Chapter 314

It provides you with wonderful novels to read.

A dark brown house is located on the quiet roadside, surrounded by lush grass. The grass has been carefully pruned and looks extremely beautiful. On the road below the grass, there are lots of vehicles with satellite receivers. This is a news interview car borrowed by carafes from Fox TV station for shooting.

Around the car, there were reporters in Fox and other TV stations' waistcoats. Their cameras and camera lenses were all aimed at the dark brown house.

Just as a few of the actors in Murphy's house have been filmed alone, they may not be able to keep a low profile.

Originally, several shots for reporters and broadcasting cars were taken smoothly, but as the sun climbed into the sky, the town woke up from a deep sleep, and the shooting order was in chaos, a large number of onlookers appeared.

One after another townspeople appeared around the shooting site without warning. In this secluded Town, there were not many collective entertainment activities. The shooting of the crew was obviously regarded as a good play for them to watch.

More and more people appear around the location. Some of them drag their families around, and the whole family goes out. What's more, some of them move chairs. It seems that they want to spend all day here.

"Cut"

near the door of the dark brown house, Murphy's voice sounded, and he called to stop the crew, "take a ten minute break."

James Franco and Charlize Theron are still making up in the trailer at the back of the house. What Murphy is shooting now is the lens of the media and reporters. All of a sudden, so many people are involved, completely disrupting the plan.

It was also an unexpected situation.

"Murphy," Paul Wilson came over, "do you want me to get rid of them?"

"Too many people." Murphy can see hundreds of people, and the crew needs to shoot here for quite a long time. If the relationship with the local residents is tense, it will be a very troublesome thing. He thought for a moment, "no, we just regard them as the onlookers in the film."

In the film, Amy's disappearance causes a sensational social event, and it's normal for people to gather around to watch.

However, this is a country with relatively perfect copyright, and so is the right of personal portrait. If these people are allowed to appear in the film without permission in the final film, it will also be very troublesome once someone investigates.

However, it's normal for Hollywood to be surrounded when shooting location. It's possible that the onlookers will be filmed in the camera. Each crew has mature coping strategies.

"Ask the production assistant to make an agreement." Murphy also said to Paul Wilson, "go to the official organizations in the town and ask them to accompany them to go door-to-door for autographs."

There are a lot of location shooting in the back, and there will certainly be people watching, which can solve these problems at one time.

"No problem"

after Paul Wilson left, carafes came over and said, "onlookers will not affect the shooting"

"in fact, it's not bad to have onlookers. In the movie, the media needs to put on a farce."

Murphy pointed to more and more small town residents with folding chairs. "This is almost exactly the effect I wanted. What I wanted to present was similar to the scene of Nicole Brown Simpson's house on Gretna Green street when the Simpson case happened.".

He turned to the direction of the make-up trailer behind the dark brown house and said, "during the rehearsal, I also asked Jim to refer to the Simpson case."

"But the two cases are different after all." Carafes stood next to him and looked at the grass below. There were more and more people around him. It seemed that people in half the town appeared, "do you think the public reaction in the film setting is logical?"

instead of answering directly, Murphy said, "what you did before was social news, you should know better than me."

Kalafes nodded, "the guidance of media public opinion to public opinion, and the public always want to see what they want to see and believe what they see."

"Like this, the crowd on the square." Murphy pointed to the crowd of onlookers, "if incited, there will be only the most excited cheers and the most despicable accusations."

He shook his head. "Since Amy came back to look for her husband and took out the best they wanted to see with Nick, they would rather believe that the fairy tale was true."

The location set has already been set up. When James Franco and Charlize Theron are finished putting on their make-up, what they are going to shoot is a very, very important part of the film. Amy kills her ex boyfriend Collins and returns to Nick.

Murphy specially gave the play a name, blood reunion

there will be nothing to do, the crew are waiting, Murphy also talked with karafis a few more words.

"It's said that fox in the 20th century will combine the film production department with the television production department," he asked with interest. "Is that true?""It's being planned at the moment." Kalafes nodded. "It's expected to merge after this year's Emmy."

