Chapter 511

After Christmas, Gail gado left Los Angeles and flew to Israel. Murphy joined Kara Firth and began a new round of negotiations with George Martin on the song of ice and fire: the game of power.

Up to now, the magic series has started: "film is not only an art, but also a business. It's a good thing if the film can get high praise, but making a film must be successful in business and make investors profit."

At the beginning of the article, she quoted Murphy's original words: "only by gaining the trust of investors, can you constantly get the opportunity to shoot the films you really want to shoot."

The following is Tina Brown's description of what she knows about Murphy.

"Murphy Stanton, who was born in Los Angeles, grew up in a slum and experienced a childhood like a street thug. This makes his casual, self-confident and somewhat rebellious personality take root in Murphy's personality. When we interviewed him, he showed his unique charm. With the growth of years, the once rebellious youth has transformed into humility and determination, which have been running through his career as an actor

"When it comes to the experience of entering the film industry, 'hard work' and 'persistence' have become the most popular words on Murphy Stanton's lips."

"Now it seems that this Hollywood director, who is just over 30 years old, has won a long battle in the film industry. After years of hard work and persistence, Murphy Stanton has been promoted to one of the most cost-effective directors in Hollywood."

"Murphy Stanton, whose career as a director is getting wider and wider, doesn't plan to take a break in the next few years." I've never let my guard down. I always feel like an outsider and I want to get into this circle, so I've been working hard. The more successful I am, the more motivated I will continue to work. "

After the title page is the official page of this issue of vanity fair. Among all the pages, the content about Murphy is still at the front.

"Murphy Stanton gives the audience a new possibility, a broad space for film lovers, a new way to dazzle the fans, and a new style, logic, and even way of thinking for commercial films."

For this interview with Murphy, "Vanity Fair" does not use the traditional way of "one question and one answer", but uses the profile description. In addition to the content that has been reported many times, it also focuses on Murphy's ability in discovering actors.

"Every new actor in Murphy Stanton's hands glows."

"When Jessica Alba and Murphy Stanton first worked together, they were only 20 years old. Before that, her inherent image was a beautiful vase of youth. But the wonderful thing is that Murphy Stanton focuses on the discovery of Jessica Alba, and then creates the role of Nancy in the classic "Sin City", which makes Jessica Alba's acting path suddenly clear and become one of the representatives of Hollywood female actors born in the 1980s. "

"Christopher Waltz was in his fifties when he starred in shameless bastards, but he still didn't know his native place. When Murphy Stanton was casting, he emphasized:" what others don't need is not necessarily suitable for us! " An Oscar for best supporting actor was born

"For Jessica Alba and Christopher waltz, Murphy Stanton is not only a popular director, but also a teacher of how to be themselves."

"Murphy Stanton has a unique pair of eyes. Similarly, the actors who come out of his movies have moving eyes, either pure or bright. He believes that the two most important principles of performance are relaxation and concentration. Only when they are relaxed and focused can they show their true charm, that is, the best state. "

"Many Hollywood stars admit that it is every actor's dream to participate in the works directed by Murphy Stanton. They hope to have the opportunity to participate in the works directed by Murphy through their own efforts."

With the launch of this issue of Vanity Fair magazine, Murphy appeared in the eyes of more Oscar judges. Although the production style is doomed that not everyone will vote for him, as long as more people can think of him when voting, that is enough.

Of course, compared with the interview, vanity fair still has a lot to write.

For example, when Murphy was interviewed, he said that actors need to support each other in acting, and it's a very bad habit to rush to play.

Acting has never been a simple and easy job, not to mention pulling an actor can be competent, acting needs mutual support.

Murphy always thinks that PK is a bad and negative energy for actors. The most typical way is to trust and support each other when acting. If one side is too weak, the whole play will be out of balance, which will also bring negative effects to himself.

However, in Hollywood, if a person does not compete, he may never be able to get ahead. This is the reality.

But if you ask Murphy what a good actor is and what a good performance team is, he will not hesitate to say that if an actor deliberately snatches and presses a play, he will talk to himIn 2010, the wolf of Wall Street continues to show in North America, and in order to impact the Oscar nomination list, it also maintains a high number of theaters.

By the end of January, after two months of long screening, the North American box office of the film had reached more than 226.8 million US dollars, successfully ranking in the top 10 of the North American box office list in 2009.

However, there is only one voice in the film market of North America and even the whole world, that is "Avatar". All other films screened at the same time can only survive in the shadow of this epic monster level film, and without exception, they have been seriously impacted, and "wolf of Wall Street" is no exception.

Since the release of the Thanksgiving holiday, the film's North American market potential has been exhausted. According to the current trend, Murphy and 20th Century Fox speculate that the North American box office of the film is unlikely to exceed 250 million US dollars, and the final destination may be between 230 million US dollars and 240 million US dollars.

The impact of "Avatar" is not only on the North American market, but also on other overseas markets. After the total overseas box office of "wolf of Wall Street" has exceeded 200 million US dollars, it has also been suppressed in overseas theaters. It is still unknown whether the final global box office will exceed 500 million US dollars.

Of course, in Murphy's view, as long as the film can get multiple heavyweight Oscar nominations, driven by the Oscar effect, the global box office of "Wall Street wolf" will have a great chance to exceed 500 million US dollars. (to be continued). )