Chapter 618

All the light and shadow on the screen go out, and the light in the private cinema lights up instantly. Roger Albert reclines on a chair and slowly closes his eyes. A paramedic nearby immediately picks up a towel and gently wipes off the sweat on his forehead. Then he looks at him quietly, waiting for him to open his eyes again and give an order.

Because of several operations, today's Roger - Albert has been speechless, and even rarely see the film, film reviews are rarely written.

This time, fox in the 20th century sent a copy of the film, and he wanted to reject it, but the person who sent it said that it was a film made entirely with artistic techniques, rather than the previous black commercial film. Finally, he could not restrain his curiosity and let people keep the copy.

He likes Murphy Stanton's black commercial films with strong personal style very much, but he has to admit that the director's utilitarianism is a little too strong, so he can concentrate on shooting more profound films, but he just plunges into the circle of commercial films and refuses to jump out.

Now there is such a film that he really wants to see.

"There is a clear gap from the top art masters." Roger - Albert slowly opened his eyes, "but for a young director in his early 30s, it's hard to put the narrative rhythm so smoothly without procrastination, and the theme is deep without sharpness."

He turned to the paramedic, who had been with Roger Albert for many years, and immediately understood what he meant. He said to the servant, "get pen and paper ready!"

After that, she pushed Roger Albert's high back wheelchair out of the private theater and into the next studio. The servant had put pen and manuscript paper on Roger Albert's special desk.

The nurse pushed Roger Abbott to his desk to quiet the people around him, and then stood aside.

Roger Albert picked up the familiar pen, closed his eyes and thought for a moment. The nib fell slowly on the paper.

"With the rage of the hero Diego Roth, Murphy Stanton and his new film plunge into the chaos of the 1980s and 1990s in Los Angeles."

"Diego Roth", a movie that seems to make people nervous, scared and worried for the people in the play, announces the rebirth of a director with outstanding talent and passion: Murphy Stanton begins to explore the origin of film art! There are people around me who compare "Diego Ross" to Martin Scorsese's "the way to steal." it's worthy of such a comparison. At the beginning of the story, the narrator said that he had always wanted to be a gangster since he could remember. The hero in "Diego Ross" seems to have no other choice

"The film is adapted from the real experience of Los Angeles drug lord Diego Roth. Murphy Stanton grew up in Los Angeles slums, and later separated from there through his own efforts, which ensures that the story has a real basis! After watching this film, you may wonder, is this really what happened in America? But as far as I know, some parts of this civilized country are more chaotic and dark than what Murphy Stanton described. The accelerating social division in this country makes violent crime a trivial matter in some areas. "

"Although the story of the film always revolves around one character, and there is only one main line, the director has a way to express these skillfully through the lens in the gentle narrative rhythm. Every long shot, character and scene has the finishing touch effect, and every shot is calculated to make me doubt how many times he has thought about it Jing plus style integration, from the beginning to the end of the cold dark and depressed, fully demonstrated the struggle of human nature

"In some scenes, Murphy Stanton borrowed the shooting techniques rarely involved in documentary films, such as pushing track zoom, high-speed flash and sudden freeze. What is more striking than the visual image is the direct depiction of the impact of the film on people's poor living environment."

"From the perspective of real violence," Diego Ross "is not as strong as Murphy Stanton's black films in the past, but the atmosphere of this film is even more chilling. The environment in which the hero lives makes people feel no hope. People living in those places seldom have the chance to tell their stories, and Murphy Stanton doesn't care about them It does not scorn, does not deliberately create plots for false effects, and does not contain stupid and reassuring love story lines; it just stares at what it knows with a pair of passionate and understanding eyes. "

Although the film puts too much emphasis on the negative impact of the environment on the hero, Roger Albert thinks that it is harmless, because the impact of the environment on people is really profound, and it does not really exist just because you think it does not exist.

Raising his pen, Roger Albert closed his eyes again, thought for about half an hour, then opened his eyes and gave the final score.

