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Spielberg was stunned for five minutes until Adrian called out his name tentatively. He quickly took the paper and pen and began to write: "very good, ed. your opinion is very good. Yes, a touch of symbolic red, the only color of the whole film. You are a genius"

Adrian opened his mouth and seemed to want to say something But after seeing Spielberg's excitement, he didn't say it.

"Yes, that's it. You solved a big problem. ED is the best screenwriter in Hollywood." Spielberg looked at his flustered and scribbled words and said with a smile.

"That's what I should do," Adrian shrugged. "Anything else?"

"Yes, there are still some problems," Spielberg said, recovering his previous look. "I think it is necessary to discuss with you about the angle selection, scenery selection, clothing and props and so on."

With that, he handed the sorted materials to Adrian: "this is the information of some actors I collected, as well as the arrangement of going to Poland for field shooting, and some other things. If there is no opinion, we can officially start casting and preparation. "

Adrian took it, flipped through a few pages, put it aside, and took a portfolio out of his briefcase: "I've been paying attention to the actors. I think these three are very suitable for the three main actors."

"Three main actors?" Spielberg took the portfolio by accident.

"Yes, Schindler, SS officer amon and Jewish accountant Stan." Adrian nodded.

Spielberg's surprise turned into a surprise. He didn't expect Adrian to be so busy for such a film. Out of curiosity, unexpectedly, Adrian first helped solve a key problem in the film, and then provided three extremely suitable actors. This is really That's weird.

"I have an idea about the costumes and props, especially the costumes of more than 20000 extras," Adrian said to himself after seeing Spielberg's silence and looking through the materials again. "I believe the poles still have a lot of clothes from the 1930s and 1940s. The crew can buy them from them, and they will be happy to sell them. The other is that extras, I think, can invite some of the survivors or their descendants to act, so that they can experience the despair of the time and make the film more authentic - all of which, of course, are my suggestions. "

After a pause, Adrian continued: "what's more, I hope you can arrange the security work when you are shooting in Poland. Many poles still think that the Germans at that time are good people because of the Nazi occupation of Poland. In addition, due to some historical reasons, this kind of thing may not happen, but it is unfriendly to the crew Certainly, we must do a good job in security and prevent conflicts. "

Spielberg was stunned to see him talking, as if he had stopped thinking.

"In other aspects, I just Oh, by the way, and the soundtrack. I don't think John Williams will refuse your invitation. In this case, I suggest that the violin should be the main instrument, so that we can invite Mr. Itzhak Perlman to play, so as to better represent the history in many ways. " What did Adrian think of.

He rubbed his nose, and an incredible feeling surged into Spielberg's mind. He reluctantly laughed and finally asked, "ed, why Would you be so enthusiastic about the film? "

"Because," Adrian grinned, with a very special calm, "that's what I should do."

This is you What should be done? Spielberg didn't understand why he could say that. Just as he wanted to continue to ask questions, Adrian, who was searching through the information, suddenly frowned: "Steven, are you going to take field photos in Krakow and Auschwitz?"

Spielberg was stunned: "what's the problem?"

"I don't think it's appropriate." Adrian shook his head and held up the video. "It's not a good idea."

"Why?" Spielberg suddenly became excited. "Why can't we go to the field to shoot? Do you know, ED, how I felt about my field trip to Poland more than half a month ago? I can't imagine how to set up such a scene in the studio, and I can't shoot what I want in the studio "

" calm down, Steven, calm down. "Adrian stretched out his hands seriously and pressed down." I understand how you feel, and I agree with you, but I still think we should go to Krakow and Auschwitz to shoot on the spot It's not right - don't get excited. Will you listen to me? As like as two peas, you can go to Poland, you can re build new scenes from Krakow and Auschwitz, and build a completely identical set of scenes with your idea. You can not invest in funds if you don't need to worry about funds. If you don't have enough money, I can add more investment. 10 million or 20 million, there is no problem. But please do not go to Krakow and Auschwitz. Please do not disturb those spirits that have passed away. Soul, please let them rest in peace. "The pen in his hand suddenly fell on the table. Spielberg looked at Adrian and his sincere and solemn face. He couldn't say anything. He waved his hand in a trance, as if he was still in shock. However, the next second, he suddenly stood up and made a 90 ° bow to Adrian. His nose was almost on the table.

"Hey, Steven, what are you doing?" Adrian quickly stood up and let go.

"Thank you for reminding me, ed. if it hadn't been for your reminding, I would have made a big mistake." the propped up Spielberg bent down again. "I misunderstood you before. I apologize for my behavior."

"Don't do that, Steven," Adrian grabbed his shoulder. "You're just too busy and trying to make this movie, so you don't think it's that comprehensive. And I believe that even if there is no one, you will be reminded

"Anyway, thank you for the reminder. Thank you very much." Spielberg grabbed his hand and shook it hard.

They looked at each other with a smile and sat down again.

Looking at his list, though, Schindler thought, "why am I so passionate about it? Can you tell me why? "

"Because..." Adrian tapped his fingers on the table, and his eyes flashed a look of remembrance. "My grandmother was Jewish, and although she died early, I still remember how I felt in her arms. When I was determined to cheer up, I looked through the diaries of many senior members of my family and learned that she had worked for the wartime refugee relief association in the 1940s... "

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