"Langley, some people think that in the lobster, your performance has not been really discovered. It seems that the cooperation between you and oggs does not produce enough chemical reactions. What's your opinion on this?"

"What do you think of Langley's performance, oggs?"

"Lanli, not long ago, we just enjoyed your wonderful performance among the" pop drummers ". Do you think the performance of" lobster "is relatively simple?"

"Langley, what's the most impressive scene in the whole movie, and why?"

"Lan Li, there is no doubt that the fragments of forest solo dance are out of balance. What impact does this have on the structure of the whole film?"

"Lanli, starting from 'drunken folk songs', you have played the image of frustrated middle-aged people in four consecutive works - although Andrew is a young man, the overall tone is very dark, at least gray. Does that mean that your performance tone has been fixed?"

"Rachael, what's it like to be shooting opposite Langley?"

"How do you evaluate the performance of the whole film, oggs? Are you satisfied? "

"How do you interpret the ending of the whole movie, Langley?"

"Langley, the film has caused a lot of controversy in Cannes, and the evaluation does not seem to meet expectations. What do you think?"

"Lan Li, many people criticize that the form of" lobster "is greater than the content, bypassing the emptiness. What's your opinion on this?"

"Lanli, do you think your performance has brought something new?"

……

Lanli, lanli, lanli, it is obvious that the absolute core of the press conference after "lobster" is lanli, and more than two-thirds of the problems are around lanli; But this is also a predictable situation, and the whole crew is ready to face the frenzy with a relaxed attitude.

To be sure, Cannes still shows the style of the three major European film festivals. Gossip and rumors don't take away the attention. Most of the problems still revolve around the film, especially the performance of Langley. We can't blame the reporters. After all, Langley has just shown his style of great general, calm, easy to deal with and full of laughter, In addition, he guides the topic to his colleagues from time to time to ensure that the whole press conference is maintained in a happy and relaxed state, and other actors can also join in the discussion.

"Lanli, who is the director you want to work with most of all the works on the Cannes Film Festival this year? So, if you look around the world, who are the directors you haven't cooperated with yet and are eager to get the chance? "

Although it's still a standard question, it's much more interesting than gossip.

Even though he has been dealing with reporters all morning and should be tired in the afternoon, lanli still shows his professional attitude and keeps a high degree of concentration from beginning to end.

"George Miller and Hsiao Hsien Hou." Lan Li gave his own answer, which was far beyond the expectation of the reporters on the scene. Lan Li did not reserve his attitude, emphasized his love for "crazy Max" again, and then talked about his expectation for "Assassin Nie yinniang".

Just like the position of the jury, similar questions can always show one's artistic taste. No doubt, lanli brought surprise again.

"Steven Spielberg and David finch." It's about rigidity. Rigid. icy. Dull. Astringent.

The unique film language of oggs lansmus defines a performance framework for each actor, and relies on rhythm and atmosphere to create a black humor effect, which does not leave too much room for the actors to play - a little too much force, the actors may break the balance of the film, but too much is still not enough.

But Langley hall did.

The expressionless and placid performance gives the characters a sense of "puppet" rigidity. It can not only amuse the audience, but also make them see a different lanli. This is worth the ticket price.

However, the reason why lanli is lanli is that his interpretation and understanding can always give more vitality to the characters. The three scenes in the whole film, concise and powerful, deepen the theme of the film and make the work more possible.

Stay in hotel, forest solo, end restaurant.

In these three scenes, lanli still continues the performance style of the whole movie, with rigid and clumsy body language. All emotions are hidden under the cold and rigid frame of the camera. However, lanli integrates the psychological emotions of the characters into every detail through the change of performance rhythm

Eyes, fingers, shoulders. It is these subtle body language, or introverted, or pause, or burst, short but powerful into the soul.

Just from the last opponent's play at the end, we can feel the powerful performing skills of Lan Li. The ups and downs of emotion, the changes of emotion and the advancement of mind are between a pause and a look up. It seems that there is no carving, but it clearly shows that kind of power

Hesitation, hesitation, fear, panic, retreat, fear... And then all degenerate into love. Driven by love, he becomes firm and persistent; But the confusion in lanli's eyes gives the character a deeper meaning: is this real love? Or is it just what he thinks of as love?

The flash of emotional pause makes the core idea of the whole film further elevated to a new level. In the end, the open ending left by Engels is not only love or marriage or social relations, but also a reflection and rumination of the two characters themselves on society. Even further, their confusion can become a mirror of the society, contrasting with hotel and forest.

This makes the film more possible, and that's what Langley does well as an actor.

Langley Hall's performance skills and ability have entered a new stage. The emotional processing at hand does not need too much detail, but can change the emotional foothold through the internal adjustment of rhythm change and strength, showing the complexity of the core of the story.

With this ability alone, Lan Li has entered the master level, which is really not in line with his age.

And the more valuable part of lobster is that it shows lanli's ability to control comedy, constantly converges his own light and edges, fits in with the performance rhythm of the whole film, and the bizarre and absurd plot perfectly fits in with the characters, so as to create a comic effect.

It's like Buster Keaton. It seems to be expressionless, but in fact it's full of emotion. This is undoubtedly a high-level comedy. "

The whole film review completely revolves around Langley, giving praise in an undoubted tone. After the second Oscar at the beginning of the year, Langley was once again named. This young actor who has created countless miracles is still the love of the French media. The "positive film" is just a part of the praise. From the point of view and attitude of European mainstream media, lanli's performance still received unanimous praise.

From the discussion of "lobster" itself to the discussion of Langley's performance, the Cannes Film Festival has been completely shrouded in Langley's powerful appeal in the past 24 hours, and will continue in the future. Even the entries in the main competition unit are no exception. They really feel the power of "Langley frenzy".

Then, in the midst of all the noise, "Carol" is about to appear on the stage under great pressure. Can they take away the focus of attention from lenley?