Chapter 161

"Sorry, Kerry, I can't go shopping with you."

Elizabeth Banks put away her cell phone, with an irrepressible loss and depression on her face, "the agent will let me see him now."

Then she stood up.

"Liz, wait!" Kerry Mulligan held her, and her pretty baby face seemed more worried than the other, "how could it not be you? Paul said that Murphy liked you very much? Is there something wrong? "

Elizabeth Banks also hopes that there is something wrong. Such a chance to play the leading lady is too rare for her.

Miss this opportunity, she did not know how long the next heroine to wait.

"Is there really a mistake?" Elizabeth Banks hopes so, too. She said hopefully, "Kerry, can you..."

It's hard to say that, but thinking about her future, she said, "can you ask Murphy for me?"

Kerry Mulligan is his friend and the director's girlfriend. Maybe

Although she knows that the possibility of making a mistake is small, Elizabeth banks still wants to fight for it again. After all, her friendship with Kerry Mulligan is really good.

"Well!" Kerry Mulligan nodded heavily, took out his cell phone and dialed Murphy's number, but no one got through.

She frowned and dialed again, with the same result.

"What's the matter?" Kerry Mulligan looked anxious.

Compared with Elizabeth Banks, who is anxious and lonely but can keep her face calm, Kerry Mulligan, like in the past, is not good at hiding her emotions.

In other words, she did not learn to hide in a short time.

After all, she is still a 16-year-old girl.

Seeing that Kerry Mulligan couldn't get through to Murphy, Elizabeth Banks' heart gradually sank and clenched her lips, "Kerry, I'd better see the agent first."

Seeing her friend's sad face, Kerry Mulligan scratched her short blonde hair anxiously. "You go to see the agent first, and I'll go to Murphy and ask what's going on."

She was more anxious than Elizabeth Banks.

No one is willing to give up this opportunity. Elizabeth Banks, with her last hope, nodded and said, "thank you, Kerry. I..."

Kerry Mulligan stepped forward and gently hugged Elizabeth Banks. "We don't have to say thank you."

She picked up her cell phone and shook it. "Keep in touch."

Two people went out of the cold drink shop and left separately. Kerry Mulligan dialed Murphy's number again, but he still couldn't get through. His eyebrows wrinkled with anxiety, as if the end of the world was coming.

She first called a taxi and then called her agent. As soon as she got through, she cried out, "bill, what's the matter? Why doesn't Murphy's number work? "

It seemed that the opposite side was frightened by the rising voice. After a long time, a word came, "I just left the film set in Venice, and Murphy turned off her mobile phone..."

Before he finished, Kerry Mulligan interrupted anxiously, "why?"

"The cast announced the audition results today," the simple explanation over there, "some people asked Murphy for help. It's very annoying. He turned off his mobile phone, just didn't want to let those who lost the election disturb him."

Kerry Mulligan immediately frowned. Who lost? Trust relationship? Isn't this yourself and Elizabeth Banks?

He's avoiding me? Kerry Mulligan asked, "is Murphy still on set in Venice?"

When she got a positive reply, she hung up. When the taxi arrived, she got on the bus and went to Venice to ask Murphy what was going on.

"The photographic effect is dark and yellow, and it's OK."

in the office of Venice studio, Murphy sat in front of a monitor and looked at the experimental samples taken by Philip Raschel. He pointed to the snowflakes that represent the film's scratches on them, "remove all these, and the picture must be clear enough."

He is not Robert Rodriguez, and he will not deliberately pursue the g-day and hous color film style of the 1960s-1980s. The most direct effect of that is that the definition is not enough. For today's alloy screen and projection equipment, no matter how well the film is made, it is a disastrous consequence.

There are indeed many nostalgic people, but the times are developing, and the obsolete technology that has been eliminated is really not suitable for this era.

"That's the best way." Kim Kleiman, who represents the guarantor, fully agrees with Murphy that "this will eliminate the deliberate obsolescence of the film and save a lot of money."

His biggest task is to control the cost and ensure that the film can be completed on schedule.

Erica Steinberg nodded in agreement. "And get rid of the noise."

