Chapter 1857

It's just eye contact, it's just verbal confrontation, it's just a passing pause, but the undercurrent between Owen and Claire has overflowed.

"You know, I love to see you at a loss."

Owen, the big boy, used to play tricks on his favorite girl, so he said it frankly. Then he could see that Claire pinned her hair behind her ears uneasily and looked down at her dress. She seemed to care about it, but she didn't know what she cared about, That kind of bewilderment makes the relationship between two people more interesting.

"We want you to reassess the weakness of the fence." Claire returns to the business, directly and selectively ignores Owen's ridicule, which also makes a sense of conflict between words and actions, with a comedy effect of no silver here.

It's a pity that Owen's step is getting farther away, and he won't be able to see Claire like this. He's already around the side of the cabin and seems to be busy. But in fact, he has nothing to do at all. He just pretends that he has a lot of things to deal with, and the childishness of his action is not much better than Claire's. he responds loudly, "Why did you come to me?"

Clare showed his helplessness and turned a big white eye: what's the problem? But he said seriously, "I guess Mr. maslani thinks that since you have a way to control the Velociraptor..."

"I'm not controlling Velociraptor, I'm just making friends, making connections between us." Owen came back, stopped in front of Clare and said solemnly.

Claire forbeared and forbeared. At this time, she could not bear it any more. "Excuse me? Who on earth doesn't want to connect? " Claire's voice became shrill and excited. "I'm working hard, I'm working very hard, I hope to be able to establish contact with you, but you keep pushing me out? Remember? You hurt me! You chose to break up! You pushed me out! If I can't wait for any reward for my efforts, then tell me, how can I continue to persist? "

Claire's mood is a little out of control.

There is no warning. It seems that there is no warning at all for the outburst of this emotion, but it is not so after careful consideration. Since the meeting between Owen and Claire, they have been suppressing their emotions all the time. The surge of emotion, which is surging but can not be tolerated, has dimmed a lot in Owen's gags, but it still exists objectively.

Now Claire has let out all the repressed words. Instead, she has broken the balance and pieced together the relationship between the two people and the past in a few words. Part of the questions have been answered, but more doubts have been opened. The entangled fetters, with some helplessness and pain, are reluctant to give up.

Then, all of Clare's words fell on Owen and began to spread.

Then, Clare noticed Owen's back. He just stood in the same place, his back to himself. His straight and tight shoulders revealed a sense of loneliness and vulnerability, as if he could clearly see the scars. Even without saying a word, he could easily hit her soft.

She knew she was crossing the line - but Owen shouldn't have started the conversation, should he? Why did Owen provoke himself? Can't they live in peace?

Owen turned his back to Claire, and Claire didn't see his expression. At this time, his expression became more tender than ever. There was no other emotion and emotion, just a piece of soft and light, as if he was taking good care of his beloved, but the loneliness behind the tenderness flowed out involuntarily.

That's the difference between humans and animals.

Human beings always expect that their efforts can be rewarded. The so-called unconditional effort never exists. Effort and reward seem to be an equation. However, when this equation can not be equal, both sides begin to become unfair, and then hurt each other bit by bit, trying to find the balance in this way.

If there is no equal way to give and return, then keeping a distance is the best way to protect each other. Even if it is very hurtful sometimes, it may not be able to find a better way.

Bryce's mood is a bit mixed, full of bitterness, but she can't find a clear idea: no lines, even no expression, just a back, silent back. But lanli shows the scarred soul under the skin bag incisively and vividly, and the past that can't be waved appears again in front of her eyes, which becomes an obstacle to them.

She should know that it's not that he doesn't want to, but that he has no way. Those self-protection is not his fault, but his self-defense mechanism under the crisis. Those scars always exist objectively. In fact, he is working hard, he has been working unremittingly, but in the process of working hard, he has hurt her and himself. He finally chose to push her away in order to protect her and then bear all the pain himself.

She knew all this, but she still impulsively said those hurtful words. They are all victims, but no perpetrators can be found.

Bryce showed a trace of heartless expression, opened her mouth, but there was no way to say words of comfort. Finally, she could only shift her eyes and look to the side, hiding her inner vulnerability and turbulence. The struggle in her eyes was fleeting, but delicate and real.

Even Bryce didn't realize that she had completely entered Claire's world.

Colin, standing behind the monitor, watched the pictures captured by three cameras at different angles at the same time. He used all his strength to control his impulse of screaming and cheering

This is the perfect effect he imagined!

It doesn't need too much cumbersome explanation of the lines, nor too much interpretation of the performance. It's the simplest and cleanest way to express emotions with one back and one eye. He only needs to give a space for the lens to perfectly present the complicated relationship, which leaves a hidden clue for the audience, And then through the follow-up story, even the sequel story, we can solve the mystery bit by bit, and then continue to promote the whole story about dinosaurs, while avoiding excessive tedious and disturbing the narrative rhythm of commercial films. This is perfect!

In fact, the performances of Langley and Bryce are still beyond Colin's expectation, but the body language of dragonfly skimming water perfectly interprets the story behind the script - those extended stories that can't be seen or read on the script, but are full of roles. These detailed emotions make the characters full and three-dimensional, even if there is not too much ink in the film, But it can still present a vivid and real image to the audience.

This skill is enough to make most of Hollywood actors pale. Colin was not surprised by the performance of Langley; But Bryce's performance was a little surprise.

Colin had to pinch his thigh to avoid the urge to cheer. Now that the play is not over, he doesn't want to spoil the flow. So, it's just the thighs.

Claire turned his head, awkwardly hiding his emotions, and then said slightly stiffly, "can we get back to dinosaur assets?"

"Assets?" Owen's mood also picked up. He turned around slowly. Although the corners of his mouth were still smiling, the sincerity and concentration in his eyes began to be serious quietly. It seemed that he was very sensitive to such a topic. Even a little spark could light a firecracker.

Clare also realized that her words had hit Owen's death. She knew it, but she could not understand it. Therefore, she now fell into a rut: trying to explain that her words didn't mean that, but she didn't know how to start. In the end, she could only take a long breath, drop her eyes and refuse to compromise.

"I understand that you are the one who is used to giving orders. You need to make many difficult decisions. It will be easier to treat dinosaurs as numbers on the account, but they are not numbers. They are living animals." Owen came back to Clare in a relaxed but absolutely focused voice.

Claire took a deep breath. "I know that. They're all alive."

"You create them in test tubes, but they don't know that." Owen went on, a little hasty, indicating that he cared. "They need to eat, they need to hunt, they need to..." Owen raised his right hand, clenched his fist, and then made a piston move back and forth, and his expression became solemn again“ You should at least be able to feel the need for any of these patterns of behavior? "

"Casanova." Clare came down the stairs of the cabin to Owen, and said with a smile, "I need more behavior patterns than that: I need to feel warm, just like those dinosaurs can feel. It's called trust. I believe you should be familiar with it. "

An understatement, however, struck Owen as if he had been fooling around. However, the smile on the corner of his mouth began to harden slightly. He tried his best to cover up his pain, but it was exposed in front of Claire. After all, he could not be completely Frank.

Claire dropped his eyes, not because of his "upper hand" and complacent, "I wait for you in the car." She lowered her voice and said that when she raised her eyes again, they had returned to a calm state. "You'd better change a dress. They are very sensitive to the taste."

Smell, which can also be explained as a particularly obvious odor, such as sweat.