Chapter 84

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"ah..."

There was a cry of panic in the audition room. The little girl with bright eyes and white teeth shrank into a ball. Looking at the teddy bear on the opposite table, she looked frightened, "Mommy Mommy... "

There was water in her eyes, and then big tears rolled down her face. [literature building]

Murphy nodded and looked up from behind the camera, "OK, Miss Collins, that's it."

The little girl was still standing there in a daze. She didn't seem to get rid of the panic state just now. The middle-aged woman on one side quickly walked over and held her in her arms.

"Ms. Colleen." Murphy walked up to them, his voice slightly lowered. "We'll let you know the result of Miss Collins' audition in the next three days."

"Thank you." Jill Colleen nodded politely and left the audition room with her daughter.

Murphy went back to turn off the camera, took out the tape, marked it, and gave it to Paul Wilson, who had been his assistant.

In the audition just now, the little girl's performance was pretty good. Among the girls of the same age that Murphy met, she was the more spiritual type. Moreover, the role itself was not too difficult to perform, and the play was limited.

In my heart, Murphy has been listed as the first choice, but it depends on the price.

Out of the audition room, just returned to the living room, James - Franco came together, "how?"

Murphy knew what he was asking and warned in a low voice, "Jim, this is not a normal girl. Don't be silly."

James Franco went straight to Murphy's voice that night, "what kind of person am I?"

He points his finger at him. Murphy is too lazy to say anything. James Franco has a strange personality and can't guess his behavior, but he's not that kind of fool.

Murphy went up to the second floor, followed by Kerry Mulligan. "James is having a bad idea again. It will affect the crew."

"Nothing." Murphy waved his hand casually. "Jim is a man of weight."

Up to now, he can't see that James Franco is a guy who has the heart but not the courage.

In the next few days, Murphy's main job was audition, interviewing more than 50 actors, and finally finalized all the actors in mid April. The little girl named Lily Collins also became a member of the cast.

As for the passers-by audience, Murphy doesn't plan to pay extra money to hire extras. The cast has so many people behind the scenes, so it's enough to be a guest star.

And it's always a Hollywood tradition for people behind the scenes to act as backdrops.

Once the cast has been confirmed, the production team has been set up and has entered the formal preparatory stage.

Murphy has become more busy. He is not only a director, but also a producer in charge of the whole situation. Every work in the preparation has to be arranged in place, and the final audit has to be carried out.

This project is no more complicated than the last one. Murphy knows that he has only made a small cost movie, but his ability is still insufficient. He estimates the difficulties he may encounter enough. Moreover, unlike mature directors, his plan is more realistic.

In addition to the sub shot draft, he also specially prepared a storyboard for each main actor. Although the storyboard can not be described as all embracing, it is also detailed enough. It mainly focuses on the shooting of handwritten personal shots.

In fact, many Hollywood directors also use storyboards. The details of storyboards mainly depend on two factors: the director's confidence and the complexity of shooting.

Some directors want a very accurate storyboard for every shot, while others decide how to shoot only when they arrive at the scene.

Only experience can tell a director what's right for you. Murphy is obviously still in the exploratory stage.

All departments coordinate a unified time. Murphy leads the deputy director, photography, lighting, props, art director, and set master to inspect the suitable shooting site.

This stage is mainly to meet the needs of the script and find practical solutions.

A good director and screenwriter will screen out the scenes that are not suitable for shooting, or the scenes that are too expensive to shoot within the budget. Considering the funds, Murphy directly deleted several expensive car chases.

In the crew, there are special people to search for scenes, props, costumes, pictures, information and so on, and submit them to Murphy for review.

This is the most difficult step in the preparation stage. Murphy will encounter many challenges, either too many choices or too few choices. He needs to propose solutions so that the crew can make the most suitable choice.

This is also the most stressful part of the preparation phase. Murphy's work schedule is full every day.

In the whole film, there are only a few location shots, which are basically shot around Stanton studio. From the perspective of cost saving, Murphy's first choice is Stanton studio.With a few adjustments, Stanton studio is a qualified middle-class house.

In addition, Murphy, the main part of the film, plans to find a large old warehouse for shooting. The rental fee of the studio is too high for him to afford. In the five lists submitted by Paul Wilson, he and the heads of various departments inspected and finally finalized a scrap steel warehouse on the outskirts of Venice based on their opinions.

this warehouse has been scrapped for a period of time. It looks rather old. The rent is cheap enough for only 10 thousand dollars a month. Moreover, the space is large enough to build many scenes at the same time, and then there is a small hanging arm on top of the ceiling. According to the photo guide Philip Raschel, the boom can be used in some shots.

Once the shooting location is determined, the production team immediately starts to rebuild and build the scene. Even for such a small production team, the data and information of various departments are still gathered to Murphy, the director. The data needs to be sorted, screened and approved. Usually, this is the responsibility of the deputy director. If the candidate is good, he will be very attentive to the project, and any problem will be solved Mark or record problems as soon as they don't appear.

Paul Wilson has no sense of responsibility and certain ability. Unfortunately, his experience is worse than him. Murphy can only work with Paul Wilson and sum up his experience in time.

Talents in this world need a process of growth.

In addition, Murphy also has to coordinate the work of various departments. There is nothing wrong with the small crew, but there are many collisions and bumps in the work. Where there are people, there will be conflicts. At this time, it depends on the coordination and management ability of the director and the producer. If the work is done in place, the crew will make smooth preparations. Otherwise, there will be many troubles.

Film production is a collaborative project, and personnel management is the cornerstone of this project.

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