Chapter 92

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As a director, some habits and rules are best formed in the early stage of his career, even known to everyone in the crew.

Like how to get along with actors.

These are not the problems for the crew of "the electric saw scare". The film comes from Murphy's independent investment. James Franco, the most famous actor, has a good personal relationship with him, and no one else has the right to point three or four fingers at him as a director.

If we switch to other projects in the future, will there be more famous actors in the project?

To some extent, it's normal for actors to love vanity, even most of them admit it.

So why did Murphy show them what they had done? When they catch a glimpse of the screen, they want to see more, to see if the shadow fits or if they have a double chin.

As a director, what Murphy wants is a real performance. As actors, in most cases, they want a perfect appearance in addition to acting skills.

Who will win in the end? In order to completely avoid this problem, the director had better keep the actors away from the monitor. If it is not necessary, don't ask them to come.

Since the last shooting, when Kerry Mulligan or James Franco asked about their performance, Murphy always repeated a sentence: your performance is really perfect, honey.

That's the end of the first day's work. Before shooting the next day, Murphy called the heads of all departments together and held a short meeting.

From the time he finished the script, he began to make a lot of preparations for the early shooting. He made a lot of ideas and imaginations for every play, every character and even some subtle actions in the script. The early scene watching is to bring the plot into the scene and make a lot of possible shooting assumptions.

After the shooting is started, a shooting meeting before work every day can implement the shooting to small details.

Of course, even after full preparation, due to various reasons of the shooting scene, the heads of all departments still need to face the situation of on-the-spot play. In such an emergency, the whole crew will wait for the director's next action, and Murphy also encountered such a problem in the later shooting.

For him as a director, the most important thing is active thinking and excellent basic skills.

The support of technology and thinking is the premise and foundation for the director to deal with problems, and also the guarantee for the smooth operation of the crew.

Sometimes, when filming a scene, Murphy will let the actors learn how to be creative first.

However, if the actor's ideas are far from his, Murphy will try to get the actors back on track instead of getting them lost in their own direction.

This requires planning, accurate expression of the story and the character's thought storyboard, when the most effective.

After shooting for a week in a row, James Franco and Seth Logan's role of being alone in the chamber of Secrets gradually came to an end. After careful preparation, the crew ushered in the shooting of a drama.

Behind the two cameras, Murphy and Phil Raschel each operate one. Raschel's assistant sets up stannikon, standing slightly outside, ready to step forward and take pictures at any time.

On the set, James Franco is crazy. He picks up the hacksaw on the ground, takes off his shirt and binds Beck klebert's prosthetic leg. The saw blade falls in the middle of the prosthetic leg and goes crazy.

He sawed the resin surface slightly, and the bright red liquid gushed out instantly, and some of it rose and fell on his face. James Franco didn't mean to stop. He howled in pain and continued to saw his legs. The red juice flowed to the ground, dyed it red a lot, and then splashed around with the big sawing.

It seemed as if there was a blood rain around. It looked so cruel.

Two underage girls, Lily and Kerry Mulligan, were taken away by bill rosis before Murphy's shooting, especially Kerry Mulligan. He can't say why. He was always worried that her mental health would be affected if she saw these.

However, the busy work also makes him have no time and energy to think about these things.

Above James Franco, a huge microphone is quietly hanging there, recording his pain and wailing, plasma splashing to the ground, hacksaw cutting skin and muscle

These sounds need to be recorded live.

Due to the limitation of scene and cost, it is impossible for the crew to use the boom here, so an intern has to hold the boom to hang the microphone. It seems easy, but it is actually a hard work. From the perspective of Murphy, the intern's forehead is covered with sweat.

The intern's main task in the school is live recording, otherwise he will not temporarily act as an assistant to the recording engineer.

The work of lifting the boom seems simple, but in fact, it is highly professional. Lifting the boom and following the microphone line can affect the effect of on-site recording. Even simple following the line has a lot of stress, such as the fast retraction and playback of the line, the male end of the line to the recording equipment, and the female end to the microphone on the boom. There should be no stumbling or knotting in the middle of the line, and it should not be connected with lights and other electricity The source line is too close, otherwise it will produce interference sound.Moreover, there are many ways to lift the bar. This intern is the ear of the recorder. It can be said that if he does not do well, the recorder is blind.

This job is by no means easy to find someone to go to that microphone. If the microphone is pressed low enough and can't appear in the camera, it needs a lot of practice. For example, because this intern has done similar work before, he can know the lowest position of the microphone just by looking at the monitor.

It's unprofessional and irresponsible to hold the microphone high in order not to help. The recorded things are always useless.

This physical work also needs strong willpower. When Murphy shoots the full scene, he has to put a 20 foot long pole, add the character movement, and a slightly longer lens. It's almost too tired to break his hand. During this period, no movement is allowed on the interns' hands, because the friction and vibration caused by every movement of his fingers will be clearly transmitted to the recorder.

Maybe some people think that with wireless recording, Murphy still uses this stupid method, which is simply out of date.

Wireless is good, but it can't receive the ambient sound. At the same time, its frequency response range is also very limited, which is far less than the sound quality recorded by the cable microphone.

The sound of James Franco's character sawing his legs can undoubtedly increase the atmosphere of the film and bring more terrifying hearing effects.

After filming the scene, Murphy announced the temporary end of filming, and all the crew, including him, moved to an empty space in the warehouse to exchange needles for tens of thousands of needles.

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