As a director, of course, it is impossible for Murphy to leave the whole crew behind and go to have fun with Gail gado on his own. Not to mention other aspects, the representative of AIA in the crew alone will call him like crazy, so that he will be harassed even if he is alone with Gail gado.
So, he chose to continue working. As soon as the shooting in the afternoon was over, he threw the crew to Seth Logan and Paul Wilson and took Gail gado back to the hotel.
Murphy and galgado are in love. They haven't seen each other for nearly a month. There is only one result after they are in love.
In the hotel suite, Gail gado is lying on the soft carpet, and Murphy is pressing on her back from the back. Because they were in the underground garage of the hotel before, they have had an extremely fierce car shock, and now their actions are very gentle. From time to time, he will whisper a few moving words in Gail gado's ear.
"Dear" Gail gado props up, kisses Murphy with her head, gasps and says, "it's not fun like this"
maybe it's because she's seen Murphy's play. After adjusting her breath, she says, "ride me like Master Yoda rides Luke Skywalker, please ride me like Master Yoda rides Luke Skywalker"
"I will, ”Murphy grabbed galgado's shoulder and pulled her up. "I'll ride you all night like Master Yoda did on Luke Skywalker"
galgado straightened up and stood on the carpet with Murphy's arm around his shoulder. The whole person quickly entered a state of excitement and yelled, "no, no, I don't want a night, I want a whole year"
"I'm happy to help you." Murphy increased the frequency. "My goddess."
It's not realistic for a year, and it's impossible for a night. After sending Gail gado to the cloud again, Murphy also felt tired. She took Gail gado to the bathroom to take a bath. They put on big bath towel, took red wine and two cups, sat on the balcony of the suite, enjoying the night view of Sydney, and poured out their thoughts.
At noon, they didn't speak much, so Murphy went to work. In the afternoon, when he returned to the hotel, the war broke out and there was not much verbal communication.
Now it's summer in Sydney. It's very hot during the day and cool at night when the sea breeze blows. From the balcony, you can see the brightly lit Sydney lover's harbor.
"I dream of you every day."
Sitting in a high back rattan chair, Gail gado put his feet up and put them on Murphy's opposite legs. The bath towel dropped from his waist, revealing two long, white and sexy legs. "But you never dream of me."
"Honey, you don't know," Murphy gently kneaded Gail gado's slender legs with both hands, and walked upstream from time to time. "I'm busy and tired at work. I fall down every day and sleep like a dead pig."
Hearing Murphy's self mockery, Gail gado couldn't help laughing, but then he began to smile again. This long separation brought her endless yearning and insecurity that she had never felt before.
Murphy's hand slipped to the upper part of the long legs, gently rubbed, and said, "didn't you just feel how much I miss you"
galgado raised his foot, deliberately pressed it on Murphy's belly, but didn't say anything.
Her family was close to avinivo and knew there were too many temptations in the circle.
However, Gail gado is a smart person after all. Instead of mentioning this topic head-on, she mutters, "who knows how long this feeling can last"
in fact, she can feel that Murphy has a crazy infatuation with herself, which is the reason why she has a sense of insecurity.
Murphy leaned over and gave a kiss on galgado's delicate face. His hands continued to swim on his long legs, and he gently bit off the white ear beads. "They can fascinate me for ten years."
Galgado dropped his mouth, but said, "you can talk."
"It's a bit cold outside," Murphy said, bending galgado's knee in one hand, taking her by the shoulder in the other. "Let's go back."
Today's work is not easy. In addition to the two wars after coming back, Murphy obviously felt a little tired. After lying down in her bedroom, she closed her eyes and went to sleep.
Galgado leans on the head of the bed and hears Murphy breathe evenly and long. He picks up the remote control, turns up the temperature of the air conditioner a little, pulls a blanket over Murphy, who is lying on his thighs.
Seeing that Murphy is still holding his leg even when he is asleep, Gail gado can't help shaking his head and smiling. Now Murphy is like a child, and only in front of him is he not the mature and resolute director who appears to the outside world.
