Chapter 213

A red BMW was parked near the theatre in Burban clarkley. Carafes in the driver's seat unfastened his seat belt and said to a young woman in the co driver's seat, "here we are. Here we are."

"It seems that you have a good relationship with him," said the young woman, picking up her handbag, pushing the door to get out of the car, waiting for carafes to come. "She came to me specially for him."

Carafes walked to the theatre first, saw the young woman coming up, and said, "Jennie, I've told you many times that Murphy Stanton and I are like-minded friends."

Jennie picked her eyebrows, but did not speak.

"And don't you think his experience is a good fit for vanity fair to write a story," carrafes added.

"Honey, if it's not like this, how can I come here?" Jennie followed carafes a little faster. "A paparazzi who doesn't even have a proper job"

"is a free journalist running social news." Carafes stressed.

Jennie had to say, "well, it's a freelance journalist. A free journalist, who went to prison again, has no higher education or professional study, but has become a director with a total box office of nearly 200 million US dollars. This legendary experience is my favorite. "

"Carla," she said with a smile, "you've known him a long time. You must know some unknown stories. Should you tell me something exclusive?"

"Of course, I'm ready for you." What should not be said, carafes would never mention to others, it was just asking for trouble, "you see him first, see his movie, and then talk about the later."

Jennie had arrived at the lakley theater. "I'll see the director who has experienced a strange legend first."

There are a lot of actors and actresses who come out of the slums and have no literacy in Hollywood, but there are few outstanding directors who have not experienced higher education and professional learning experience.

Walking into the theater, kalafes quickly finds Murphy in the front hall and takes Jennie to the theater.

"Hi, Murphy."

"Hi, Carla."

Murphy just got out of the party and saw carafes come and greet him. They are old friends and not so polite.

"Murphy, I'd like to introduce you," carafes pulled Jennie over. "This is Jennifer Mona, a vanity fair reporter. Jenny, this is Murphy. "

Jennifer Mona shook hands with Murphy and said, slightly surprised, "I didn't expect you to be so young."

Murphy laughed. "I'm tender."

"Really?" Jennifer Mona didn't take it seriously, but changed the topic, "do you have time for my interview"

"Oh" Murphy looked at kalafes, nodded and said, "I'm afraid not today."

"I don't have time today, and I need to communicate with my agent," he said

Jennifer Mona handed over a business card and said, "you can call me any time."

She made no secret of her interest in interviewing Murphy.

After finishing her business, carafes turned to Murphy and said, "don't you introduce us?"

when she first came over, she noticed the beautiful girl next to Murphy, who was beautiful in appearance, outstanding in temperament, tall and slim.

With her eyes, it's easy to see that the girl has experienced severe shaping.

Gail gado also looks at carafes curiously. She just came here. Due to some unexpected events, Lisa Hewitt didn't come. She wanted to say hello and just find a place to be alone. When the movie starts to go directly into the cinema, she didn't expect to leave before two more people came to say hello to Murphy.

Among them, the golden girl is not only sexy and beautiful, but also smart and tough.

Even without much social experience, Gail gado can guess that this must be a strong career woman.

Sure enough, Murphy introduced them, "Kara, this is galgado, Miss Israel, who participated in this year's Miss Universe contest. Gail, this is Carla Firth, deputy director of social news at fox

Kalafes and galgado smile and say hello. Galgado says to Murphy again, "you're busy. I won't disturb you."

"I'll find someone to show you around and introduce the people here." Murphy beckoned to a corner of the front hall and called grace, the PR agent. "This miss galgado is my friend. You're here with her."

Galgado declined, "don't bother"

"it's OK." Grace said with a smile.

Galgado had to let her accompany her around the front hall.

As the director of the film, Murphy is one of the protagonists in today's audition. She also needs to entertain the media and critics.

There is no one to come, Murphy simply accompany carafes chat a few words, two people are usually busy, rarely meet chat time.

