"What a wonderful story!" boss Jia couldn't help sighing after watching this new version of the baoliandeng story.
First of all, in the plot itself, the plot of baoliandeng is impeccable.
As we all know, there are three versions of the popular Baolian lamp in China, namely the Shangmei version of the Baolian lamp animated film released in 1999, the Baolian lamp of the legend of heaven and earth, produced by Tang film and television and starring Lin Zhiying in 2001, and the Yangma version of Baolian lamp starring Jiao Enjun and Cao Jun in 2005.
In terms of plot, Dai Lao's Baolian lamp is similar to Yang Ma's version of Baolian lamp, and this is also recognized as the best version of the plot. At least, the characterization of Yang Jian is stronger than the simple villain in in the film. I don't know how many times.
Of course, because it's a TV play, and it's still two TV plays before and after, it's inevitable to inject some water into the plot, and there are many unique children's and women's love in China. Xiao Chenxiang also wants to fall in love.
But in the movie version, these are gone. Although there is still the role of little fox, the composition of this role is far more than that of girlfriend. Finally, there is no dog blood to sacrifice for love. In the plot, it also laid a lot of foreshadowing for Yang Jian, which made Yang Jian's sudden white wash completely unobtrusive. The audience with a little experience can even see the complexity of Yang Jian's whole character in advance.
The most outstanding part of the plot of the whole film, that is, the final climax of the film, the part where aloes broke the wall of tiantiao.
First of all, in the process of watching the film, the audience has accumulated grievances for several hours. It needs a grand climax to break out, and destroying the whole Tianting is the highest outbreak.
Aloes broke the heaven and heaven, destroyed the control of immortals and Demons and ghosts over human beings, which also perfectly sublimated the theme of the plot.
It turns out that this is not a simple story of cutting mountains to save his mother, but a story that tells mankind how to get rid of the three mountains forced on him. The theme is completely sublimated at once.
Secondly, it is obviously in line with the correct social view and has extra points in the audit to break the restrictions of feudal superstition on society, let everyone be free and eliminate all cattle, ghosts and snakes.
Especially the reversal at the last moment, all Yang Jian's obstacles and attacks on aloes are for the purpose of this last moment, which in turn destroys the whole heaven, and gives the audience a sense of shock and reversal, which is unimaginable. It is estimated that at that time, most of the audience think that this is a simple aloes defeat Yang Jian and justice defeat evil, Will be completely crazy by this plot.
You know, this is not the audience in 2020 who has experienced too much reverse plot tossing in movies and TV dramas, but the audience in 1996. They basically go straight to the movies, justice defeats evil, and there are few reverse plots, so they will make the audience feel that their heads are not enough.
At the same time, in terms of details, the script also has many wonderful and thought-provoking places. For example, in the scene where Yang Jian captured Liu Chenxiang in Dongsheng Shenzhou, he first told through the mouth of the storyteller that there was a place in qianjue that could connect the underground.
When Yang Jian assigned tasks to his men, he directly forced Chenxiang to qianjue. Finally, when Chenxiang broke everything and tried to fight to death, Yang Jian never missed the attack. Unexpectedly, he was accidentally shaken away by Liu Chenxiang, so that the remaining strength just broke the stone tablet in qianjue and exposed the entrance to the underground.
As a result, Chenxiang went directly into the underground to escape for his life. As the God of heaven, Erlang could not enter the underground without the order of the Jade Emperor, which made Chenxiang escape and continue to grow.
At that time, when watching the film, I thought it was the screenwriter's forced plot killing, but after watching the final decisive battle, I will react after careful aftertaste. In fact, these are all things calculated by Yang Jian.
There is also a very shocking place, that is, Liu Chenxiang was finally pressed on the Dragon cutting platform. The Dragon cutting knife, which can kill even the real dragon, was smashed when it was cut on Liu Chenxiang's neck, which stunned all the immortals, including the Jade Emperor. Zhu Bajie said at that time "God, since the last time I killed the immortal monkey brother, isn't this dragon cutting knife strengthened 100000 times? Why can't even kill a child!"
This sentence has a linkage with the journey to the West.
But this is not the key. The key is that after Liu Chenxiang broke away from the shackles of the Dragon chopping platform and integrated with the Baolian lamp, he stood tall on the heads of all immortals and said, "I Liu Chenxiang is not an immortal, not a Buddha, not a demon, not a devil, not a ghost, not a dragon. How did you cut me with the Dragon chopping knife? I'm just a human!"
"I'm just a human!" if there is station B in this era and you can watch the film on it, boss Jia can imagine that the whole screen is crazy brushing this sentence.
Because this line matches the whole plot, it's too burning. Even if boss Jia didn't see the real film, but only saw the script, he was deeply shocked by this paragraph, and his blood was boiling.
Finally, what made boss Jia feel a little incredible was that teacher Dai's Baolian lamp actually rounded back the Chinese myth.
As we all know, Chinese myths are mainly composed of books such as the book of mountains and seas, the book of SouShen, the romance of Fengshen, the journey to the West and Liaozhai.
Those talented network writers of later generations have magically connected the stories in these traditional myth books with the world outlook, forming a mighty world outlook of Honghuang Xianxia.
Of course, such a world view is very nonsense in the eyes of traditional Taoists, but it can perfectly connect all Chinese myths and legends. Boss Jia likes it very much.
However, there is a breakpoint in Honghuang Xianxia's world view, that is, after the world of journey to the west, the whole story is broken. There is no unified view of what happened in the Honghuang world after journey to the West.
Although some online writers have also written the following stories, none of them can be recognized by all the flood and wasteland novels.
Until boss Jia saw Dai Lao's "Baolian lamp" and reflected it, isn't this the next catastrophe of honghuangliu's novels?
Because in order to save his mother, aloes destroyed the Tianting under Yang Jian's calculation. Since then, the Tianting has been destroyed, and the three realms have been completely separated. Human beings will never have such things as cattle, ghosts, snakes and gods. Isn't this just the era after new China, when there are no demons, ghosts and even animals?
It can be said that as soon as the Baolian lamp is published, it perfectly explains why the world no longer has so many legends of immortals and monsters as in ancient times. Because of the calculation of Yang Jian and Chenxiang, the whole human world has gained unprecedented freedom. What a beautiful drama!
"This old man doesn't just want to end the story of immortals and monsters!" boss Jia looked at Dai Tielang deeply.
Today's Dai Tielang certainly doesn't know what the famine system is, but the traditional Chinese mythological novels are really broken in the journey to the west, without explaining why the Chinese demons and ghosts are disappearing gradually.
So Dai Tielang made it up by himself???
Boss Jia muttered in his heart, but Dai Tielang couldn't see anything on his face, so he didn't ask much. Besides, if my master really has such a mind, how can I be an apprentice and have to work hard!