emotional rhythm most.

For example, Haley's attitude toward Jeff has changed.

After working in the studio for a long time, Murphy came out to announce the official start of shooting. So many adjustments and trial shooting directly led to the extremely slow shooting speed. In one day, only three pictures were passed.

"That's all for today."

It's getting dark outside the window. Murphy announces that the work is over. Tomorrow is the weekend. Although the shooting progress is not ideal, in order to maintain the morale of the crew, he still says aloud, "take a day off on Saturday."

He also needs a little time to sum up.

Jessica chastan came up and whispered, "I need to go back downtown."

Murphy waved her hand directly. Jessica chastan had just left, and Kerry Mulligan came to him after taking off her makeup. "Murphy, are you going back at the weekend?"

"No..." Murphy shook his head, tired on his face, and his head began to ache. "I have work to do."

"Just in time, I sent bill away." Kerry Mulligan was very excited. "I just made an appointment with James to rehearse the scene of Haley subduing Jeff tomorrow."