Chapter 326

"Maybe you should thank her."

On the screen, the middle-aged lawyer patted nick on the leg, "but remember, don't piss her off!"

There was a burst of laughter in the cinema, which was extremely loud. From Amy's plot reversal, this kind of laughter appeared more than once.

"This couple..." Kyle - Dunst back and forth, "it's too much, really a perfect match ah!"

"Ha ha ha..."

There was laughter all around.

If only from the perspective of laughter, this is definitely a laughingstock reaction of a big bad movie. However, as the show is approaching the end, no one even exits, and no one is dissatisfied or mentions any words related to the bad movie.

This movie is very dark, this movie is very happy!

The most interesting part of the film is that there is no villain in the film, and the story itself is a villain.

Amy is both the perpetrator and the victim. The media always pays attention to the victim, so they give her both attention and sympathy. After Kyle Dunst knows the truth, Nick becomes the victim again, so his feelings move to him again.

"In fact, marriage is not so different. No one is clean. Everyone is both the perpetrator and the victim."

When the subtitles fall, Kyle Dunst hears a middle-aged man in the front row say that he is not married yet. He can't feel this kind of experience. He just thinks that this is a very interesting film. The director mocks marriage, love and the media in a subtle way, which is just cursing.

At the end of the film, there was a lot of joy in the cinema.

"Such a film with a dark theme." The young black man told Kyle Dunst, "the director is really good at making such a good entertainment."

One of his friends chimed in, "it's really amazing. This movie is absolutely amazing."

Another man opened his mouth and said, "watch with dog, forever."

The light on the ceiling lights up, and the audience starts to leave one after another. Kyle Dunst finds that most of his faces are smiling, obviously enjoying the movie "the lost lover".

After watching the premiere, Daisy didn't smile. Instead, she felt something had been touched.

An hour before watching the film, she felt comfortable: "you see, marriage is just like a dog, men are so fucked, only three or five years will be cheating to find a little sister, can't divorce cold violence, good rub fire."

One hour later, she was surprised and turned around.

James Franco's Nick Dunn is so pathetic that when he holds Amy's hand and practices saying I love you over and over again, Daisy feels like she's going to throw up.

The most terrible thing is that Daisy finds that she is a little like Amy, although it doesn't match her realm - beautiful, sexy, smart and cool.

But that kind of bichi's strength is really similar, both paranoid and more real, but also sensitive. In high school, someone described her as Lori face bichi heart, and she remembered the ugly word bichi from then on.

Murphy blackens the scene of marriage with humor. In the face of the dinner crisis, Amy doesn't pick up the crumbs. Instead, she smashes the whole table and splashes her husband's face with blood. Her husband is forced to admit his life.

At the end, Daisy sympathizes with Nick. Although it seems that men can conquer the whole world, in fact, his free will is always dominated by women

Walking out of the chief stone theater where the premiere was held, Daisy looked back, as if It seems that Murphy's directing skills have improved again.

She was the first person to see Murphy's films. She also watched him grow from a green little director to the present situation step by step. Naturally, she had a different feeling in her heart.

In almost every film, she can see Murphy's great progress.

This lost lover is absolutely a model of a feature film. Murphy's grasp of the plot is perfect. It perfectly combines the warmth of the appearance with the coldness of the reality. The segmented narration in the first half integrates with the truth in the second half, which is very ingenious.

Daisy never thought that marriage could evolve into such a situation. From love to deception, the couple had to play a very clever game.

And Murphy doesn't really like the media, does she? After watching this film, it is not difficult to find how easily the public is captured by the media and appearance. The "enthusiastic" crowd in the film has become the background of the cold truth several times.

"Is marriage really like this? Is it just a system set up by human beings to reproduce the next generation? A kind of bondage in the name and intention of love? Why does it end up like this, controlling and utilizing each other? "

Think of here, Daisy fought a cold war, marriage or something, the most terrible, or do not touch.

"How's it going?"

In a movie theater in Santa Clara Valley, California, a brown haired girl accompanied mobik stani out, "are you still so angry?"

"It's not necessary." Mobik stani shook his head. "It's worth seeing such a wonderful film, even if it's temporarily blinded by some propaganda means."What does it mean to be misled to see such a special film?

