Yue Guan has no preference for the drama of exposing the dark side of the country.

The reason is not that he can't accept the reality, but that he doesn't like the kind of movies that dig out the Chinese people's bad habits and then go to the west to win awards.

There are a lot of directors of literary and art films who are in this way.

Their purpose is not really to photograph those dark things to help the country become better. They just cater to the westerners' abnormal cognition of the East, so as to get money and reputation from foreigners' fathers.

This kind of person is disgusting to Yue Guan.

Every country has a lot of bad things to worry about. The more people there are, the more they are. This is inevitable.

Of course, it's OK to make a drama of national problems, but it's just a criticism to put forward problems without giving solutions. In essence, this kind of practice is a bit more advanced.

Meaning is infinite and close to zero.

The advantage is to get the support of some elites and Notre Dame, and then to get reputation from westerners.

In my last life, some people always boasted about the reality of kimchi country. The films were especially realistic, satirizing the government and society. Then what?

The director who made the film won the prize, and the actors who made the film earned both fame and wealth. Many audiences followed suit, saying, "what kind of bear is kimchi country?".

Even the money for making this kind of film was made with the support of the satirical consortia in these films.

A country without military autonomy is rotten from the root. What's the use of sarcasm in the movie?

The key is that they dare not satirize ugly dad in the movie.

But they can cultivate a lot of superior fans in our country. It seems that the audiences who worship pickle movies are superior to those who like to watch domestic movies.

It's amazing.

Yue Guan had never seen such a film before, because he felt that as an actor, he didn't have to reflect on the national system and care about national affairs. He could do his job well first.

Most stars are not educated people. With their education level, they are not qualified to direct public affairs.

But it's not the same with "it's a long night.".

This is the play designated above.

Moreover, the play is not just critical.

In the long night, the environment is dark enough, and the judicial system is not perfect enough to let the villains get away with it. However, you can see that there are always people running for justice.

They are not blindly criticizing, shouting and doing useless work.

Each of them is practicing his own action for the justice in his mind.

This is Yue Guan's value: practice it!

They are willing to pay for it.

And there are always people willing to help them.

After Hou Guiping, there is Jiangyang. After Jiangyang, there is Yan Liang. Behind Yan Liang, there are the police who support him.

Of course, it is not a praising play, but it is also short-sighted to regard it as a critical reality play.

After watching the twelve episodes of "it's hard to see at night", Yang Xue feels deeply shocked.

That feeling was hard for her to describe.

In the last episode, there are scenes of Jiang Yang's suicide.

Jiang Yang, played by Yue Guan, turns off the light in the room, puts his neck into the rope loop on the equipment that has been prepared for a long time, presses the remote control switch of the equipment, and then throws the switch out of the window directly.

He closed his eyes, clenched his teeth, clenched his fist, and the rope was tightening.

Yue Guan performed the play himself, and there was no substitute.

An actor in a play can not always maintain his peak acting skills. There are always several scenes that need explosive power.

For example, the scene of Deng Chao's death by injection in the scorching sun is the acting skill at the textbook level. Deng Chao's strength is 200%, but he doesn't need to exert so much to perform in ordinary times.

In "a long night is hard to see", most of the dramas in Jiangyang do not need this kind of explosive power. In the early stage, they are full of spirit, but in the later stage, they are down and out. Yueguan only uses seven or eight parts of his strength.

There are only a few scenes that require yueguan to do his best.

In one scene, Jiangyang lost his wallet and cried.

That scene, Yue Guan is really crying, because he knows, Jiangyang at the moment really heart collapse.

Over the years, Jiangyang has lost his youth, career, reputation, future and family for this case. He is on the verge of collapse, and his wallet has completely destroyed his heart.

Even if there are only a few hundred yuan in his wallet, it is not worth mentioning compared with his previous losses.

But it was never the last straw that killed the camel, but every straw.

Some people can survive the storm of life, but they will be defeated by the small things of life.

This was the case in Jiangyang at that time.

Besides that scene, the most difficult one is the scene of Jiang Yang's death.In fact, Yue Guan didn't perform the feeling he wanted, and Chen Kaige didn't let him do it, because Jiang Yang committed suicide. If he did, it would make the audience feel terrible.

So Chen Kaige just let the audience see the beginning and cut the lens.

Only the sound of tightening wires and the sound of Yue Guan.

Even so, the scene has made the audience feel a little chilly.

It's really not a TV play that can make the audience feel too comfortable after watching it.

Fortunately, Chen Kaige's master directing skills have distracted some audiences, and the quality of the finished product of "a long night is hard to see" is better than "the truth of silence" that yueguan saw before.

After Jiang Yang committed suicide, Chen Kaige switched to other characters.

Chen Mingzhang, a forensic doctor, and Zhu Wei, a former police inspector, who have been fighting side by side with Jiangyang, are looking far away from Zhang Chao's room to see the lights go out.

They stood there and waited for a long time, but the light never came on again.

Then, without saying a word, Zhu Wei turned around and left, disappearing into the darkness.

Chen sighed, got into his Mercedes and drove to the bar.

At this time, Zhang Chao was lying in the hotel in Longcheng, looking at the ceiling of the hotel room, so he watched it all night.

While Li Jing is at home, looking at the photos taken by Jiangyang and Zhang Chao in recent months, tears flow out silently.

Guo Hongxia, Jiangyang's wife, coaxed her child to sleep in pingkang's home. She sat alone in the living room and watched TV blankly all night. Until snow appeared in the TV, she did not change the channel.

Jiang Yang died.

There are all kinds of living things.

The reason why light is valuable is the high cost of obtaining it.

And domestic drama, has not been shot for a long time so shocking.

And it's sad.

"Yueguan, it's a long night, it's very good, but it's too good, so it's hard to make a fire." After a long time of snow, he sighed.

If she knew that she would be so depressed after watching the play, maybe she would not watch it.

But after watching it, she was glad to see such a TV play.

It's really a complicated feeling.

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