Chapter 108

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"Boss, they're ready."

In a small building in Burbank, Jones Butler accompanied a fat man to the drawing room and said, "I promise, the film will shine. It's the best horror film I've seen in the last two years."

Harvey Weinstein turned to look at Jones Butler. "Is that little director really improving so fast?"

Jones Butler nodded solemnly, "it's not appropriate, but I think the gap between" fruit candy "and" chainsaw thriller "is just like Spielberg's" silly girl on the run "and" great white shark. "

The film itself can not be compared, but there are some similarities between the two works in terms of the changes in the level of directors.

Two people go to the studio, Jones Butler step forward to open the door, Harvey Waynes frankly go in first, there are Miramax film's several market assessors in the studio, behind them the projector, the once met director is with a fat and a thin two people, doing the preparation work before the show.

Murphy also saw Harvey Weinstein, for him, this is the real super boss in the industry, immediately put down the work at hand, and quickly welcomed up.

"Hello, Mr. Weinstein." Harvey Weinstein's appearance gave him some surprises.

The fat man on the other side didn't say anything, but just nodded to him. Jones Butler came over and whispered, "how are you getting ready?"

Murphy didn't think so, nodded, "you can start at any time."

Jones Butler looked at Harvey Weinstein, and when the fat man sat down, he said, "let's go."

At Murphy's signal, Seth Logan goes to close the curtain. James Franco turns off the light. Murphy stands behind the projector. The light on the opposite screen lights up.

Including Harvey Weinstein, all the people in Miramax's film studio focused on the screen.

Murphy is at ease as a projectionist. Occasionally, he stretches his head to see the front. People in Miramax are concentrating on watching movies. Many people's pens fall on their notebooks from time to time. The main object of his observation is Harvey Weinstein. He can't see the expression of the fat man from the back, but he's very straight. It seems that he hasn't changed for a long time I've lost my posture.

What does that mean? One is that he may fall asleep, the other is that he is totally attracted by the film.

No matter what way you think about it, Murphy thinks that the possibility of the first item is infinitely low. This is the power saw. With his current ability, he may not be able to do much better than the former one, but it will not be too bad. In particular, the cross montage, which is widely used, throws out enough suspense and large-scale bloody scenes.

In the East, these scenes are more disgusting, but the traditional horror films in North America are totally different from those on the other side of the ocean. The more plasma there is, the more terrifying it is.

This is not Murphy's own view, but an objective existence.

A horror film, if it doesn't even have the most basic atmosphere of terror, is bound to fail. His film won't. when Kerry Mulligan's character jumps into a sea of syringes, it's obvious that several people can make a small exclamation.

Jones Butler was breathing quickly in a low voice. Although he looked at it for the second time, it still seemed that the ten thousand needle hole was damaged.

When Jonah Hill's fat man appeared in the gill net maze, his blood, stomach juice, tears and saliva all flowed. It was like

Harvey Weinstein finally changed his posture, subconsciously raised his hand and wiped the sweat on his forehead. Unconsciously, he thought of himself from the fat man, and his fat body had a cold war.

This movie is really scary.

There is also a joint twisting frame at the back, which can crush a person's body

A few people turned their heads and looked back. They wanted to know how abnormal the director had to be to come up with these fancy ways of killing people.

What they saw was a young, calm and serious face.

When he saw the nurse break into the secret room, Harvey Weinstein gently nodded his head. This is a very good horror film. It can be said that it combines many advantages of Hollywood traditional horror film and skillfully makes up for many defects of traditional plasma film.

Harvey Weinstein has a good understanding of the horror films produced by Hollywood. Many of them are the same kind of plasma killing, which is also the demand of the market, because the most widely spread, the smallest cultural gap and the most fans are always the kind of crazy killing feast that doesn't need much thinking, especially those sequels, such as ghost street and star 13 Issue 5, Texas Chainsaw killer

Even Miramax's ace series scream can be summed up in this category.

There is no doubt that these traditional killing movies all have certain defects. They often use a far fetched, abnormal or supernatural excuse to create a ferocious murderer. The biggest point is nothing more than a variety of death methods that challenge the limit.

The biggest problem is the audience's aesthetic fatigue, which directly leads to the depression of traditional horror film market in recent years.This movie is obviously different. Although it is violent and bloody, it is full of entertainment elements, mechanism traps, dark human nature, closed space and the answer to the real murderer.

The dirty scenes, the chilling murdering organs and the cruel scenes all carry a strong sense of horror. They skillfully use the complicated clues of flash before flash and explain after flash, and the cohesion and nesting of plots are more exquisite than detective stories. Compared with B-level movies, it is a superb suspense movie, which can be watched, tasted and verified repeatedly, Even resonate.

It's a terrific film.

Harvey Weinstein made a judgment, but the fat face remained calm, such a horror film is indeed rare in recent years, but it is not as exaggerated as Jones Butler said, right?

But the next moment, he changed his mind.

The nurse is not the culprit. The corpse lying in the secret room stands up. His body is bent and looks old and weak, but his eyes in the close-up are extremely sharp, as if he can see through everything in the world.

Then the flashback of the cross montage appeared, especially the police said that "the killer likes to watch his masterpiece up close", so many people suddenly realized.

Harvey Weinstein holds the armrest of the chair tightly in one hand, with a little surprise on his fat face. Despite the numerous movies, the ending is completely unexpected.

He couldn't help looking back at the projector. It was incredible that the young director had made such great progress in just a few months. (to be continued). )