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"Leave me alone, please..."
James Franco's face was bloodstained, tied to a thick chair, with a noose hanging around his neck. The rope connected at the back dropped from the chandelier connected to the roof, and held in the hands of Kerry Mulligan, whose face was splashed with blood. The red coat was still on one side, and his black T-shirt stood out against the red and gray background of the room.
In front of her, James Franco tried to turn his head, "please..."
The girl did not move, just tied a girl's photo frame at the end of the rope.
With more and more things tied to the end of the rope, James Franco also extended his neck, opened his mouth, gasped, and made the final struggle, "it's not me, it's really not me! You have no evidence... "
"It doesn't matter." Kerry Mulligan replied coldly.
In front of her, after Murphy gives a close-up, the temporary rail car slides quickly and turns to the side front of James Franco. In the lens, there is also a large close-up of the face.
It's like Franco's face is wet with tears.
Castrated is the role he plays, but James Franco has a good grasp of Jeff's mentality at this time. He can maltreat others, but he is reluctant to give up his own life. In order to survive, he constantly makes various attempts.
"Kill me," he said with his last strength, "and you can't escape."
"I told you, I'm a top student." The girl is still busy tying the picture frame, "I have thought of this for a long time, you live in a remote place, no one has seen me here."
She finally raised her head, coldly killed each other's last hope, "I'm still under age, I've never done fingerprint entry, and I haven't left any DNA information. Even if I leave traces here, the police can't find me."
"And..."
During the conversation, when Murphy adjusted her shooting angle, she just turned to the opposite of James Franco and pointed to the rolls of video tapes on the table, "the police are too happy to see what you've shot. How can they go all out to investigate and solve the case for you scum?"
"One last word." Kerry Mulligan sped up, "don't be a man in hell, let alone a pedophile!"
James - Franco finally collapsed, tears and snivels suddenly again gushed out, "please! please! please……”
His voice is so sad, so pitiful, coupled with the appearance of blood and flesh, people can't stop rising a sympathy.
According to the routine of mainstream movies, bad people are punished to a certain extent, and finally they must be punished by law, especially when the heroine is a minor girl.
However, when Murphy chooses this project, he will not follow the original route, and the details and so-called thinking implied in the original film are not taken into consideration. At the beginning, he creates a cold and abnormal devil, and in the middle, he reflects the hypocrisy of the devil through many scenes. In Hayley's declassified search, he shows that the devil has poisoned several lovely young girls, and finally, he will be killed Is bound to give the devil a hearty punishment.
Cutting off the evil source of the devil and sending the devil back to hell is the most suitable atmosphere for him.
Just like Kerry Mulligan would never sympathize with James Franco, Haley would never sympathize with Jeff. Regardless of the sad and pitiful cry, she quickly walked back to the back of the chair and tied the largest photo frames to the rope. On the top of the photo frames were Emily's photos.
The rope tensed instantly, the hanging chandelier shook violently, James Franco rolled his eyes and pushed his legs hard, but he was tied tightly to the chair and couldn't make any effort
Kerry Mulligan calmly put on his coat, packed his backpack, and walked towards the door, leaving the camera with a red back.
“cut!” Murphy got up from the camera and announced, "hard candy, the shooting is over!"
“yes!”
Kerry Mulligan threw away his backpack. The first one rushed over from the door and ran to Murphy. He opened his arms and hugged him. "My first movie is finished!"
Murphy let go of Kerry Mulligan and began to hug the rest of the crew one by one. They were also very happy. The end of filming meant that they could get the last payment back.
"Hey, Murphy!"
The bloodstained James Franco came over, didn't give Murphy any chance to escape, and hugged him directly. The special ketchup instantly dyed Murphy red. He opened his mouth and said with a big smile, "the ketchup you bought smells so bad. I've had enough of it. Now it's your turn."
Murphy didn't mind, patted James Franco on the back twice, "I hope we can cooperate in the future."
He squinted. "But Kerry said that if I had another movie, she would come back."Hearing the name, James Franco immediately followed Murphy's eyes. Kerry Mulligan was staring at him with a strange smile on his mouth.
"This..." James Franco looked back. "Or I'll talk about it later. "
Finally, Murphy goes to Jessica chastan. As soon as she reaches out her hand, Jessica chastan points to his bright red and hides away.
Murphy shrugged unconcerningly, "when are you going to New York?"
"When you've settled my salary." Jessica chastan said naturally, "I can't even afford a plane ticket without money."
"I'll have someone settle with you as soon as possible."
At the end of the film shooting, their employment relationship is over. Murphy knows that Jessica chastan's ambition is not to work behind the scenes, but to become an actor. It's perfectly normal to leave.
There was no special shut-down ceremony, and there was no tumultuous celebration. After Murphy gave oral thanks to the crew one by one, the house gradually quieted down and began to clean up the equipment, simply clean up and save the film
Murphy specially went to the temporary warehouse to have a look. Most of the equipment he rented was intact. The 240 discs of film he bought were slightly better than expected, and there were nearly 20 discs left, which means that his material was enough for 1000 minutes.
"Hi, Murphy."
Kerry Mulligan, who had taken off her make-up, came over and said, "what are you doing?"
"Worry." Murphy sighed. "Next, I'm going to cut a 90 minute movie out of 1000 minutes of material. I'm going to have a headache."
"Then..." Kerry Mulligan looked up at him. "Are you going to be busy next?"
Murphy nodded, and she said, "back in Los Angeles, if I have something I don't understand, can I still consult you as before?"
With an undisguised expectation in her eyes, Murphy didn't think much, and made a phone gesture, "you know my number."