"Then you don't have more power"

"but you also face more competitors." Carafes laughed. "I'm going to do something about TV series production, too. It's going to take a long time for your power game to start."

"Well," Murphy frowned. He really didn't know much about American TV series. If it wasn't for the power game with the name of "killing and sucking song", he wouldn't drag it around. He couldn't help much in this aspect.

He and carafes are both very good friends and firm strategic allies. We can see the full operation of carafes from projects such as death watch. As long as Murphy can do it, of course, he also wants to help carafes.

What's more, if carrafes really goes to the top position of fox in the 20th century, it will only be good for him, a Hollywood director.

The game of power is still in the stage of writing scripts, and the preparation is extremely complicated. It is impossible to shoot and produce immediately. Is there anything else?

suddenly, Murphy thought of what she had just said.

"Kara, what do you think of the story of Simpson's wife killing?" Murphy said thoughtfully. "From a different perspective, shoot this case that shocked the whole country into a mini series."

Hearing these words, carafes also fell into thinking, "it seems that there is a certain feasibility."

"You can get a professional to evaluate the project." Murphy just mentioned it, and he didn't know if it would work.

However, with the sensational nature of Simpson's wife killing case, if the quality of the drama is guaranteed, there should be no lack of audience.

Even passers-by like Murphy have heard of the great impact of this case in North America.

In 1994, OJ Simpson, a former American football star and then movie star, was charged with the murder of his ex-wife Nicole brown and his friend Ronald Goldman. Because of Simpson's star status and the careful planning of the star defense team he hired, the murder trial quickly evolved into a news and entertainment event that rocked the United States. Under the circumstances that the public prosecution had a large amount of evidence, he went through a lot of trials After eight months of trial, the jury finally found Simpson not guilty.

This "century trial" had a profound impact on American culture and left a deep impression on every American in those years.

Even more than ten years after the case was sentenced, the truth is still inconclusive, which is a good opportunity for TV dramas to mobilize various means to express their "ambiguous" intention.

Murphy's words can only be regarded as a proposal. There are still too many ways and procedures to go if we want to really become a TV drama project that can be shot and produced.

After James Franco and Charlize Theron show up in front of the house, Murphy puts them down and continues filming.

James Franco and blood stained Charlize Theron get to know each other before Murphy starts shooting.

Like the shooting in the studio, Murphy doesn't need any hand-held shooting or shaking lens. The two cameras are set up behind the door and on the left side of a black Chevy car at an angle that will not interfere with each other. They are used to shoot Charlize Theron and James Franco respectively.

The shooting started soon.

First of all, the picture that came to Murphy's director's monitor came from James Franco captured by unit 2.

He pushed the door open and came out. He saw the Chevrolet car parked in front of his house. At the same time, he noticed the woman in the driver's seat inside. He was stunned. His eyes were full of disbelief. It seemed that he couldn't understand. How did Amy disappear? She suddenly appeared.

Murphy nodded, although there is no advantage brought by Ben's natural facial paralysis, James Franco's acting is better, and his present state is good enough. There is no past laughter on a pretty face, which fully shows the mentality that Nick Dunn should have.

Opposite him, Charlize Theron pushes open the car door, shakes her body and walks to James Franco. Her eyes look straight at him as if she saw the big boy she once fell in love with.

The extras immediately followed, with cameras aimed at Charlize Theron, especially the dark red blood on her white pajamas.

The two men came closer and closer, but their faces were different.

James Franco is still in a daze, Charlize Theron has cried out, like a lost child to find a home in general, rushed to James Franco's arms.

Camera number one immediately turned to close-up.

"You damned watch," James Franco said at last.

Reporters around raised their cameras and photographed the pictures of the two people embracing each other.

"Stop" after Murphy called to stop, he quickly walked up to James Franco and Charlize Theron. "This lens doesn't work well. I need to redesign it." to be continued. For mobile phone users, please browse. Read for better reading experience.