Chapter 597

The sun disappeared behind the only building nearby. Jessica chastan stepped on the sand on the cracked asphalt road and went to the crowd gathering place at the front intersection. The reporters and paparazzi who were hiding around saw her and quickly turned the camera lens to shoot her. Jessica chastan didn't go to see these. She completely focused on the location film set in front of her. The film set was not good There is no sound, it should be gunfire, it seems to be shooting the scene of gunfight.

"Hello, it's shooting here."

Security personnel in front of her, please stop

Jessica chastan stopped and said, "I'm here to visit. I called Miss Gail gado before."

The security man pressed the phone, said a few words, and then said, "come in, miss chastan."

At the same time, he reminded, "the crew is filming."

"I know." Jessica chastan said politely, "I won't disturb the shooting."

She went on for a while and saw some people standing outside to watch. She also stopped and stood here.

As I heard before, the crew is actually shooting a gunfight. Standing here, we can see that little Robert Downey with a scar on his face is hiding behind a car. Under the cover of a bald black man, he is shooting at a group of approaching people in the opposite direction, and at the same time, he is telling his own people to hurry away.

Jessica chastan looked around and didn't see Murphy. After looking carefully, she found Murphy behind an old-fashioned 35mm film camera. It seemed that he had shot in person.

“Cut！” Murphy's voice sounded loud and clear, just as it used to be, "Donny, you are merging with other gangs. Hide yourself. Now you are not iron man!"

Then, Jessica chastan saw that Murphy called Robert Downey Jr. and other actors to her side. She seemed to be talking about the play, but she couldn't hear what she was saying.

Looking at Murphy, who is fully devoted to his work, Jessica chastan can't help thinking about the situation when he was his assistant. Now he is as attentive and serious as before. It seems that he doesn't have today's status and achievements at all, but slackens his work attitude.

Jessica chastan admitted that in Murphy, she had made a wrong choice, otherwise her career would not be so bumpy.

Now, when Murphy first filmed "fruit candy", he showed some qualities necessary for a successful person, didn't he? Thinking of this, Jessica chastan shook her head and sighed in the dark, "why do I turn a blind eye to what he shows?"

From then until now, Murphy Stanton, who she saw and cared about, was full of adventure spirit. He would never say the words "impossible" or "infeasible", and he would never waver even in the face of any big problem. Although he always withstands pressure and anger, he always keeps a cool head and regards himself as an independent outsider in the crew. He can always give timely criticism and suggestions to the staff who make mistakes.

Even when making movies, Murphy gave her a strange feeling, as if he was the creator. He said that if there is light, there must be light, no matter what method is used.

But Jessica chastan knows that Murphy deserves what he has achieved. Most people, including him, have this understanding - Murphy will always be the director with boundless enthusiasm and creativity who comes out of the set, and other people are surrounded by him.

Jessica chastan clearly remembers that Murphy once said to her at the beginning of the preparation of "fruit candy," once we start this adventure and the film starts shooting, nothing can stop me! The only way to stop me is to kill me

At that time, she only regarded it as a joke and arrogance, and later found out that he really thought so - he would not give his fate to anyone, but only in his own hands!

When filming was suspended, a staff member came to inform her that she could enter the temporary set. Under the leadership of an assistant director, Jessica chastan came to a camera.

"Hi, Murphy."

There was still some distance, Jessica chastan raised her hand and said, "is the shooting going well?"

Murphy looks up, looks over, and grins, "long time no see, Jesse."

Jessica chastan went over, opened her hand and gave Murphy a hug. "It won't disturb your work, will it?"

"I have five minutes off."

To his former assistant, Murphy was more polite. "I can't help it. The shooting time is too tight. Before the 20th of next month, I will try my best to shoot all the shots, otherwise 20th century fox will kill me."

"You are always so strict with yourself." Jessica chastan said with a smile.

Murphy shrugged. "If I'm not strict, I'll lose motivation."

