Chapter 354

During the break, Jessica Alba went out of her way to find Murphy and introduced her new boyfriend to him.

"Murphy, this is my boyfriend dreckett, shortstop for the New York Yankees." "This is Murphy Stanton, the best young director in Hollywood," she added

"Nice to meet you, Murphy."

The tall, strong man in front of him reached out and Murphy shook his hand. "Nice to meet you, Drake."

Although they are very polite, they lack common topics. Although baseball is the second largest professional sport in North America, Murphy knows nothing about it. After a few words of greeting with Drake kit, he has nothing to say.

"I have something else to do." Murphy pointed to the set and said to Jessica Alba, "take Drake around."

"Well." Jessica Alba nodded and assured, "I'll rehearse from tomorrow."

Murphy smiles and turns to the set.

Back at the back of the camera, he said a few words to Philip Raschel, and then asked a master of Western swordsmanship, who was acting as an action director, to exchange the notes of the next action play. When he sat back in the director's chair, he saw Jessica Alba walking out of the studio with the shortstop named dreckett.

Murphy sighed. To a large extent, he changed Jessica Alba's way as an actor, or even her fate, but dreckett still appeared.

He would not be stupid enough to interfere in Jessica Alba's private life. It was a hard and thankless thing. Since she chose dreckett, she would have to bear the corresponding consequences.

The break soon ended, the shooting started again, and Murphy threw it aside and threw it all into work.

In front of the camera, Sean bin, who plays ned stark, and Miller Clayton, who plays James Lannister, wave two big swords. However, their actions are not coherent at all. Sometimes they will be stopped by Murphy after only one chop. The action play without editing is absolutely not as wonderful as the film.

Even if the shooting is occasionally extended by a few seconds, the actions of Sean bin and Miller Clayton are a little clumsy by Hollywood standards, but that's what Murphy wants.

But more often than not, the stunt doubles of the two are on the stage.

The play lasted nearly half an afternoon, ending with ned stark being stabbed in the thigh by a small fish soldier.

In many epic movies or TV dramas, the protagonists are always enemies of thousands of people. Even if they are besieged by countless people, they can cope with them calmly. Even the sneak attack from a dead corner behind them can not cause any threat to them.

But this way is not suitable for power games. There won't be super characters like Legolas in this series.

To be exact, there will be super experts in the series, but good skills are only relative.

Once the song of ice and fire had a nickname in North America: a song.of.kill . an.fuck Among them, kill seldom ends up with chivalry, most of them are sadistic, and few of them are full. Love, most of them are rape.

The so-called super experts, in fact, are not much more powerful than ordinary soldiers. There are absolutely no such scenes as ten thousand enemies. So when the experts are in trouble, they are often badly abused.

For example, James Lannister, recognized as a top-notch master, was captured alive by several mercenaries because he was tired of fighting with Britney. He was also beheaded, and Britney was almost killed.

Britney was also a real Imperial Guard, but when she saw eight soldiers of the enemy in good condition, she was in despair and was bitten off by a mercenary.

Hounds are the king's number one bodyguard, which is also a first-class expert. They fight with his brother's personal soldiers. Although they kill all the enemies, they are fatally injured and abandoned by Elia.

This is also one of the reasons why many people don't like Danielle stangelian. It's because in this very realistic and abusive world, she is the only one who drives the plug-in all the way, invincible, invincible and superior.

Of course, Jon Snow is also very buggy. No matter where he goes, people with him are all killed or abused. However, he is very lucky and has a safe journey.

In other words, no matter how close to reality, this is still a TV series after all, it is impossible to have no leading role aura.

After the transition, the action play continued, and Murphy began to shoot some close combat scenes, just like the previous shooting, using stunt doubles in a large area.

It's very simple to distinguish which scenes are performed by the actor himself from stunt doubles. The action scenes with positive close-up are often performed by the actor himself. Those who can't see clearly are almost stunt doubles.

Careful people can also find that, whether it's a movie or a TV play, almost 90% of the time in an action play is hard to see the face clearly.