He sits on the edge, but seldom speaks. When it's not necessary, a smart producer will maintain the director's central position in the set.The preparation and shooting of the crew are always led by the director, and a director can't be separated from the preliminary preparation. He is basically satisfied with the work done by Murphy. The director is really young and inexperienced in some aspects, but he is a person who knows how to learn, and his mistakes will never be repeated.

Murphy and several other people are still discussing to determine the final style of the film. Suddenly, the door of the office is knocked from the outside. Before Murphy can speak, someone pushes the door and comes in.

Kerry Mulligan walked in with a worried face. It seemed that Murphy was the only one in his eyes. He didn't look at other people. "How did you turn off your cell phone? I can't even reach you! "

"Oh, I turned it off." Murphy thought she couldn't get in touch with her, so she was so worried. "Sorry, I forgot to tell you."

Kerry Mulligan strode to Murphy's side and asked, "is the heroine sure? Why not Liz

She came in a hurry, inevitably with a trace of questioning in her tone.

Erica Steinberg and Kim cleman look at Murphy, then at Kerry Mulligan, and finally at each other, wondering who Liz is.

"Murphy, are you mistaken?" Kerry Mulligan didn't notice other people at all. With her character, she didn't care about those people. When she thought of something, she would say, "didn't you think Liz was good some time ago? What's going on? "

"Liz? When did I say she was the heroine? " Murphy frowned and looked at the others. "Well, Kerry, I'll talk to you later. You go out and wait. I'm working now."

Kerry Mulligan was stunned. "You Are you going to let me out? "

How can something be said on such an occasion? Murphy nodded. "You go out first."

"Are you driving me away?" Kerry Mulligan pointed to himself, "my good friend is sad, you don't give me a reasonable explanation, but also drive me away?"

Her present mood is completely written on her face. Her baby face is gloomy and can drip water.

Philip Raschel coughed and looked at Murphy. "Why don't we get here today?"

"No!" Kerry Mulligan also heard Philip Raschel's words. She came in a hurry, just wanted a reasonable answer, at least a reason for her failure to explain to her good friends. Unexpectedly, it was this situation. Murphy, who used to hold her in the palm of her hand, wanted to drive her out!

She stared at Murphy. "I'll go!"

"Kerry..." As soon as Murphy was about to say something, Kerry Mulligan turned and walked out of the office, slamming the door with his backhand.

Looking at the closed door, Murphy frowned slightly. What's the matter?

Philip Raschel has a better relationship with Murphy than Kim cleman and Erica Steinberg, who have been watching good plays all the time. He points his finger at Murphy and reminds him, "what's wrong? Go and have a look."

Thinking of Kerry Mulligan's rebellion under the cover of innocence, Murphy quickly stood up and said, "sorry, let's stop here for a while today."

With that, he quickly chased out, but for a while, Kerry Mulligan was out of sight.

After asking two people in a row, Murphy found out that she had run out of the set and strode out of the warehouse. The warehouse was a little far away from the city, and the surroundings seemed desolate. Looking around, she could only see a car in the distance, and there was no one.

He took out his cell phone, turned it on, and then dialed Kerry Mulligan's number, which was hung up several times in a row.

That's not the way. Murphy calls bill rosis, drives his car in the parking lot, and turns around the warehouse.

Murphy drives the car, remembering what happened just now, Kerry is the same as the former Kerry, and has not changed because of being with him. When she follows her, she is an innocent and beautiful angel. Conversely, she is still the rebellious girl.

In the past, no matter what he opposed, he always tried to persuade her by beating around the bush. This time

Murphy shook her head. At the wrong time, in the wrong place, in front of the wrong person, she asked such a question. How can he answer it?

"Murphy the villain! Motherfucker Murphy

On the co pilot of a car, Kerry Mulligan sobbed and murmured, "is that what you did to me? You are driving me away

Tears had already flowed down her cheek. She was very sad and angry. Where was Murphy, who was considerate and could not even speak to her loudly?

Kerry Mulligan felt that her sky had collapsed. She couldn't help thinking about the difference between Murphy and her parents who fell out as actors?

"What's the matter, Kerry?" The driver said, "it's not like you?"

"Nothing." Kerry Mulligan wiped the tears from her face and sobbed, "I'm just in a bad mood."

"Where are you going?"

"Whatever." She looked ahead. "Mike, are you going back to Century City? I'll go there. "Mike looked at her curiously. "What's going on?" (to be continued). )