Turning around and walking out, Robert Downey, Jr. twisted his coquettish butt and said, "why is such a big house empty? Why are there only two X-Men"
"Oh" he once again made an exaggerated voice. This time, even the producers won't let it go. "It must be that 20th century fox didn't invest enough money to hire more X-Men."
He seemed a little angry in his words, "the biographical film made for me is actually a small production"
originally, the lines should end here, and Murphy was ready to stop, but little Robert Downey didn't mean to stop. He held out a finger and pointed to the camera, "Hey, director Bai Chi, if you mess up, I will make you look like me"
"cut" ”
seeing that Robert Downey Jr. stopped talking, Murphy called to stop the crew. After standing up, she gave a thumbs up to the other side of the set and said, "well done, Downey"
although the on-the-spot performance of Robert Downey Jr. just now was not included in the script plan, the shooting was originally flexible, and excellent actors often had some on-the-spot performance because of their roles Moreover, as long as it is beneficial to the film, the director will not reject it.
This time, Murphy thinks that Robert Downey Jr. has done a very good job.
In most cases, breaking the fourth wall in a film like death attendants is a taboo in film making. It's easy to let the audience play, so no other film will try it easily. But death attendants are different. They are not only based on the setting of comics, but also meet the needs of the overall style of the film. Breaking the fourth wall is beneficial and harmless.
, however, Murphy knows that even if this movie is a dead man, we should pay attention to the opportunity and quantity when breaking the fourth walls. Otherwise, this crazy Tucao will also make complaints about the audience.
The first scene was shot very smoothly, and the purpose of the built scene is over. It took several days to set up, just for a few minutes of shooting, which is very common in film production.
Murphy calls for a change of scene, and the crew doesn't go far. In front of another green screen, they shoot the black spider played by lily Collins and ganglish played by the Russian actor.
make complaints about this.
"Every time I get a chance, I'll let the dead waiter join us"
at the beginning of the shooting, the Russian actor named Krakow only said half a sentence, but Murphy called him to stop, "cut"
Lily Collins stood in front of the green screen, turned to look at Krakow, and knew that it was him who made the mistake.
Sure enough, Murphy exclaimed, "what do you mean by American English or French English? I want Russian accented English"
Krakow, who was covered with motion capture devices, immediately realized that he had made a mistake and quickly said, "sorry, director, I will pay attention to pronunciation."
Ganglish is from Russia in the cartoon, otherwise Murphy would not find a Russian actor to use motion capture.
"Departments back," Murphy yelled.
Other departments don't need to move too much. The main reason is that Philip Raschel's production team needs to be readjusted. Because of the use of motion capture shooting, and the actual height difference between the two characters in the film is quite large, there are not so many actors, so it is definitely impossible to use ordinary shooting methods.
Murphy used a popular method in the industry. In the past, Hollywood had many solutions to this kind of shooting that reflected the character's height difference. But a few years ago, Peter Jackson made quite a lot of improvements when he shot the Hobbit part. It is very mature and can be used for shooting after making appropriate adjustments.
This is forced perspective.
The so-called forced perspective is the use of optical and visual illusion of confusion, making the subject deformation, closer, larger, smaller and so on, using the illusion of human visual perception, making the subject and the surrounding environment have the wrong relativity, plus the photographer's creativity and camera angle changes, shooting a scene with a completely different proportion from the fact.
When Felix Raschel put a series of equipment back in place, shooting began again.
In the script, this is the dialogue scene of ganglish and black spider walking together. Now, Lily Collins and Krakow are quite far away from each other, and they are completely in different green screen environments.
Murphy and Philip Raschel have discussed all the scenes of steel Rex, and he has also made relevant plans.
When shooting, he will deliberately change the front and back feeling and guide line of the picture to make the lens produce illusion, so that the proportion of the characters can be exaggerated.
According to his requirements, Krakow is alone in the green screen space next to Lily Collins' main scene. The main camera used for shooting will be closer to him, but far away from Lily Collins, so as to create a tall effect. In the later stage, the background will be removed with CG, and then the appropriate CG background will be added.
