Wu Ke listened to what Chu Chen said and said, "is there really no way to identify whether this Guqin is genuine or imitation?"
"This..."
Chu Chen frowned. He couldn't think of any other way except the result given by the power, which made him very distressed. He thought that if accessories like Yueshan, Chenglu, Qinfu, Qinxian and so on could stay, there would be more basis for identification.
However, he knew immediately that he was whimsical, and he knew that this kind of thing would not happen. Moreover, if the Guqin can really spread as well as he thought, it doesn't need any identification at all. Just play a piece with this guqin, it can prove the authenticity of things.
"Playing?! ha-ha! What a fool I am
Chu Chen patted his forehead, then shook his head with a smile.
Wu Ke saw Chu Chen's appearance and asked, "ah Chen, do you have any idea?"
Chu Chen replied: "I really think of a way to prove whether it is genuine."
Wu Ke quickly said: "if you have any way, just say it. Don't sell it!"
Chuchen said with a smile: "if you want to prove whether it is genuine or imitation, the way is very simple. Just repair it and play a piece of music. If it is genuine, it will definitely have the effect of" lingering sound "
"Yes
Wu Ke said excitedly: "my teacher once said that the timbre and timbre of Qin are influenced by the aesthetic taste of the times, and different generations have their own differences. Generally speaking, the sound of Qin in Tang Dynasty and Northern Song Dynasty is broad, loose and moist, that in Southern Song Dynasty and Ming Dynasty is quiet and beautiful, and that in Yuan Dynasty is clear and vigorous. According to these different sound quality, we can make a general judgment on the age of Qin. Even if everything else can be imitated, the sound quality can't be imitated... "
However, when she said that, she thought of another key point and asked, "ah Chen, can you repair Guqin?"
"How can it be!" Chuchen waved his hand with a smile: "besides, even if I can, I can't repair the Guqin without tools!"
"What shall we do?" Wu Ke asked bitterly.
"I have to go back and ask the master." Chuchen shrugged his shoulders.
"Ah! That's the only way Wu Ke sighed.
"Well! We'll be back in a few days, and we won't be able to sigh again! " Chuchen said with a smile.
Wu Ke sighed: "yes, I'm about to graduate. Thinking about my studying abroad in recent years, I feel like I'm in a dream."
"Why don't you tell me about your study abroad life in the evening?"
"Good!"
…………
The next day, Chu Chen took out the painting of Da Vinci from the safe of the bank. He had just returned to the hotel room when Vincent brought two men in their forties and fifties to visit. It seems that Chu Chen thought they should have come at the right time.
Chu Chen guessed this point correctly. If Vincent didn't know Chu Chen had deposited his works in the bank, he might have come early in the morning. Of course, with the name of Da Vinci, it's not surprising that Vincent has such a unique performance.
Chu Chen invited the three into the room, and Vincent first introduced them to each other. The two men he brought with him were experts invited by him, and they were well-known. What's more, they both had a lot of research on Da Vinci's painting style.
When Vincent introduced the names and identities of the two experts, Chu Chen could clearly see the faint pride on their faces. At the same time, there was a look of disbelief and disdain in their eyes. Although this kind of expression is fleeting, it is caught by Chu Chen, which makes him feel uncomfortable.
As for the disbelief and disdain in their eyes, Chu Chen thought that the reason was simple, mainly because he was too young. They didn't believe that he could see the authenticity of the work, and they didn't believe that there would be any oil painting version of "the virgin and the son and St. Anne and St. John the Baptist".
Of course, if it was Chu Chen, he would not have believed that there would be oil paintings handed down. In addition, these two people did not have this kind of emotion expressed in words, so he would not bother to argue with them. Anyway, if he took out something later, they would be able to be silly.
After a few words of greeting, Vincent couldn't wait to ask, "Mr. Chu, can you show us that painting?"
Chuchen said with a smile, "OK, just a moment..."
With that, he put on a white glove, and then carefully took the painting out of the tube.
"Well?"
Although we haven't seen the full picture of the painting yet, when Chu Chen put the scroll on the table, the faces of the two appraisers still showed a look of surprise, because with their eyesight, we can see that the paper used in this painting is very similar to the oil painting paper of Da Vinci's time.
The identification of traditional Chinese painting pays attention to paper, and so does Western painting. For example, if the oil painting in front of us is really Leonardo da Vinci's real work, then the paper must conform to the characteristics of that time, such as where the paper was produced, how the quality of the paper is, and how it compares with other Da Vinci's works, etc.The two quickly came forward and carefully observed the paper of this painting, and from time to time they had a soft discussion with each other. As time went on, their expressions became more and more dignified.
Because he attached great importance to this painting, Vincent was very nervous at this time. Seeing that the two experts seemed to have discussed the results, he quickly asked, "Mr. Fred, do you think this painting is real?"
Fred in Vincent's mouth is the man in his fifties. He said with a smile: "Mr. Vincent, I can understand your idea, but we haven't seen the content of this work, so we don't know whether it's true or false. However, we can tell you very responsibly that at least in terms of paper, we haven't found any problems."
As soon as he said that, Vincent knew that he was too worried. But when he heard what Fred said, his excitement was beyond words. Whatever else, he urged them to identify quickly.
Together with the two experts, Chu Chen unfolded the work very carefully. When the whole picture of the work came into our eyes, the two experts' eyes suddenly showed a look of surprise and joy. Next to them, Vincent made a gesture of prayer.
Although the two experts could feel that the work must be genuine when they first saw the full picture of the work, they still took out the magnifying glass conscientiously and looked at the work carefully.
Afterwards, they discussed for a while as they had just done, and then put away their tools.