The rest time of the crew is limited, and Murphy still has to check the layout of the venue. He really doesn't have much time. Instead, he asks, "how's the cooperation with Megan Ellison recently?"Although he has little cooperation with the Ellison brothers and sisters, they still maintain a close relationship. Megan Ellison is more intelligent than her brother David Ellison. Apart from investing in Murphy's films, the other independent films he invested in are all profitable.

In this respect, Megan Ellison is at least a qualified independent film investor.

"Not bad." Jessica chastan thought about it and decided to be honest. "Megan Ellison recently got a new project about seal six and bin Laden. She intended to let me play the leading role. The director is Katherine Bigelow."

"Congratulations." Murphy laughed. "This subject is well filmed. It's still very promising."

After another chat, Jessica chastan looked at the time and took the initiative to leave. "I won't disturb you."

"Well." All departments of the crew started to work again, and Murphy didn't want to stay. He politely said, "if you have something, you can call bill."

Watching Jessica chastan turn around and leave under the guidance of an assistant, Murphy continues her shooting work. The shooting of the gunfight just now is over. Although the crew has not changed the location, the shooting is not in the outdoor set at the intersection, but in a low building next to the intersection.

Murphy goes to the entrance of the building. Philip Raschel is setting up a camera outside. David Robbie is busy setting up lights inside the building with some assistants.

"David!" Murphy reminded, "the light should be cold and dark!"

Behind the door of the building, David Robbie showed his head and made an "OK" gesture.

What needs to be shot here is a long shot. In the shot, only Robert Downey Jr. is an actor. Murphy wants to show the anxiety and anger of his actor Diego rose, so he specially designed this shot.

As an adult, Diego Roth asked people to help collect the information about the Catholic priest. What he didn't expect was that the Catholic priest was called to the police by many parents of the children who had been violated. Instead of being punished, he was transferred back to the Vatican by the Catholic Church and his position was promoted.

This kind of news has seriously affected Diego Ross's judgment of the world, and finally determined that it is a bad world after all.

If he wants to live in such a world, he has to be more vicious.

The next shooting is just the process of his getting relevant information and finally changing his mind.

At first, Murphy did not enter the building. Instead, he stood outside the door and looked inside, so that he could better observe the whole scene captured by the camera.

He looked at it for a while, called Helena espora, pointed to the wall at the door and said, "I remember there was a big picture of the Fallen Angel hanging here in the props."

After instructing the art director, Murphy sees little Robert Downey come over after putting on his make-up and shouts him into the building.

This is the front hall of the small building. For the door, what Murphy just said is the wall and the stairs leading to the upstairs. The stairs are a little shabby, and there is a column with a decorative tower head at the bottom of the handrail.

Murphy stood by the post and said to Robert Downey Jr. "when shooting, you will walk back and forth because of anxiety. No matter how you walk, you should be within the range of the painting on this wall."

"Fallen angels?" Robert Downey Jr. apparently heard what Murphy had just said and said, "I see."

"And," Murphy pointed to the top of the column at the bottom of the stair handrail, "whenever you're still, keep the top of the column pointing to your head."

Although I don't quite understand why Murphy asked, little Robert Downey nodded seriously, "no problem."

Murphy patted little Robert Downey on the shoulder. "You're familiar with the next step. Stop and go. You're in control."

With that, he walked out of the building and looked at the camera filie Raschel was setting up opposite the door.

Everything was ready and the shooting began.

According to Murphy's request, Robert Downey Jr. just stands between the door frame and the door. There is also a complete guide line in the lens shot by Philip Raschel. The guide line will subconsciously guide the audience's eyes to a theme.

In photography, it's a tool for the audience to see what the director wants them to focus on.

In this shot, the picture of the fallen angel on the wall will lead people's eyes to the door frame, while in the open door, the wire will lead people to look at the main character. For more explicit expression, Murphy even points the tower head of the pillar directly at the head of little Robert Downey.

Murphy didn't have any difficulties in shooting the streets of Los Angeles. The only trouble was the light. (to be continued). )