Out of five stars, he gave "Diego Ross" four and a half stars, and specially in the final remarks released by the film review to give a thumbs up!

The next morning, the film review appeared on the Internet and the column of Chicago Sun at the same time, which immediately attracted quite a lot of people's attention.Especially in recent years, he rarely wrote reviews for a film.

At the beginning of this award season, the praise of Roger Albert and some professional film critics undoubtedly makes "Diego Ross" have more capital in the award season.

In addition to these critics, the next day on the paper media, the film is also a piece of praise.

"Murphy Stanton is an excellent film with superb editing, rich plot and appropriate music. What's more shocking is that this film is adapted from a real story!"

- "Hollywood Reporter"

"a thrilling movie. Yes, it's hard to describe the impact of the film. First of all, the director's level is very high. The shooting techniques and editing methods are quite avant-garde. The soundtrack also forms a huge contrast with the theme. The more cruel the story is, the more unrestrained the music is. The slums of Los Angeles in the 1980s and 1990s, the closest place to hell in the world, and the film truly restores that What happened in the 1970s. "

-

"the Los Angeles Times is realistic and shocking, describing an ignominious and bloody legend."

-- the California Independent

"editing, photography, soundtrack Murphy Stanton's use of technology is close to perfect, the narrative technique is smooth and meticulous, and the story itself is real and cruel. "

- the San Francisco Chronicle

"it's a real movie. It makes people know that there are still such dark, dirty, violent and criminal places in America. It's worth recommending."

- New York Post

"amazing! The shock! Some clips can be used as audio-visual analysis model! Environment decides fate! How could Murphy Stanton make the film so cruel and artistic

-

"the media evaluation of the film is very good, 85% of the 76 media included in rotten tomato gave high praise, with an average score of 8.4 points; the comprehensive evaluation of authoritative media Metacritic included 43 media with an average score of 82 points."

The midday sun is shining on the garden. Murphy is sitting on a cane chair, watching the newly replaced birds of paradise in the garden and listening to the data report from Carla Firth on the phone. "Now many mainstream media believe that the film is expected to win nominations or awards at this year's Oscars."

"That needs our efforts." Murphy knows that.

Carla Firth said on the phone, "but the audience's evaluation is more general, you need to pay attention to it."

Murphy nodded slightly. "I know."

This morning, he saw the data in this regard. According to cinema score for several auditions, the score of "Diego rose" was only "a -".

It's not particularly good for a movie that only shows in a small area.

Murphy also knows why. The first people who go to see the movie are his fans. Who are his fans? I'm afraid they are all used to fast-paced commercial production. It's hard to see this kind of film with gentle narration, but it's inevitable that some of them do not meet the expectations.

Fortunately, this film is not intended for business and marketing.

"I've got people to lead the market." Murphy has informed bill rosis that his black powder organization should be mobilized properly. He changes the topic, "is there any news from Catholicism?"

"No Carla Firth confirmed that "Fox has not received any notice or protest about the situation in the 20th century."

She asked, "do you need to do something?"

"Don't worry." Murphy thought about it and said, "we'll wait."

After all, the film is only a small-scale screening, the media did not focus on this aspect, it is normal that the other side did not respond.

Just after receiving the call from Santa Felix's father, Monica hung up in the office building.

"You mean..." He looked at the young pastor across the street and said, "this film clearly mentions the issue of sex and Catholicism is likely to lead people astray?"

The young priest nodded, "yes! You told me to pay attention to this film in time. I went to the cinema in the morning, and the description of our church is very unbearable, far more than the "child abuse doubt" of the previous years

Father Marcus Costello stood up, walked back and forth twice, and said, "in my name, call Twentieth Century Fox and Murphy Stanton. I want to see them as soon as possible!"

"All right!"

Just as the pastor was about to go out, the father of Marquez Costello called out to him, "get me some casual clothes and tickets for the movie. I'll see the movie first!" (to be continued). )