Chapter 1167

This film must not only be performed, but also be performed well, even if it is only one film in this life.

After waking up, Jiang Hudong opened a bottle of soda, poured it down, and sighed with satisfaction.

"In stone, this script is very good. Don't tangle any more."

"Yeah? Arnie... How could you? "

Liu Zaishi was surprised. His attitude changed so fast that he couldn't react.

"Didn't you say many times in infinite challenge that you wanted to try acting《 Please answer: isn't 2007 a good work? This time, let's do it bravely together... "

"Can that be the same?" Liu Zaishi glanced at him angrily.

3 billion ah, this is only a medium-sized investment in Korean films.

Just put it in their eyes, no less than the Hollywood blockbuster they took over.

"Anyway, the word has been signed. We can't go back. Make a good film first. As for Kim Tae ho..."

Remembering that he had been cheated by the other party this time, Liu Zaishi clenched his teeth for a while.

Here, they smiled bitterly and had to accept the reality.

But because Jiang Hudong's attitude was too strange, he looked at his script left by Jin Taihao, took a deep breath, and began to take it over and read it slowly.

In the dim light, two old men over 40 years old, sometimes laughing, sometimes smoking paper towels and wiping tears because of a movie script.

"Hey, Yigu, really, I don't know what sage is doing. Why can't his cell phone get through ~ ~"

After reading the script, Liu Zaishi completely changed his face for the old boy. The script was carefully closed. It was very precious.

Even when the waiter came in to clean up the plate, he took it with him to prevent any soup from spilling on it.

"I must be afraid of receiving your call and being scolded by you, so I just turned it to silent or didn't look at it at all." Jiang Hudong chattered and mocked on one side.

"Hey, hey ~ ~ am I such a person?"

"Hey, hey, I didn't know who it was before. I wanted to call the wise man and tell him how to treat my brother like this. Who said that."

"Well... I was annoyed by Kim Tae Ho, and I haven't read the script. Of course not now."

Liu Zaishi said forcefully. At this time, the man didn't want to answer his phone, but was similar to what Jiang Hudong said.

The only place to get in and out was when shopping. Because the mobile phone was set to silent, I didn't know Liu Zaishi called him.

Holding the starring agreement signed by Liu Zaishi and Jiang Hudong, Jin Taihao and Luo Yingshi went straight to Empire entertainment.

After meeting song Jifan for less than ten minutes, the two sides exchanged views on matters related to the shooting of two films, old boy and my girlhood.

Although Jin Taihao said a lot in front of him before, Luo Yingshi was very cautious in the face of the president of such a company after all.

But after really seeing it, I found that it was the same as what my old friend said.

After hearing that he was willing to direct my girlhood, song Jifan said on the spot that it was inconvenient for Li Xianzhe to come to the company to meet him, so he fully represented each other.

And promised to send relevant personnel to help him get familiar with the shooting site as soon as possible, in addition to some expenses borne by the company.

But... What really makes Luo Yingshi breathe thicker is another promise of song Jifan.

"President song, do you really agree with me to edit the film myself?"

Luo Yingshi can't believe that the sky will drop such a good pie. Song Jifan's right is the final editing right in the film.

Even though he had never made a film before, because of some similarities between variety shows and film and television dramas, Luo Yingshi made it clear that the final cutting right given by the producer is like the Shangfang sword given by the emperor, which is definitely a symbol of power and honor.

It's like doing variety shows in TV stations, making films and editing during the period. TV stations do not intervene and delegate power to PD to supervise production.

This is what every variety PD wants, but the result is cruel.

The same is true of the film. Thinking of this, Luo Yingshi couldn't help looking at Jin Taihao. When he saw the smile in each other's eyes, he gradually suddenly realized.

It turned out that his old friends were so willing to cooperate with this company, not for those high investments and seizing opportunities, but for the final editing right.

Because of the development of the film, the final editing right of the film was in the hands of the director at the beginning.

But later, because of the length of the film, the scheduling schedule, the transfer of interests between the cinema and the producer, and the different opinions on the film, there was a conflict of ideas.

In Hollywood, from a certain period, the final editing right of the film has been firmly held by the film company.

The vast majority of directors have become poor people who can only copy and make movies and have nothing to do after shooting.

For any director, the producer or censor arbitrarily deletes and modifies the film in disregard of the director.

It leads to the destruction of some films, which also tramples on the dignity of the director.

It can be said that the ownership of the final editing right also represents how much the final power of the director can grasp.

If there is no final editing right, it will just become a poor person who can only make movies without editing right. This dilemma is also reflected incisively and vividly in South Korea.

The producer is responsible for the investment. Unless the director quit, everything must be discussed with the distributor.

In dealing with the editing and final production of the film, there will inevitably be contradictions between the two sides.

In fact, film distributors cut films in the 1920s.

Even foreign films are no exception. In 1927, the epic science fiction masterpiece metropolis by German director Fritz Lang premiered in Berlin, Germany, with a premiere of 153 minutes.

Later, the film was cut to about two hours by distributors all over the world due to censorship and too long.

In 2001, the 123 minute restored version of metropolis led by the maunau foundation was released at the Berlin Film Festival. After years of exploration and research, about a quarter of the fragments were considered to be permanently lost at that time.

For another example, Orson wells, the director of Citizen Kane, can be called a classic in film history, using innovative narrative techniques and shooting skills.

However, after the shooting of "lost beauty" was completed that year, it was maliciously edited by universal, subverting the director's creative intention.

Orson wells was shocked and wrote a 58 page memo detailing the film's creative intention and correct editing techniques. He was helpless and sank into the sea.

Edited beyond recognition, the 95 minute version of "lost beauty" was hastily released by universal and lost in history.

Until the 1990s, more than 40 years later, with the efforts of many producers, editors and restoration experts, the 111 minute version of the robbed beauty was published according to the original intention recorded in the Orson wells memorandum.

It can also comfort the spirit of Orson wells in heaven.

In recent years, Korean and Hollywood directors have also been "scissors hands" by film makers.

The most famous is the insider, which scored more than 9 points. The whole film was 180 minutes long, but due to the intervention of the outside world at that time, it was deleted for 50 minutes.