Chapter 191

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"director's signature right" Murphy asked puzzledly, "even if you ask Frank Miller to sign his name, no one will think that he has actually directed this film, especially the media and companies in the industry, there must be some judgment"

"these will not affect you." Bill rosis fully agreed with Murphy's words, but then put forward the aspect that Murphy didn't think about at all, "don't forget, you are a member of the directors' union"

"Er" Murphy was more puzzled, "it has something to do with whether I am a member of the directors' union"

bill rosis nodded and said, "it has a very big relationship."

When he saw that Murphy didn't know it at all and explained it slowly, "the directors' Union has a rule that the works directed by the directors' union can't sign two people's names in the director column at the same time"

Murphy suddenly realized, "so it is."

Frowning for a moment, he added, "it's a real problem."

Murphy doesn't know much about many of the rules of the director's Union. He only knows that the director's union can protect many of its legitimate rights and interests, but he doesn't know that there are many restrictions.

If we follow Frank Miller's request, it is undoubtedly contrary to the regulations of the directors' Union. But if we refuse Frank Miller, the negotiation may fall apart.

Murphy had no choice but to look at Bill rosis, who undoubtedly had more insight and experience than himself.

"Isn't there a way to get the best of both, bill?" he asked.

Bill rosis thought for a long time, then said, "it's not without it. In fact, there are some things that the director's Union only has regulations, but it doesn't care much. Most of the time, it turns a blind eye."

Murphy nodded his head gently. What Bill rosis said is not unreasonable. Even in North America, sometimes the rules are dead, but the executors are alive.

"Such regulations as the director's signature, the form of the film title and the director's Union are very unpopular, and no one usually pays attention to them." If it wasn't for bill Rossi's reminder, Murphy would never have thought of this, "especially after George Lucas quit the directors' Union because the title of the Star Wars movie didn't meet the regulations, the union not only revised the title regulations, but also stopped specially examining these obscure regulations, and usually turned a blind eye."

Murphy understood what Bill Rossi meant. "You mean we don't have to care about the rules of the directors' Union."

"It's not that we don't care," bill rossis added. "We don't want to make it public, we don't want to publicize it, and there's no need for the directors' Union to pursue it."

This is probably the meaning that the people do not raise officials.

"It's going to be a problem," Murphy said, not caring about Frank Miller's signature director. "It's going to affect the shooting in the future."

Bill rosis thought about it and confidently said, "you have CAA's support. What can you worry about?"

he obviously has strong confidence in the brokerage company behind him, which is the common feature of every CAA broker.

They've been taught too much about the power of CAA since they were interns in the mailroom.

Murphy thinks about it. He's just a humble director. It's not the first-line production in Hollywood. The possibility of being targeted by the directors' Union is very low. Even if he's targeted, it's time to crack down. CAA and Miramax who stand behind him are not vegetarians.

"Bill," Murphy added, "you communicate with Miramax and Harvey Weinstein."

Bill rosis nodded. "I'll take care of this."

After another deal with Frank Miller, the negotiation between the two sides continued. Although the negotiation process is still very difficult, there are also breakthroughs. The existence of Yuki Frank Miller is absolutely the key to this negotiation.

Because the original agreement signed with Black Horse Comics, without Frank Miller's nod, C comics could not sell the copyright of Frank Miller's works, such as the three hundred warriors of Sparta and the city of sin.

As we all know, comic itself can produce limited income.

After the hard negotiation of number theory and the coordination of CAA, Miramax finally reached an adaptation agreement with Black Horse Comics.

In this agreement, Miramax needs to pay $6 million in basic adaptation royalties to Black Horse Comics in three times. After the film officially enters the market, Miramax has to pay 15% of the annual profit share to Black Horse Comics in the year of its premiere. Of course, Murphy's film is based on the free style, and there is no conceptual conflict between the two sides.

And Frank Miller is not that kind of publicity person, to this position is more important to supervise, rather than create contradictions.

In contrast, it was Harvey Weinstein's demand for actors that made Murphy more embarrassed and opposed. It's not finished yet. For mobile phone users, please browse. Read for better reading experience.