In her deep sleep, Murphy has a dream. In the dream, a woman pinches a baby with sand on the beach, prays to the sky, and the sky sends blessings. A gust of wind and thunder appear. The baby pinched by sand suddenly lives and cries. Decades later, he appears on the island and meets the baby girl, but the baby girl has grown up and is very happy It's the look of galgado.She was wearing red and blue retro armor, a very short blue dress, and two slender, light and moving legs. When she walked, she always played one by one, which fascinated him.
Then they got together. He hid on the island and played with his long legs year after year, which made him forget everything.
However, after waking up, Murphy is still the sober Murphy, who knows that he still has important work to do and has a long way to go.
Due to the full schedule, Murphy still has to take responsibility and work hard for the dead man's shooting, except for taking a morning tour with Gail gado to the Sydney harbor where the Sydney Opera House is located.
Don't say it's a normal shooting. After work on a normal working day, Murphy is also the latest group of people to leave.
After shooting every day, he plans how to complete all shooting in such a short time. Half an hour after work every day, he either decides his work schedule or is in a meeting with other departments.
A director of a production group will never be idle. If you want to find a leisure job, don't be a director.
Among them, Murphy put a lot of energy on the shooting and production of the action plays of ganglish and the angel of dust, especially ganglish. The crew did a lot of preparatory work, such as the static dialogue play with the black spider, which can also be shot easily by using the perspective method, but the action play can't be used.
Murphy and the production team need to calculate and arrange the actions of ganglish. Considering that ganglish is more than 2 meters high, it is far more difficult to put him and the dust angel on the same screen to shoot intense action scenes than to force perspective shooting.
Although Krakow is 193cm tall, he is still far from his height. The action drama team plans to continue to use double track shooting and switch back and forth according to the scene to simulate his height.
The battle of ganglishi is the most difficult point in shooting. The shooting of the fight between a giant more than 2 meters high and a woman 1.7 meters high is very challenging.
Before shooting the final climax of ganglish and sandangel, Murphy can use the small duel between deadman and ganglish to let the team practice in the highway chase.
During the shooting, all the car chasing scenes were finished in front of the green screen of fox studio, and the opening fight scene of the dead wait was also shot in the studio. Murphy used two studios of fox studio, in addition to one large studio with multiple scenes, the other small studio only built a highway bridge in front of the green screen.
This part of the construction time and cost are very much, but compared with the cost of road closure shooting, this kind of shooting method is more economical, otherwise Murphy will not use it.
The total investment of the film is here. Murphy must consider the reasonable arrangement of scenes and shooting methods.
There are also the scenes of waiting for a taxi, which are all shot in the studio. The crew has gone to Detroit in advance to shoot all the necessary background materials.
In order to use these materials, Murphy asked the props engineer to set up nine Le panels around the car. This setting is very good. When shooting, he can use these lights to perfectly restore the subtle changes of light and shadow on the road. He also adjusted the lights according to the scenery materials in Detroit, and used the light changes to simulate the changes of road conditions.
The whole shooting process is quite crazy. In the expressway, the crew has nearly 250 scenes to shoot, so there are a lot of things to do every day. Murphy plans to shoot 200 scenes in a week, which is a very difficult task. The crew doesn't even have time to eat, let alone go out to play with friends in the evening.
The freeway scene is definitely a highlight of the movie. Murphy attaches great importance to this scene, so the crew must try to do it perfectly.
Murphy's use of Le panel to make light and shadow changes also helps the lens to better integrate the background. The whole scene is shot with a digital camera. Because there is no time, suitable place and sufficient funds for location shooting, the crew should use the background shot in Detroit and the foreground familiar with shooting to synthesize.
This sequence is also important because it is one of the few scenes in the movie that has a city background.
Murphy and Helena ESPO spent a lot of time designing the city where the story took place in the early days. At the beginning, they set it as a Gothic city combining Detroit and Sydney. The crew needed to find a balance on the expressway between the two cities. In order to make the world look real, they spent a lot of time on the streets and expressways There are also texture materials for overpasses and buildings.
Compared with Murphy, Gail gado, who came to Sydney, felt like he had nothing to do. After two rounds around Sydney, he simply went back to the studio to work with Murphy.
On the third day of filming on the highway, she went back to the studio and met a little girl who looked very interesting. It's not finished yet. If you like this work, welcome to the starting point. Your support is my biggest motivation. For mobile phone users, please read.