In the following few days, many Catholic media attacked Murphy and "Diego Ross", and entertainment media joined in the report one after another. However, many entertainment media were connected with Murphy and CAA, and their position could not be completely biased to the Catholic Church. So some media attacked Murphy, and others spoke for Murphy It's a controversial situation.

Presumably, the Archbishop of Marquez Costello liked to see this.

Murphy's Christmas is in such a mess. Compared with the chaotic sound outside the wave manor, the manor is very calm inside. There is no difference between Murphy's and Gail gado's life.

After so many years in Hollywood, I've been attacked by the media not once or twice. Let alone Murphy, even Gail gado is used to it.

There are still debates in the media about the war between the film fans and Catholics. Some say that "Murphy planned this incident," others say that "Murphy has nothing to do with it," and others say that "religion should not interfere with secular affairs.".

In a word, disputes are constantly emerging.

On the Internet, Murphy's fans are quarreling with the hard core Catholics. They are fighting each other. Especially Murphy's fans, influenced by Daisy and others, are in a posture of fighting with the Catholics who attacked Murphy.

However, all of these are isolated by the high wall courtyard of wave manor. After entertaining Gail gado's family who came to North America for a holiday at Christmas, Murphy continued to pay attention to this incident, especially the news of Archbishop of Marquez Costello. On the other hand, he did not delay his normal work.

On the second day of Christmas, Murphy formally signed an order contract with Gulfstream company to order a G650 business aircraft from the company for a total price of 65 million US dollars, with a delivery period of one year.

In other words, the plane will not be delivered until the new year of 2013.

However, Gulfstream has provided leasing service for Murphy, who has temporarily rented a G550 business aircraft from Gulfstream for use in the next year.

In the next two days, after Gail gado's negotiation with Netflix ended, Murphy signed a formal cooperation agreement with Reid Hastings on behalf of Netflix on behalf of Stanton studio. The two sides will each invest 40 million US dollars to shoot a political drama adapted from Michael Dobbs's novel. The project is temporarily named "house of cards"!

A brand new production team is also ready to be set up, with Murphy and Gail gado as producers, Paul Wilson as director, and the actor Francis Underwood is basically determined to be played by Kevin Spacey.

As for the heroine, just as Murphy expected, Charlize Theron declined Murphy's invitation on the grounds of inappropriate schedule for playing in George Miller's Mad Max 4. Murphy was not surprised. The big directors and stars themselves had the capital to refuse any project.

This is not a problem. Murphy has discussed with Paul Wilson that after the production team is officially established, a large-scale audition will be held for the heroine. It is not difficult to find a suitable actress with certain fame in Hollywood.

In addition, Murphy pays more attention to script writing and later shooting.

Especially in script writing, he will carefully review the content of each episode. Stanton studio has invested so much that it can't be screwed up.

Like Hollywood movies, American TV series also have their own assembly line mode, and there are many unwritten lessons learned from years of practical experience.

These lessons can effectively avoid many minefields, and Murphy is well aware of the censorship taboo.

In essence, many censorship taboos of American TV series come from the market. If we don't bypass these taboos and follow these hidden rules, the audience will "vote with their feet" and won't look at you. If there is a pair of invisible hands behind us TV series, then these hands come from the audience.

Good plays may have their own advantages, but bad plays are all similar - bad stories.

If the story is bad, the audience will scold it from the screenwriter to the actor to the director. If you fight back like some people Murphy once saw, you will make a big joke.

For example, the audience asked, "what fragment is this? Can the plot be more retarded? The screenwriter didn't have the brain to write the script! " The screenwriter responded: "you can do it. You can't write it. What can I do?"

A fierce fight ended with the audience scolding the screenwriter and the screenwriter scolding the censorship.

For a long time, "too little room to play, too many taboos" are the biggest words that writers find for themselves. Every film and TV play over there has to be reviewed by the relevant departments before it comes out. However, if the writers throw the "pot" of plot mentally handicapped to the relevant departments, it really doesn't make sense.

American playwrights rarely face this kind of pressure, but there are some taboos in very yellow and violent American dramas, even Murphy is no exception.

