Chapter 90

The early morning sunlight passed through the bright window and fell on the drawn curtain, reflecting a golden color. Murphy came out of the bathroom, bit a toothbrush on his mouth, stood in front of the wearing glasses, and looked carefully. In addition to some infrared in his eyes, yesterday's drunkenness didn't leave too many traces.

shook his head in front of the mirror. Murphy noticed that the headache was suddenly good. He went back to the bathroom and spat out the foam in his mouth and stood for a while. Maybe yesterday's crazy play really relaxed him.

With the experience of shooting "fruit candy", he gradually found some headache rules. When his work pressure is too high and his nerves are tight, the possibility is often the biggest. When the whole person completely relaxes, the pain that can't be explained will disappear.

If you live in a relaxed state all the time, Murphy believes that the sequelae of this strange experience will be cured without any medicine.

But this is obviously impossible, in a highly competitive society, unless he has no desire or desire, and does not care about his future life.

But how many people can do this in the world?

After washing up, Murphy called for a takeout. Murphy went downstairs to the living room, because today the whole drama group had a holiday to get ready for shooting. There was no one in the studio.

Taking a plan out of a desk folder, Murphy sat down in a chair and looked through it again.

Shooting is about to start, he must be careful with every job, try to find any omission in the plan.

For a whole day, Murphy stayed at home, keeping her hearing, vision and spirit relatively quiet.

The next morning, he drove to the small city of Venice and entered the office at the entrance of the warehouse. First, he told Paul Wilson, who had been waiting here, that the project was officially renamed "electric saw" from m2.

"The electric saw?"

The news soon spread to the set, James Franco, who was making up, asked Seth Logan next to him, "how did you get such a name?"

Seth Logan reminded him, "isn't the nickname of the guy in the script a jigsaw?"

With the arrival of Murphy, the set starts to be busy. Helena espora is doing the final inspection beside the built basement toilet scene to check the setting. On the reserved camera slot, Felipe Raschel is debugging the camera, and his assistant is trying to shoot with a hand-held camera. David Robbie uses a stick to lift the main background light and keeps on shooting Exchange views with Murphy to determine the location of the main backlight.

In the scene, Beck klebert squats on the ground, checks the fetters of the props, and his big hands brush over the rubber props with metal texture to make sure they are smooth enough not to hurt the actor's ankles.

Murphy coordinated all the work, and the news of each department came to him.

There are also a lot of people on the outside of the set. Most of the main actors are still here, even though they only shoot the scenes between James Franco and Seth Logan today.

Bill rosis is also here. Murphy is listed as a super potential customer by him. Of course, he won't be absent when the new work starts shooting. In addition, he has to accompany the other two potential customers under his name.

Kerry Mulligan was wearing a simple T-shirt and jeans, holding her chest in her hands and staring at Murphy.

Next to her, Lilly, a little shorter, blinks her curious eyes and looks into the set.

"David, move the main backlight three feet to the left and try to put it at a 45 degree angle of the bathtub," Murphy yelled. "Don't turn on all the fluorescent lights. I want one to flicker when I turn on the lights."

"Philly, the first shot uses a hand-held camera. Pay attention to the wobble."

"Helen! Has the glass on the set been tested? Can you break it? ok！”

"Jack! Jack! Have the actors finished their make-up yet? How much longer? "

Looking at Murphy's orderly command of the entire crew, Bill rosis nodded slightly. Compared with the rookie in the last shooting, he matured very quickly and looked confident, much like a successful director.

He also participated in a lot of preparatory work of the crew. Murphy gave him the biggest feeling that he was making progress too fast.

Bill rosis has signed with more than one director, but the former directors have basically finished making a film, and since then they have disappeared, never having a second chance.

What about this guy? Miramax's distribution ability is the key to win the first film nearly five times the cost of North American box office, but his successful integration of commercial elements into the film can not be ignored.

As an agent or working in CAA, bill rossis knows enough about Hollywood circle, and also knows how new directors can attract attention, realize their own value, and promote the status of agent.

One is to win heavyweight awards. If you look at Murphy's age and think about the resources in the hands of your agent, Bill rosis knows that these are things far away in the future.

The other is business performance. To put it simply, it is box office.According to bill rosis, there is nothing more practical than the box office of a film. After all, the art of film is metaphysical, and no one will invest in pure art films. Even if there are, these art films have nothing to do with commerce. Films are the product of money and power.

In today's era, if there is no big man's appreciation, small cost films will gradually develop until they become mainstream directors, which is the only way for many young filmmakers. If a director's small cost films can get high box office, it will certainly speed up his film development path.

Bill rosis has also seen the script. Although the script in Hollywood is far from representing the final film, it can also explain some problems. Both the plot and the selling points of the movie are far more than those of the movie. Murphy's progress is in his eyes. I believe he should do better than the movie.

"See, little one." Kerry Mulligan pointed to Murphy and said to lily, "Murphy must be the best director."

Lily was only twelve years old, but she had a lot of experience. She shook her head in disapproval. "I live in Beverly Hills, and I haven't heard of him before! It's just a little director who can only make B-class films! "

"What do you know, you little boy?" Kerry Mulligan turns around and stares at Lily fiercely, but her baby face is not scary at all. She puts up a finger and says forcefully, "in another ten years, you'll see, Murphy will be the top director in Hollywood!"

"Cut..." Lily looked scornful.

In the set, James Franco and Seth Logan have already reached their respective positions, and the shooting is about to start. Kerry Mulligan closes his mouth and even breathes less, as if for fear of disturbing Murphy's shooting.