But when he saw his girlfriend in the twinkling of an eye, the expression on his face was somewhat unnatural.

The film conceals the point of view under the appearance of entertainment, which is too sharp. It can make people re-examine marriage. It can make people who are afraid of marriage more afraid of marriage, and the cracks in marriage can not be repaired.

Most importantly, the far-reaching suffocating depression also makes the suspense atmosphere of the film perfect.

A black car drove away from the chieftain theatre. Robert Downey, the driver, had a smile on his face and couldn't stop. Susan Downey, sitting on the co driver's seat, frowned and seemed confused.

"Is that funny?" She looked at little Robert Downey and asked, "is the marriage problem reflected funny?"

"Marriage problems?" Robert Downey, Jr. shook his head. "Honey, don't be fooled by that guy Murphy. This so-called marriage problem is just his personal bad taste."

He turned to look at Susan Downey. "Now that you're out of the theater, how much does this have to do with real life?"

For a moment, Donnie shook her head slightly - Susan thought.

"Murphy has made great progress in comedy and humor."

With the character of little Robert Downey, once the chatterbox is opened, it will not be closed easily. "Didn't you find that the comic elements in this film can't be ignored. During the watching process, the audience behind will laugh once a while, and many characters have humorous conversations. I like this way of interspersed comedy in suspense, which can be well adjusted The atmosphere, however, has not gone too far into nonsense. The fan of Murphy's black comedy has really come out. "

"Well." Susan Downey nodded.

She's also a filmmaker, and of course she can see these things.

"Murphy's use of subtext has been phenomenal." Robert Downey, Jr. said with emotion, "I think the lost lover can become a textbook work in this field."

He stopped for a moment, coughed twice, and then said, "the negative example of this aspect is Moulin Rouge. Although it's also a good movie, the central word" love "appears too many times. There's no room for subtext. I'll help you speak it all."

"Look at the lost lover." He said endlessly, "there are a lot of Murphy's subtext, but they are all presented to you, not just thrust to you by the lines."

Knowing Robert Downey's nagging character, Susan Downey agreed with him and said, "Murphy's satire on the media, his banter on the truth, his criticism of the false happiness, and his despair of marriage all come naturally after watching the film."

"So..." Robert Downey, Jr. uses Murphy's words, "so it's very compelling. There's a good theme, but it's ordinary movies that throw these big principles on your face. Good movies let you understand and experience them on the premise of having a good theme. "

"As long as Murphy doesn't go astray." Susan Downey sighed, "there's no limit to the future."

Looking back at the end of the movie, she said, "the narrative technique used by Murphy is absolutely classic. It's like boiling frogs in warm water to create a suspense and repressive atmosphere. It doesn't seem abrupt. These repressive elements really surround the viewers, devour people's thinking, and make people unable to escape. The meaningful ending left by the film is a fatal blow. It completely penetrates the repressive elements into the audience's heart. "

"Honey." Robert Downey, Jr. took out a hand and patted his wife on the shoulder. "I said that's Murphy's bad taste. Don't be influenced by him."

Seeing Susan Downey's expression, little Robert Downey suddenly feels that it is necessary to go to Santa Monica to settle with Murphy tomorrow.

"Honey," Susan Downey said suddenly, "you've made a wonderful friend."

Robert Downey, Jr. could understand her subtext, shaking his head and saying, "you don't understand our friendship. We are not only friends, but also best brothers."

Susan Downey really can't understand this kind of relationship between men, especially in Hollywood, where the relationship between their small team is very good.

"The tragedy of love is not life and death, but indifference."

I don't know why. Sitting at the dinner table the next morning, David Ellison thought of the movie he saw last night, and this sentence popped out of his mind. While eating, he muttered in his heart, "some people seem to be born for the movie, and their works are also born for the movie, just like the lost lover."

After all, he studied at the Film Academy of USC. "The story that Murphy created, even if interpreted from many different angles, is still memorable."

With this in mind, David Ellison looks at a number on the paper next to him. This is the box office of "lost lover" - 6.2 million dollars, which Stanton studio just called to tell him!David Ellison then received a call from his father. Larry Ellison told him to go back to San Francisco early tomorrow morning. (to be continued). ）For mobile phone users, please browse and read for better reading experience.