Chapter 97

Genius one second to remember, to provide you with wonderful novel reading.

After shooting the family part of Dr. Gordon played by James Franco in Stanton studio, Murphy led the crew back to the warehouse set in Venice to continue shooting the remaining few parts. Although he saw that James Franco had a delicate relationship with lily Collins, he didn't say much. Moreover, James Franco also paid attention to others It is rare to show the intimacy between the two.

As for whether there will be more intimate contact between the two people, the shooting has come to the end, and the scenes of Lily Collins and James Franco are all over. Murphy no longer cares about these.

He's too busy with his own work to care about James Franco's idiosyncrasy.

Kerry Mulligan also left the cast and went back to school to deal with the drop out. Jonah hill and Seth Logan, who can detect some signs, have no time to watch. How can they break this delicate relationship.

In the warehouse set, Murphy and the crew enter the last set. He stands behind the director's monitor, next to the editor Jodie Griffith. They are watching the shot just finished.

This situation is not only common in Murphy's crew, but also common in Hollywood.

"For post editing, just cut off the previous section of the jigsaw..." Jody Griffith pressed the pause button, pointed to the monitor screen, and said, "suddenly insert the screen he appears, it will have a terrifying effect."

Murphy hands chest, head in accordance with Jodie - Griffith said automatic play interpretation again, gently nodded his head, "this is it."

As Jodie Griffith left here, Murphy looked up and saw the deputy director Paul Wilson give him an "OK" sign and said in a loud voice, "attention, all departments. Now clear up and continue shooting."

The people in the set come out quickly. Philip Raschel sits behind the camera on the slide. Murphy takes the camera from the camera assistant and goes to another preset position to prepare for close-up shooting.

The recording microphone slowly fell from the air, and an Asian, an African and a white actor were ready.

At Murphy's command, the shooting starts again. The police officers played by the three actors confront Rabin bell, and behind them is Baker klebert, the prop master, who is tied to the knuckle prop.

His limbs and head are fixed on a steel frame. Once the timing starts, the machine will twist his limbs 360 degrees and finally break his neck, causing a tragic death.

Murphy uses a hand-held camera to capture Rabin bell, while Philip Raschel's lens rotates in the opposite four people.

Facing the three police officers, how could the vertical saw obediently submit? He pressed the remote control and started the knuckle rack. The microphone used for recording fell on the top of the homicide mechanism, recording the sound of knuckle rack rotation and Beck klebert's panic.

After more than three weeks of shooting, Murphy's crew has developed a certain tacit understanding.

The black man asked two police officers to rescue Beck klebert. He was staring at the saw. There was a bunch of keys behind the knuckle rack. The white police officer picked it up and tried to unlock it. But the unlocking was connected with the hidden shotgun. As soon as the key was inserted into the lock hole, the shotgun hidden behind Beck klebert rang

When a gun goes off, a white police officer falls to the ground, and the black and another Asian police officer are distracted. The hacksaw takes the opportunity to give the black a knife and then escape

Murphy stops, and the crew rearranges the scene. The actor who plays the white police officer has to make up to shoot a close-up to show his tragic death, so that the later editing can be cut together with the shot just taken.

Beck klebert also got off the knuckle, and the command assistant and two interns tied the elaborate dummy to it.

This killing device is not just a prop, but can really be activated. It may be very difficult to break the human skeleton, but there is no problem with the dummy made of broken resin.

The shooting starts again. The Asian police officer drops the dummy to see the black police officer. The black police officer has ignored the victim behind him and asked him to pursue the saw. After the Asian police officer leaves, under his notes, the machine turns and the man's hands and feet are twisted one after another. Facing the sound of bone fragmentation and the simulated sound of Baker klebert, the black police officer covers the knife with one hand The other hand raised the gun

"Stop!" Murphy put down the camcorder. "This one's gone! Go to the next scene. "

The crew began to work on the transition, and he went back to the back of the monitor to watch the shot just taken.

Many of them need to make choices when editing, especially if they can be shown in the cinema, they must be carefully selected, otherwise they will definitely become NC-17.

There is no doubt that the knuckle rack comes from the design of the following films. Compared with the mechanisms in between, it is also more bloody and cruel. Murphy has not considered whether it is appropriate to do so, but now the future of this film is uncertain. Where does he want to consider the sequel.

Even if there will be a sequel in the future, it will be after the success of this film.There is only one scene left behind. The Asian police officer chases the saw. After shooting, he thinks he hit the saw. When he approaches, he is ambushed by the mechanism and dies miserably.

Murphy also made changes here. Previously, he had used the shotgun mechanism. Here, it was replaced with a giant nail stick. What the Asian police officer stepped on was not a thin line that might cross, but a flap across the whole corridor.

In a word, even if the police officers use the action of hurdle, they can't avoid turning the board, and they will be killed by a whole row of giant nail bars falling from the sky.

He's also one of the few ethnic minorities to die in the film, and he died when he dutifully pursued the jigsaw.

When Murphy selects actors, he pays great attention to the fact that all the people who have been tried and died by a jigsaw have the same characteristics, pure white, middle-class or relatively rich background

There are no black people, not to mention any ethnic minorities, on the bright surface and inside.

Although it's not sure whether the film can enter the cinema channel, Murphy is also following some common laws of cinema films. These laws are lessons drawn from countless films' splashing on the street, and there are always some advantages to avoid them.

He is not particularly clear about what is going on in North American society, but uniting ethnic minorities has always been the political right of Hollywood films.

The transition work was soon completed, and Murphy then began the last shot. Asian police officers chased the saw to death, and blood flowed through the channel. The main camera gave the saw a final close-up. All the shooting work was officially completed.

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