Calafis is more interested in Gail gado than in work."Your new girlfriend," she asked.

"Not yet," Murphy said, drawing back from galgado. "The future."

"Really? You need to come on," said Jennifer Mona, who seemed very interested. "I believe the editorial department will be very interested in the story of Hollywood's new directors and universal."

Murphy shrugged and just wanted to say something. Right in front of him, Bill rosis is walking this way with a few people whose faces are very strange, but they are all old. The youngest of them looks over fifty.

Carafes also saw these people, immediately said to Murphy, "you first busy, we will not disturb you."

Before leaving, she whispered to Murphy, "those are some famous professional film critics. Dealing with them well will help your future."

"I know." Murphy nodded her head.

As soon as Jennifer Mona and carafes left, Bill rosis came over with those people and took the initiative to introduce Murphy.

First there was a big guy with a little bald forehead, "this is Kenneth Turan, a columnist for the Los Angeles Times."

Then he turned to a man with round glasses. "This is Todd McCarthy, the columnist for the Hollywood Reporter."

At the end of the day was a short, fat, ugly man with glasses. "This is Pulitzer Prize winner Roger Albert."

Murphy warmly shook hands with them one by one, his face was full of bright smile.

After decades of exhibitions, professional film critics have long been an important part of the North American film circle. Although there are always people in the circle who say that only those who can only talk can be critics, no one can deny the influence of the top film critics. Their appreciation of beauty is really far away from the ordinary audience, but they have also accumulated a large number of readers in decades, and their influence can not be underestimated.

In particular, the reputation of a film in their column can directly affect the judges of many Hollywood Awards. If you want to win the heavyweight awards in North America, the top professional film critics can't get around the hurdle.

That's the main reason why Murphy is so enthusiastic.

"I saw the last film directed by Stanton," said Todd McCarthy, a columnist for the Hollywood Reporter. "It's an impressive combination of retro and black with a strong personal style."

"But the personal style is too strong," Kenneth Turan clearly has a different view. "Some places place too much emphasis on personal style, there is a suspicion of showing off."

"I don't think personal style in movies is a bad thing." Murphy took the words and said with a smile, "movies need a hundred flowers in full bloom and various styles. If Hollywood movies, like some commercial movies today, don't pay attention to stories and styles, but only rely on special effects, it won't be long before mainstream Hollywood movies will be homogeneous. Without production companies and directors paying more attention to the styles and stories of movies, they will only pile up special effects, that's all "Well said, very far sighted" Roger Abbott, who has not spoken for a long time, suddenly spoke, as if agreeing with Murphy's point of view, "Hollywood needs stylized films and stylized directors"

Murphy laughed at him and said, "thank you."

"Before I came here, I saw your first three films," Roger Abbott added. "In every film, I can see your great progress, and some incredible use of lens"

at this point, he raised his hand, took a heavy shot of Murphy's shoulder, and said, "young man, I'm very optimistic about you, and stick to your style"

" >

just as his optimistic attitude is a great thing.

Despite some embarrassment, Murphy didn't show it. Instead, she laughed modestly.

But in other people's eyes, the picture of a person who is shorter than him patting his shoulder is really funny.

Kenneth Turan doesn't buy Roger Abbott's account, and continues to insist on his own point of view that "personal style can exist, but it should not be too strong or abused, otherwise Hollywood's film industry will lose its leading position in the world"

"leading position" Roger Abbott said with a strong disdain, "use those films without any style to get the position, Don't worry about it. "

"According to your opinion, Hollywood movies will become European movies." maybe two people don't get along with each other at ordinary times, but now they are just tit for tat, and Kenneth Turan doesn't care about the occasion. "European movies that insist on and emphasize personal style almost lose 90% of the audience. Now you know better than me what situation they are facing"

Roger Albert snorted heavily, He also said, "a director must forget the market when making a film"

the two men suddenly had a dispute, which was completely beyond the expectation of Murphy and bill rosis. It's not finished yet. 8