Chapter 158

However, just turned over, the treasure in the brain feels, but begin to stir up, this lets Chu Chen Meng's mind a surprise, secret way, how is this to return a responsibility?

You know, in front of Chu Chen's eyes is a wall, and the other side of the wall is outdoor, and the wall is not thick, so you can't put anything else in it.

Wait, there's no room outside. That doesn't mean there's no room under the bed!

Just now, Chu Chen has been falling into a misunderstanding of thinking that only what he sees with his eyes can cause baojue's reaction. He never thought that antiques would react as long as they are within his sensing range.

It's true that in the past, baojue could only react to the antiques he had seen, but Chu Chen forgot that baojue could be upgraded. Just as the distance of baojue's feeling gradually became far away from the beginning with the accumulation of powers.

Now, with the accumulation of psionic powers, the way of telepathy of baojue has changed, which can be said to be both unexpected and reasonable.

Thinking of this, Chu Chen immediately got up from the bed, took out a flashlight from his backpack and photographed it under the bed. Under the bed, however, nothing of value was found except a wooden box.

Chu Chen also knew that there were some precious books in the wooden box, but most of them were academic books in the 1950s and 1960s, and a few were printed books in the Republic of China. It was true that these books were a little precious, but the value of these books did not reach the level that baojue would feel.

Nevertheless, Chu Chen took the box out from the bottom of the bed, but as soon as his left hand touched the box, the ability had a reaction, which made him excited. At the same time, he quickly called the box, which was the same as Chu Chen's before, with a box of books in it.

In order to avoid the things being sandwiched in the book, Chu Chen turned over all the classics, but he didn't find anything unusual in them, and the powers didn't respond.

"If there is nothing in the book, it must be hidden in the box."

If there is something hidden in such a box, it is only possible to find the bottom of the box. Knowing this, Chu Chen found that the box is actually like the pen holder he met before, and the depth inside is much shallower. However, Chu Chen didn't care about this before, so he didn't think about it.

Finding this, Chu Chen knocked the bottom of the box with his hand. Sure enough, when he knocked on the corner of the box, there were some subtle differences in the sound.

"Ha, here it is."

Chu Chen excitedly picked up the flashlight and looked at it carefully. After a while, he saw a less obvious gap around him. As for the gap, it was because there was a layer of wax oil on it.

Wax oil is very easy to remove, just use a knife to gently scrape it off. In fact, if there is an electric hair dryer, it is more convenient. Just put a piece of tissue paper in the place where there is wax oil, and then blow it with an electric hair dryer. After the wax melts, it will be absorbed by the tissue paper.

After removing the wax oil from the crevice, Chu Chen put a knife into the crevice and moved slightly. Fortunately, the board reacted, indicating that there was no other mechanism in it, which made Chu Chen feel relieved.

Although there was no mechanism inside, in order to avoid any accident, Chu CHENXIAN was very careful when he opened the board. He took a long time to open the board.

In the dark grid under the board, there is a round wash which looks like azure glaze. Around the round wash, there are sawdust and cotton, which should play a protective role.

In ancient times, washing is a kind of study utensil besides the four treasures of pen, ink, paper and inkstone. It is a utensil used to hold water to wash the pen. It is also a good product collected and used by aristocratic literati in imperial palaces of dynasties.

Washing was first seen in the Western Jin Dynasty blue glaze products, open, wide folding edge, wide belly straight wall, flat bottom, washing edge and inner core are mostly carved with water ripples, which were fired after the Song Dynasty. Such as antique bronze style of blue glazed Pisces, drum nail wash, round wash, single handle wash, sunflower petal wash, Wei Jiao wash, sugarcane segment wash, lotus wash, peach wash, leaf wash, etc.

When Chu Chen saw this round wash of azure glaze, he was shocked, because this round wash of azure glaze often represents the word Ru kiln. But his father solemnly put this thing in the dark box. Is it a Song Dynasty Ru kiln fired one? Or what is more, the circular washing of a Ru Guan kiln?

Ru kiln is one of the five famous porcelains in Song Dynasty. It was founded in the late Northern Song Dynasty and got its name because its kiln site was in Ruzhou.

Because of the special color and luster of the agate glaze in Ru kiln, and the full glaze wrapped with fragrant ash, Ru kiln was inferior to other kilns, and was favored and appreciated by the imperial palace of the Northern Song Dynasty. Therefore, Ru porcelain became "the first of famous porcelain, and Ru kiln was the first of its kind".

It was only 20 years before and after the opening of Ru kiln. Due to the short firing time, Ru kiln porcelain was very rare in the Southern Song Dynasty. There are only more than 60 pieces of genuine Ru Guan kilns that have been handed down to this day.

The glaze color of Ru kiln porcelain is moistening, which is generally shown as azure, thin fetal bone and small nail marks at the bottom. In the Song Dynasty, Ru kiln was the first place in the evaluation of celadon. In the Ming and Qing Dynasties, Ru kiln was also the first place in the evaluation of the five famous kilns in the Song Dynasty.The firing time of Ru kiln is very short. It has been recorded in the Southern Song Dynasty that it was "nearly rare". In the early Ming Dynasty, the Deyu factory in Jingdezhen once imitated firing. In the Qing Dynasty, there were a large number of imitated firing in the governor kilns such as nianxiyao and Tangying.

Mr. Feng Xianming once said: "the glaze color of Ru kiln is the most difficult to imitate, which is much more difficult than that of Ding, Jun and Yao kilns. It is not easy to imitate. Therefore, there is no genuine work for the handed down products."

In front of Chu Chen's eyes, the azure glaze is round, open, shallow arc wall, and slightly outward curling. Light sky blue glaze is applied to the whole body. The glaze is lustrous and moist, with fine fragments on the glaze surface. There are three small sesame like nail marks on the outer bottom, and the six characters "Shoucheng palace queen Pavilion" are engraved.

Among the Ru porcelain artifacts handed down today, those with inscriptions at the bottom are generally carved in two periods. For example, the empress Pavilion of Shoucheng hall, CAI and Fenghua carved on chuchen's azure glaze circular wash, are generally carved in the Song Dynasty.

"Shoucheng palace empress Pavilion" is the name of the palace in Song Dynasty, the word "Cai" should be related to Cai Jing, the favorite Minister of Huizong in Song Dynasty, and "Fenghua" is related to Liu Guifei.

In addition, some of Qianlong's poems, such as "a", "B", "C" and "d", were engraved after they were collected in the Qing court. The Emperor Qianlong, who was good at learning from ancient times, had classified his favorite antiques, so he left these marks.

Generally speaking, to identify whether it is Ru kiln, there are five sentences: "green as the sky, face as jade, crab claw pattern, morning star rare, sesame seed.".

"Green as the sky" means that the glaze color is as green as the sky after rain. "Face like jade" means that the surface has the texture of jade, and the glaze is as smooth as jade. When you touch it with your hand, the surface is as moist as jade. "Crab claw pattern" refers to the cracks on the glaze, most of which are very fine, transparent and colorless, like ice cracks, commonly known as "crab claw pattern".