In fact, Murphy pays more attention to some aspects of movie scripts and drama scripts.

For example, on the issue of ethnic minorities, he does not like to let black people play the main role, but there are many important Latino and Asian roles in every film. Despite the media hype that he discriminates against black people, no one has said that he discriminates against ethnic minorities.Although house of cards is a series in which the main characters are so bad, this situation should be avoided.

In addition to ethnic minorities, LGBT can not be ignored.

LGBT is the collective name of lesbian, gay, bisexual and transgender people. In the past, these people were teased in American dramas and comedies. However, in the new century, teasing these people casually is likely to cause great trouble.

Generally speaking, every American TV series for the public has one or two main characters who are not white skin. Similarly, every TV series has one or two gay or lesbian couples, and some of them are transgender or bisexual.

It's not a coincidence!

In fact, the arrangement of ethnic minorities and LGBT groups in every long American play is a task that American playwrights must do. Without these, it would be a serious political mistake.

In house of cards, Francis Underwood's sexual orientation in the next few seasons is also quite intriguing.

Like Murphy's plan, this is closely related to the characteristics of Hollywood. Hollywood is located in California, the largest voting warehouse of the Democratic Party of the United States. People in the circle generally flaunt freedom and pursuit of liberation. Therefore, the political correctness of the American film and television industry is formed - they support LGBT unconditionally, and all ethnic groups are like one family.

As a result, we saw all kinds of American dramas with all kinds of skin color, a pair of homosexuals as the standard match. The trend of "standard match" homosexuality began around 2006-2008, and some dramas did not arrange homosexual characters to appear before that. What should we do?

As the saying goes, there is no twist for you, no pull for you!

This point, let alone the public drama, even cable TV plays are no exception.

House of cards is mainly used for on-demand and DVD sales channels, and its scale will be wider than that of the popular TV series on wireless, but Murphy will not let it be as yellow and violent as game of Thrones.

Therefore, the scene of a dead child appearing directly in the picture like game of Thrones is not suitable to appear in house of cards. Even some scenes about children being injured are not allowed to appear directly in the picture.

Under normal circumstances, children will be strictly protected in Hollywood movies.

Since house of cards is a popular play, of course, Murphy won't let children's serious casualties appear directly in the play. In some local movies and TV plays, many writers and directors will use the death of children to set off the atmosphere, and even some of the pictures are very large, but they never consider that these things may be for minors.

So the writers of house of cards, if they want to stir up feelings, to set off how bad Francis Underwood is, have to think of another way. If they want to write a dead child to achieve this, let alone others, Murphy will fire him immediately.

Strictly speaking, this play is a network play, but the standard set by Murphy is not much wider than that of the popular play of wireless station.

During the review, he saw a line that might make people contact Francis Underwood, who discriminated against homosexuality. He immediately called the screenwriter in charge and told him that he had to revise it in ten hours!

According to the experience in recent years, although the role of black people is important, it is more important to protect homosexuals from being discriminated against. No matter who discriminates against homosexuals, there should be no amnesty.

Just a few years ago, there was a typical case in Hollywood.

In the first season of grey intern, male number one and female number one are white, and they are a couple; male number two is black, and female number two is Asian Korean, and they form the basis of political correctness in terms of race. However, the man No. 2 inherited the characteristics of his head, and in an interview, he accidentally revealed some discrimination against homosexual groups, which caused a stir in public opinion.

The media and the audience have asked the actor to apologize and disappear from the play!

What happened? As a result, the cast obediently asked the black actor to make a sincere apology before terminating his contract and kicking him out of the cast. Because he is the No.2 man in the play, he was arranged with an ending: he "repented" at the wedding scene, suddenly broke his mind and said, "I don't want to get married. I'll give you freedom. Goodbye." then he walked out of the church and disappeared from the play, leaving the Korean bride in a mess in the church wind

Is it reasonable? In terms of plot, it's very unreasonable. Does it have to be done? Yes, because the audience has a voice.

This is a typical example of a plot forced by the audience. Almost all the censorship in American dramas comes from the audience, and all the taboos come from the audience's "don't want to see".