Chapter 185

"Can you finish a painting independently?"

With a gentle face of doubt, he walked into the studio, came to the side of the two people, and looked at the sand painting table. There was a picture on the table. It was an attic with complete structure and clear lines. The sand volume of the line was also very uniform, and the whole felt very comfortable.

Gentle frown, more confused, asked Ding, "is this his painting?"

Xiaoding nodded.

The gentle eyebrow became tighter, looking at Meng fan: "have you studied before?"

Meng fan shook his head.

Ding said, "absolutely not. Teacher, you don't know. At the beginning, tie Ge couldn't even sprinkle sand... But he completely mastered the basic painting skills of sand painting in an hour! Then, like flowers, birds, insects and fish, he basically watched, learned, tried and practiced again. If he didn't say it in a decent way, he could draw inferences from one instance!"

"So fast?"

Wenwan still didn't believe it. He stopped eating and looked at Meng fan: "what Ding said is true?"

Xiaoding looks innocent, which can be false.

Seeing Meng fan nodding, Wen Wan asked him to demonstrate.

Meng fan nodded, waved his hand, and dusted down the attic on the sand painting platform. Then he reached out to grab a handful from the colored sand table, and sprinkled it on the sand painting platform. The front was heavy and the back was light, and the fish came out. Then he pointed twice and rowed a few times. His eyes, whiskers, fins, etc. came out, and a fish jumped on the platform.

He dropped the rest of the sand on the edge, turned his fingers twice, rowed down and pushed it a few times, and there was also a lotus.

Grab a few more, and in less than a minute, there will be a fish playing with the Lotus!

Meng fan also came into contact with sand painting before he realized how lax his original estimated learning ability of various attributes on this sand painting was. This is not suitable for sand painting. It is simply too suitable for sand painting!

The biggest difference in the estimation is the hand speed. Meng Fanyuan thought that the hand speed here is to improve the painting efficiency. This formal contact made him know what kind of ability the hand speed brings to his hand after becoming stronger.

Faster hand speed is bound to require more sensitive hand nerve response and stronger hand muscles. In short, the control of the hand becomes stronger!

Before, I didn't feel much about drawing cartoons, but I knew that I had a good control of the power of my hands when playing shooting. When it comes to sand paintings that need hands as pens, Meng fancai maximized these

When drawing cartoons, there is a universal brush, and in sand painting, Meng fan's hands, to exaggerate, are universal BRUSHES!

Wenwan didn't see the painting process of the first attic, but only saw the molding. This time, the whole process fell into her eyes, simple, fast, clear, powerful, bold... The technique was bright and smooth, without redundant actions. The composition was complicated, ugly, rough, and presented a beautiful picture, which has shown the essence, refinement, and beauty of the sand painting performance!

Although there are certainly many shortcomings in the United States, compared with the time Meng fan learned before and after this, Rao is a well-informed student who has also taught several students with strong painting foundation and high comprehension. He is also stunned and shocked!

"Don't look, let's eat."

Looking at this picture, Wen Wan knows that Meng fan really controls the basic skills. It takes less than two hours, including the time for theoretical knowledge. Wen Wan doesn't know what to say about this learning ability.

No wonder you dare to say so confidently that you are fast.

There is a kitchen on the third floor, and there is a working meal. After eating, Wenwan taught it himself. Xiaoding, who maintained a strong curiosity, came to this studio and called it fighting.

"I won't say more about the basic techniques. You just need to practice more in the future. To mention, since you are an anime, keep the painting style of animation, and don't deliberately avoid it."

She gently orders a sandalwood, which is her habit. Although sand painting has nothing to do with sandalwood, sandalwood is her standard whenever she teaches or performs.

"Next, I'll teach you techniques, compound techniques, combination techniques and color difference techniques. After we learn the techniques well, we'll learn composition, multi picture overlap, white space, etc. Finally, we'll learn how to tell stories with sand painting."

"First of all, composite techniques and combination techniques are very close. The former is the advanced level of a single technique, and the latter is the combination of multiple techniques."

"The premise of compound technique is to liberate your fingers. Every finger, palm, knuckle, back of hand and even wrist and elbow are all our painting tools. We must remember that you can rely on the most flexible finger or part, but never rely on it, which will make you bound and limited. Remember this from the beginning."

Professor Wenwan's way is very simple, that is, speaking and demonstrating, not only in simple terms, but also in deep out, shallow in shallow out and shallow in deep out. He speaks every point very thoroughly, so that you know what it is and tell you why.

Her teaching is also very flexible, which is completely adjusted according to Meng fan's understanding and progress. Some of them are easy to pass, and some of them are difficult to understand are repeated.

The drill process is also quite dazzling. Her fingers are very good-looking and flexible, and there is a great sense of beauty between movement and stillness. Not to mention what she draws, the beauty brought by this finger alone can be regarded as heaven's reward.

"Color difference technique, also known as visual technique, is the biggest difference between sand painting and comics and other kinds of painting. Other kinds of painting will be used, but few, unlike sand painting. In the simplest way, for example, if you want to paint cabbage, other kinds of painting is painting cabbage, and sand painting you can choose this..."

Wen Wan is good at drawing on the sand painting table, which fluctuates slightly. The covered sand is cleared out of a blank, which is the outline of cabbage.

This method is abandoned in other kinds of paintings, that is, draw all the areas that don't need to be painted, and what you don't draw is the pattern you want.

The reason why sand paintings do this is that it is easy to sprinkle sand, and the sprinkled part can be "wiped out".

Buckle diagram.

This is Meng fan's greatest feeling.

I tried it myself. It was up to standard and I thought it was fun.

"Like human face..."

Wenwan gave Meng fan the most direct feeling through the demonstration, and then described and split the techniques

"Next... Let's talk about composition."

Wenwan found that she had finished what she should have said in the skills section, and was stunned for a while. The progress was a little fast. It was like talking to herself. It was terrible that Meng fan kept up with the progress in the process. The catch-up here was not to understand, but to keep up with her hands. If she didn't have a decent grasp of the skills at hand, she couldn't move forward smoothly.

"There's nothing to say about composition. Your original foundation is enough. Let's directly talk about the overlapping composition of multiple pictures. The sand painting platform is such a piece. During the sand painting process, a lot of coverage of the previous picture is required. In the positive process, it's very important for you to use some elements of the previous picture to outline the next one. Otherwise, the platform will be cleared after one picture is finished, and there will be no beauty of performance."

……

"The narrative methods of sand painting are the above, and finally the artistic conception. The artistic conception is skilled, but it depends more on the painter's personal cultivation and understanding of the world..."

At 4:30, Wenwan stopped and found that he had nothing to say.

It's not that everything has been said, but that many things are unnecessary to say based on Meng fan's current performance.