Chapter 236

Speaking of this, Wen Yuting turned her eyes and said with a smile: "Yulan, you and brother Chu are not brothers and sisters. Don't you want to get closer?" As soon as the words fell, she ran to the school.

Wen Yuting's words, let Chu Yulan not from a Leng, then red face to Wen Yuting chase in the past.

"Dead girl, don't run

Wen Yuting laughed and said, "don't even think about it!"

………………

When chuchen drove to Liu's home, Dong pangzi was still on the road, and the investigators had not yet arrived.

After saying hello to Mr. Liu, Chu Chen put the set of local silver coins on the table and said, "master, have a look. This is the set of local silver coins I got."

After looking at this set of silver coins one by one, Mr. Liu said with a smile, "it's really a set of silver coins of our province, especially the five jiao and five Fen ones. Others have been looking for them for a century, but they haven't found them yet. You've got them so lightly. You're so lucky that you have nothing to say."

Chu Chen scratched his head and said with a smile, "well, I think it's quite unexpected."

"Dad, since this set of silver coins is so rare, ah Chen is losing money now." Liu Qinshu asked.

Mr. Liu said with a smile: "in terms of the future trend, the loss will definitely be some, but Mr. Dong also built a small bowl of Jun kiln, and he will not lose much. But I can't say that. If we compare antiques with their future trends, all those who sell antiques will lose money. "

"It's the same here."

Liu Qinshu thought for a while, and then he asked, "ah Chen, how much did you spend on this set of silver coins?"

"Five and eight million." Chu Chen returned.

When Liu Qinshu heard about the price, he was a little surprised and asked, "Gee, I thought you picked it up again."

Chuchen laughed and said the previous thing briefly, and then said: "in that case, I can't take down this set of silver coins at the price of picking up the leakage, otherwise I can't pass the conscience."

After listening to what Chu Chen said, while lamenting the misfortune of that family, Liu's father and daughter also nodded and praised Chu Chen's behavior.

Liu said happily: "we should have a bottom line in our life. We should do something and not do something. We should be honest and upright and never make money. Ah Chen, you've done it right and well."

"Master, it's nothing. I just do things with my conscience." Chu Chen scratched his head and said modestly.

Mr. Liu said with a smile: "it's good to have a good conscience. If everyone can have a good conscience, you don't have to go to Longxi!"

Chu Chen smiles when he hears that where there are interests, there are evil hands. It's not surprising that some outlaws have come up with such a high economic value of antiques. However, this local master is really immoral. In order to make money, he digs recklessly. What's more hateful is that they don't even let go of the ancestral graves of the common people.

However, speaking of Tu Fu Zi, we have to mention another profession, archaeology. Maybe in the eyes of ordinary people, both of them are grave digging, but archaeology is permitted by the state, so some people call archaeology official theft.

In fact, there are essential differences between the two. Archaeology attaches importance to culture, so great efforts will be made to protect the cultural relics carefully after they are unearthed.

Tomb robberies, on the other hand, focus on wealth. They may protect some valuable cultural relics, but they will not care about other cultural relics. In this way, inadvertently, a large number of cultural relics are damaged.

Moreover, the skill level and equipment of the thieves are also limited. In addition, the faster they do this kind of thing, the better. Therefore, when they excavate, they are likely to cause malicious damage to some cultural relics, and some valuable cultural relics are likely to be destroyed.

In fact, in many cases, archaeology is also a last resort. In case people find an ancient tomb, if they don't excavate it at the first time, the tomb robbers are likely to get ahead of the others. After all, as the old saying goes, there is no reason to guard against thieves for a thousand days.

Next, after chatting for a while, Dong pangzi called and said that he had arrived at the gate of the community. So Chu Chen called the security guard and asked them to let Dong's car go. Then he went to the door and welcomed him in.

As soon as the two sides met, Chu Chen saw that there were several scratches on Dong Pang's face, just like a cat scratch. He was surprised and said, "Dong Pang, what's wrong with your face?"

Dong said with a sad face: "I've also suffered a disaster. The day before yesterday, I promised my family to buy jewelry for her, so yesterday we went to Wangfujing happily."

"From the south to the north, I had a pain in my back and legs. It was not easy for her to take a fancy to a piece of jewelry. However, a woman also took a fancy to that piece of jewelry, and there was only one piece of jewelry. As a result, the woman spoke harshly and refused to give up. Finally, I became what I am now!"

After hearing Dong Pang's words, Chu Chen said in silence: "you can encounter this kind of thing when you buy jewelry. Fat man, your luck is really bad, but that person should not scratch you like this for no reason, right?"Dong said indignantly: "that woman is completely divine disease. I said to her that her legs are thicker than her waist. She wants to scratch me!"

Hearing this, Chu Chen really didn't know what to say. As the saying goes, one slap can't make a sound. It seems that there is some truth.

