Chu Chen first looked at Lao Meng's two fallen objects. They were all porcelain. One of them was a Gaozu cup that looked like Yongle sweet white porcelain. The other one in history was a blue and white figure plate.

Although these two things look like that, it's not difficult to find the problem if you are careful. They are two very common imitations.

The last one is also a blue and white plate with Xuande's money at the bottom. This blue and white plate has delicate texture, white glaze, and the color of blue and white hair is very similar to Xuande's utensil. Although it is wrong, chuchen thinks this plate is very interesting.

Putting things away, Chu Chen cleared his throat and said with a smile, "today I was really scared by everyone's enthusiasm, but you don't have to. I'm just an ordinary collector of good love. On this road, I still have a lot to explore. So don't treat me as an expert, just as an ordinary Tibetan friend exchange. "

"Experts are experts, so modest!"

"Yes! Only when you are modest and studious can you become an expert! "

"Mr. Chu, you are modest, but we have a hard time meeting you. Do you always want to leave something?"

"Yes! Yes! Mr. Chu, can you express your opinion on these three porcelains of Lao Meng? "

"Yes, yes! Mr. Chu... "

For a moment, all the onlookers wanted Chu Chen to express his views on the three pieces of porcelain on the table. There were good intentions and bad intentions. Good intentions means that you really want to hear Chu Chen's experience. As for malice, you still want to make Chu Chen look ugly.

It's true that people are afraid of being famous and pigs are afraid of being strong. If Chu Chen is in his 30s and 40s now, it doesn't matter. However, he is a young man in his early 20s, which makes some people very unconvinced with him. As for Chu Chen's performance on TV, they can be regarded as having rehearsed for a long time.

So now that we have a face-to-face meeting with Chu Chen, some people take the opportunity to test whether Chu Chen is really talented and practical. If so, at most, they will deepen their impression on him. If not

"Well, I'll tell you my humble opinion. Please correct it!"

After participating in several treasure appraisal programs, Chu Chen was completely familiar with this matter, so he picked up the broken Gaozu cup and began to talk about it.

Chu Chen is no stranger to Yongle's sweet white glaze. When he was in Xiangjiang before, he identified a monk hat pot with sweet white glaze for Liu Sizhe. So he now introduces the true and false characteristics of the Gaozu cup in combination with the characteristics of the cup in front of him, and also tells us some tips.

This made the audience around listen with relish. Some people even took out small notebooks that they carried with them and recorded the important places Chu Chen talked about.

After talking about the Gaozu cup, Chu Chen picked up the fragments of the Apocalypse blue and white plate.

"As we know, the reign of Tianqi in the Ming Dynasty was very short, and there was little production in the official kilns, but there was a large production in the folk kilns. The characteristics of the Ming Dynasty were that there were fewer large-scale products and more small-scale products. The regularity of the large-scale products was slightly poor, while the small-scale products were very fine, which had a long history of Wanli blue and white."

Chu Chen took a large piece of porcelain at the edge of the blue and white plate and said, "let's not talk about anything else. Let's talk about the phenomenon of glaze shedding on the Qichao porcelain on this day..."

Deglazing refers to the phenomenon that the glaze layer on the ceramic surface is separated from the matrix. The conditions of Deglazing include complete or partial Deglazing, and the types and kilns of deglazed ceramics are also more complex, with a wide range. All kinds of color glazed ceramics have Deglazing phenomenon.

As a matter of fact, porcelain in the capital of porcelain had already solved the problem of deglazation, but it was in the Apocalypse generation that the porcelain technology of the Apocalypse Dynasty reappeared, which also shows the decline degree of the porcelain technology of the Apocalypse Dynasty.

Chu Chen first briefly introduced the reasons for the Deglazing, and then the audience couldn't wait to say:

"Mr. Chu, I just can't figure out the difference between manual Deglazing and natural Deglazing. Can you tell us the difference between them?"

"Well, I'll just make a few simple points."

Chu Chen nodded, said: "now the artificial Deglazing, are generally treated by acid glaze, coupled with artificial grinding and knocking under the phenomenon of Deglazing, such a method, generally will produce several problems."

"First of all, after acid treatment, the surface loss of light, like melting ice, lack of true glaze, with bright, angular characteristics. In addition, there will be black hair. Secondly, the place with complete glaze is firm, and it is difficult to pick out the glaze layer with nails. And natural Deglazing, even if there is no Deglazing place a little force, can also scrape off the glaze layer

"In addition, although some parts and glaze layers that have been polished and knocked by hand have the characteristics of clear and bright glaze layers, the parts that have not been knocked are still very solid. The natural glaze fragments are hard flakes or particles with edges and corners, just like broken glass

"In addition, the gap at the opening of the deglazed ceramic layer is observed under a magnifying glass, which has the characteristics of wide gap and wide distance. Fake products have no such characteristics... "

Chu Chen introduced the difference between the two, and explained in detail the fake features of the blue and white porcelain plate in his hand, which made the audience admire him for his erudition.At last, Chu Chen took out the remaining porcelain piece which imitated Xuande blue and white plate and said, "this blue and white plate is painted with tangled flower patterns on the outer wall, which is a typical pattern of Xuande blue and white, while the center of the plate is painted with a lotus flower. This is not the pattern of Xuande period, but the pattern of early Qing Dynasty..."

After talking about two fakes, when it came to the last one, the audience only thought it was an ordinary fake at the beginning, but when they heard Chu Chen's introduction here, some of them reacted quickly and immediately realized the difference.

As a result, the audience immediately asked: "Mr. Chu, you don't mean that this plate is actually an old imitation of the early Qing Dynasty?"

Chu Chen didn't sell anything. He nodded with a smile and said, "it's true, and if I'm not wrong, it should be a deposit of the Qing Dynasty Kangxi year system, and the overall level of this blue and white plate has reached the level of the Kangxi official kiln."

"Hiss!" After listening to Chu Chen's reply, many people took a breath.

Most of the people present who have studied porcelain know that the blue and white wares of Yongle and Xuande were popular in the Kangxi period, which were divided into official imitation and folk imitation. Among them, the folk imitation level is poor, and there are good ones. Needless to say, the poor ones are valuable, but the overall value is not high, and the good ones are not necessarily good.

However, whether it is poor or good, the value of the porcelain imitated by the folk kilns is basically a little lower than that imitated by the official kilns, and the value is not comparable. Now Chu Chen says that this blue and white plate was imitated in the year of Kangxi, and it is likely to be imitated by the official kilns. How can we not be shocked?