Lily Collins and Krakow are in different positions, walking side by side. In addition to the main camera, Murphy has set up a second auxiliary camera for shooting.
Due to the use of track, boom and other equipment during shooting, Murphy makes the main lens move continuously. Therefore, during shooting, he uses the computer to control the second position. The second position is also located at the end of Krakow, but it will not move in a large range like the main lens. Instead, he will shoot slowly on a very short track.When the system of the second position receives the instruction message from Murphy, it will shoot according to the setting. Because the camera lens is closer to Krakow, it will move less.
And Murphy's director is in the middle of two cameras, can see the shooting effect very clearly.
There is another point in the shooting. Murphy asked Krakow to slow down a little bit. When a huge object moves slowly, its credibility will increase. In other words, the audience is more likely to accept slow-moving beasts, giants and so on. So the giant animals in the movie, such as Godzilla, are always slow in every step.
The two actors were far away from each other, but due to the need of live recording, when the microphone for recording fell down, Krakow said again, "every time I have a chance, I will let the dead waiter join us, but he behaves like a child who has not grown up and is still a fully armed child."
what he did what he said to Lili and Collins was, "when will he be mature enough to realize the benefits of joining x police force"? What's the advantage of
? Lili Collins started to make complaints about it. "The ugly tight fitting shirt is the house that was blown up every few years." br>
, "please," Krakow defended. "Bombing the house is to create a character and not blow up our own. How can we make complaints about how bad the villains are? How can we make the actions of our x officers justified? They are popular. It is for the sake of safeguarding the beauty and peace of the world. "Many people in the
group are laughing. Since the movie will intersect with the X police officers, the X police are naturally flirted and tucked up the most.
"Stop" Murphy didn't pass the call, "do it again"
many times, even if the shooting meets the requirements, his director will continue to shoot to see if he can get better shots. Moreover, shooting a few more times can also make more materials available for later editing.
Shooting is never for shooting, just like the preparation for shooting, shooting must serve for post production.
This is almost a full green screen scene, and post production still needs to be synthesized. For the scene of ganglish and black spider driving a stealth jet, Murphy neither plans to shoot it nor use CGI to synthesize it.
Carrafes has obtained permission from 20th century fox, and the death attendants can properly use the scenes of X-Men who don't have specific actors.
The two films are not only a series, but also belong to the same company.
Of course, Murphy won't use a lot. At present, only gunex and black spider are planned to use the camera to fly the fighter plane from the genius youth school in Xavier.
although the first day of the play was filmed, the shooting process was quite smooth. Especially Pepo Robert and Donny, all kinds of God Tucao were flying everywhere, so that the words on the paper surface became vivid. If Murphy was not a mature team with enough experience, I would probably make complaints about the film.
At the end of the first day's shooting, Murphy didn't leave work immediately. Instead, he asked carafes to call the heads of various departments and hold a brief meeting.
In addition to the directors Murphy, Paul Wilson and Seth Logan, as well as the heads of various departments such as Philip Raschel, Helena espora, David Robbie and Jack Watson, representatives of AIA in the cast also attended the meeting.
This representative belongs to a relatively silent type. He has been stationed in the production team as early as in Los Angeles. As long as the production team goes according to the plan, he is a completely invisible person and will not give any opinions easily.
In addition, because this time he didn't work with Miramax, the crew also changed a new editor. Jodie Griffith, who initially worked with Murphy, was pulled into the crew by karafis.
Jodie Griffith is an old subordinate of caraffith, and his ability is also recognized by Murphy, who is qualified as the film editor.
Moreover, unlike shooting and producing the horror planet and the city of sin, because the producer is karafis, Murphy can get more effort, and the post editing is completely under his control. Jodie Griffith and the editing team are more like hands fulfilling his will.
This kind of meeting is a routine meeting. Murphy asked Paul Wilson, who is responsible for planning and reporting, to submit today's work diary and tomorrow's shooting plan to the representative of AIA, and specially emphasized one point.
"This is a superhero film with a distinctive black style, but the style of the film should not be too black" to be continued.