Dong pangzi comes to the living room with Chu Chen, respectfully greets Mr. Liu, and then puts a brocade box he carries on the table and opens it. See, a rose purple bowl, impressively showed in front of the public.

"Mr. Liu and brother Chu, this is the Jun kiln bowl that my grandfather said. Please confirm it."

Liu nodded and said to Chu Chen, "ah Chen, you can see it first. Anyway, things will be put here for the time being. I can see it slowly."

"All right."

Chu Chen answered, put on gloves, carefully picked up the small bowl in the brocade box, and carefully observed it.

Jun porcelain is one of the five famous kilns in Song Dynasty. It was made in Junzhou and got its name. It is famous for its unique art of kiln changing. It is known as "gold has a price, Jun has no price" and "home has ten thousand Guan, not as good as Jun porcelain".

There are many kinds of Jun kilns, such as rose purple, Begonia red, eggplant purple, sky blue, rouge, cinnabar, fire red, and kiln variety. Most of the utensils were bowls and plates, but flowerpots were the best.

The small bowl of Jun kiln in Chu Chen's hand should be about eight or nine centimeters in diameter. It has a regular shape and is dignified. The glaze color is thick and moist, and the color and luster are rich and changeable according to the turning point of the ware type. The mouth edge and outer wall are rose purple, as bright as sunset, gorgeous and changeable.

The moving performance of this glaze color is the biggest feature of Jun kiln. The principle is that it adds a small amount of copper into the glaze, and under the high temperature atmosphere of reduction, it makes the glaze turn into a purple red glaze with green and red color, which is as changeable and beautiful as clouds. This kind of glaze color is the famous Jun red.

But it's not pure red, it has different degrees of purple. The varieties of Jun red include Begonia red, rose purple, and another is called "mule liver and horse lung" because it is not well burned and becomes red with black or gray. This technique is the first time in the history of ceramics and is of great significance. Because of this, Jun porcelain is so precious.

Then, the small bowl in Chu Chen's hand, whose inner wall is covered with sky blue glaze, is quiet and tranquil, forming a sharp contrast with the blazing beauty of the outer wall. The combination of cold and warm colors conforms to the aesthetic principles, reflecting the craftsmen's ingenious thinking and the Royal aesthetic taste at that time.

Chu Chen carefully observed the small bowl of Jun kiln. After comparison, he finally determined that it should be a small bowl of Jun kiln made by the imperial kiln in the Northern Song Dynasty. Finally, for the sake of safety, he tested it with his powers, and the result was the same as his judgment.

Putting the bowl back in the brocade box, Chu Chen said with a smile: "I think this small bowl should be a genuine one from the Northern Song Dynasty."

Mr. Liu heard the speech and said with great interest: "Oh, can you tell us the basis of your judgment?"

Chu Chen didn't hesitate, so he agreed: "OK, next I'll talk about some of my own ideas, and I'll ask you to forgive me for what's wrong."

"Generally speaking, Jun porcelain in Song Dynasty has a slightly thick, dense, gray color. It is first plain fired and then glazed. The glaze is very thick, with white moon, azure and sky blue as the basic colors. Due to the special composition of this kind of glaze material, the glaze temperature on the wall and the surface of the ware is different when the glaze is hung. But the whole glaze layer is still in the molten state, and the copper molecules in the glaze are reduced at high temperature, so they will present a purplish red color. "

"Because the glaze is thick, when it is calcined, the glaze turns over, and the weight of the metal molecules in the glaze is different. Some float on the surface, and some sink on the bottom of the glaze. When it is cooled, the shrinkage temperature of the glaze is not consistent. Under the difference of temperature difference and density, the glaze will have two different movements. One is the upward and downward flow under the influence of gravity, and the other is the internal and external movement between the inner wall of glaze and the surface of glaze

"The interaction of these two movements produces a kind of rheological force, and its movement results in the unique phenomenon of Jun porcelain. There is light floating glaze on the glaze layer, and dark under the glaze layer. The lines are smooth, round and natural, and the color is soft and beautiful, just like the trace of earthworm crawling on the mud. This phenomenon has an image of the term, called "earthworm walk mud pattern."

"At that time, only the products made by" imperial kiln "had" earthworm walking through mud ", but the products made by ordinary folk kilns did not have this phenomenon. Therefore, it has become one of the prominent features of Royal Porcelain in the Song Dynasty. As a fine or Best Song Jun porcelain, there must be one or a few "earthworms walking through the mud" in its blue and white glaze. This is called "after the rain, the sky is clear, the clouds are clear, and the baby is singing like a song."

At this point, Chu Chen picked up the bowl again, pointed to several places, and said: "you see, this small bowl has this kind of" earthworm walking through the mud pattern ". With this feature, it is likely to be a fine Jun porcelain of the Northern Song Dynasty."