The fighting scenes of power games are not necessarily difficult to shoot, but in order to show real fighting, it must cost a lot of money.Because of the investment, Murphy has to shoot excellent action plays at a relatively low cost. In his previous cooperation with tiger Chen, he has learned a lot, and there are not many problems in dealing with these action plays.

What Murphy used is the simplest way to shoot action drama, which is mainly divided into two types. One type can be collectively referred to as simple fist, and the other type can be named as ruthless blow.

Simple one punch is a general term for some of the simplest shooting methods of action drama. It is widely used in the film industry all over the world, and the effect is quite good.

For example, David finch's fight club, Edward Norton used this simple technique in his first punch. Later, the film used this method in many places.

In the shooting of the power game, all the actors are willing to do such a performance, because this special effect does not need too many skills, as long as they can accurately grasp the time, in the words of Sean bin, "it's very enjoyable."

The basic method for Murphy to shoot a hard punch or sword is very simple. Let an actor hit the key part of the opponent's head and neck with an empty fist or a long sword.

Of course, it's not difficult for outsiders to guess this little trick, so the director can't choose the wrong lens. In that case, the result will be ridiculous, and the illusion of borrowing will be completely ineffective.

In order to make this simple punch, Murphy uses a telephoto lens. The telephoto lens has the effect of compressing space. Using the telephoto lens, the distance between objects will look shorter than the actual distance.

It's also a general term for many shooting methods. To sum up, sometimes, with a heavy fist or a long sword, the character can directly bring down the villain.

All of Murphy's action plays don't last long. They usually take several rounds to decide the outcome. He needs to strike hard at this effect.

To get this kind of action shot, he, the director, must make sure that the actor's strike is very powerful and perfect.

such shooting techniques also need to be changed. The camera must move closely with the action of the actor's fist or sword to show the speed and strength of the strike.

The angle of the camera is very important. It must be close to the victim and in the direction of the protagonist's attack. If a telephoto lens is used, the camera should not be too far away from the actors. Murphy should make sure that the lens just catches two actors at the same time.

However, the camera should not be too close to the actors. If it is too close, the victims will take up most of the shots. When shooting from this angle, the audience will feel that they are victims, and they will not be able to feel the joy or cruelty of the protagonist's attack.

So when Murphy uses this method to shoot, he always remembers that the attacker is the key point. When shooting, he uses center view, and the effect will be quite good.

As long as the shooting is done well, a strike without any strength in reality will become handsome and heroic.

Although Murphy's shooting in Northern Ireland was exhausting, the team was still orderly and calm. No matter when and where he was shooting, the crew's cameras never swayed without any reason.

After shooting the action part, the crew encountered some problems when they moved the transport to the glacier, and finally had to choose to shoot a group of shots outside the hotel. A rock more than 1000 feet high nearby formed an icicle, but none of these stopped Murphy from shooting.

It's December now. The weather in Northern Ireland is unforgettable, but Murphy feels very comfortable with the crew's working attitude and equipment operation.

Whether it's Northern Ireland with relatively poor conditions or Maltese with pleasant climate, Murphy's three production teams, code named "dragon", "wolf" and "Lion", are shooting much more smoothly than planned.

In Murphy's eyes, the theme, shooting location, complete production plan and budget, as well as the superb skills of the photographers and the efforts of the actors are the key to the success of the work.

The busy work continued until around Christmas in 2005. The crew only gave two days off to the unemployed. Most of the other major cast members, under the leadership of Murphy, still took Belfast as the center and shot in the snow season.

Since Murphy was unable to return to Los Angeles for Christmas, galgado, who used to return to Israel at this time of the year, did not fly to Tel Aviv. Instead, he followed the latest group of people from the crew and took a special charter flight to Belfast.

As in the past, Murphy didn't go to the airport to meet her. Gail gado himself came to the location by the special bus of the crew.

Unlike a person in the past, this time with Gail gado, there is another girl. It's not finished yet.