Chapter 896

Communication will let Chu Chen more and more feel some of his shortcomings at the same time, but also gradually to the end.

After explaining a bronze ware to you, Mr. Wang said with a smile, "well, let's invite Mr. Mao to uncover the last two collections of this exchange meeting."

As he spoke, Mao quickly walked up to the exhibition stand and let the next collection reveal its true appearance, but it was four paintings and calligraphy works. Chu Chen looked up and thought it should be four screens.

"Here are Zhu Da's four screens of flowers and birds. Now you can come on stage and watch them up close."

"What?! Are the four screens of Badashan people true or false

"The bronze gilded censer just now is a fake. This one should be an authentic one!"

"Not necessarily..."

"Well, you don't have to be uncertain. It's true or false. You'll know if you've seen it!"

Last year, Chu Chen got a paper fan named "the picture of birds inhabiting in Lotus stone" by Badashan people. The market value of that fan alone is now at least one million, and it is the target of people's competition to go to the auction.

A fan is so precious. Now there are four screens on Yuxian stage. No wonder people are so excited and can't believe it.

Among the people's hesitation, several quick hands and feet have rushed to the stage to observe closely. During this period, Chu Chen found that Chai Pingle and the young man sitting beside him had a smile on his face.

Seeing this, Chu Chen conjectured that the four screens might be Chai Pingle's collection.

It's hard to meet a group of Badashan people's works. You can imagine everyone's excitement and enthusiasm. Everyone at the scene wanted to stay on stage all the time. Even if they were reminded by friends, they would turn back three times in one step, and their feelings were expressed in words.

In this case, more and more people believe that this set of four screens should be genuine.

After appreciating the works, Zhao Xueyi stepped down from the stage and made a tut tut exclamation as he walked. When he sat back in his original position, he said with emotion: "it's worthy of being a Badashan man. It's really a rare good painting!"

Wu Shu, who was just about to go on stage to appreciate, heard this and asked, "are you sure it's genuine?"

Zhao Xueyi said with a smile: "no matter from the perspective of paper or painting skills, I think it should be the authentic works of Badashan people. Of course, I can't judge the level of painting and calligraphy works. It's true or false. I'd better listen to Xiaochen's opinion later."

Chu Chen waved his hand and said, "Uncle Zhao, I'm not good at calligraphy and painting appraisal. Let's listen to Mao's opinion later."

Chu Chen did not mean to be modest.

In the vast market of artworks, there are a great variety of antiques and artifacts, and there are many fakes that make people dazzled and at a loss. It is even more difficult to distinguish between calligraphy and painting.

As mentioned in the previous article, the identification of calligraphy and painting is a practical and academic knowledge, which requires certain experience in calligraphy and painting, literature and art. In the modern identification of cultural relics, the identification of calligraphy and painting is the only kind of cultural relics that can not completely replace the visual inspection by means of science and technology.

In calligraphy and painting, scientific and technological appraisal can only prove the false, but not the true. For example, a piece of calligraphy and painting flaunted as Su Dongpo of the Song Dynasty, the paper, ink, inkpad and other materials detected by the instrument are from the Song Dynasty, and it is not sure that this work is Su Dongpo's. it also needs to compare the styles of calligraphy and painting, consider the flavor of the times, and study the personal brushwork.

This is because people after the Song Dynasty can also use the materials of the Song Dynasty to create calligraphy and painting, but if the detection of paper and other materials is after the Song Dynasty, it can be concluded that this is a fake.

In order to prove that a work is authentic, in addition to the material must be at that time, but also must be aware of the painter's personality style, seal and style, sometimes also need to use a lot of literature research to do auxiliary proof.

Based on this reason, Chu Chen believed that for quite a long time in the future, the identification of calligraphy and painting still needed to rely on the experience of experts. Since it mainly depends on experience, it will inevitably be restricted by many subjective factors, which makes the identification of calligraphy and painting the most difficult and controversial of all the cultural relics identification.

In Liu's hometown, Chu Chen also encountered problems in the identification of calligraphy and painting.

Once, Mr. Qian brought a painting of Tang Yin with several experts in calligraphy and painting appraisal, and asked Mr. Liu to help identify it. Mr. Liu asked them to express their opinions before the appraisal. As a result, everyone of them had different opinions, even Mr. Qian was no exception.

In the end, Mr. Liu finished the appraisal and gave his own conclusion, but several experts still didn't agree with it, and in the end, he could only part in a bad mood.

Such things can be said to be numerous in the identification of calligraphy and painting. It can also be seen that there is no way to become a master of calligraphy and painting appraisal without corresponding knowledge and profound foundation.

Let's say Chu Chen, although he can strongly learn about Bo Ji, he still lacks experience in calligraphy and painting appraisal. If he can say one or two or three with the help of powers, he can only be regarded as an ordinary appraiser without powers at most.

Chu Chen came to the stage with Wu Shu. At this time, there were several people watching with relish. They didn't want to disturb them too much, so they took a vacancy and began to watch.Except one of the four screens is landscape, the others are pine stone, lotus stone and bamboo stone. The stone shape on the picture is simple and peculiar, and the negative potential is very strong. Because most of the stones are inverted triangles, the picture shows a strong unstable state.

In the picture of pine stone, the hard stone rushes into the picture from the lower right corner. When it is tilted, it is skillfully held by Qiao song on the left side to save the danger. To be able to seek stability in danger is a means for everyone.

In the picture of two birds of lotus and stone, a slightly deformed bird stands on two inverted stones, one bows his head, the other glares at the sky. Fear, fear, interdependence.

In another work, a group of stones fall from the sky, squeezing the birds at the bottom of the picture in the middle, creating a heavy and depressing visual experience. Although there are two birds in the picture, they do not seem to form a relationship of looking at each other. They crouched in their own small world, white eyes to the sky, dare to anger but dare not speak, Chu Chen guessed that this may be a metaphor for the painter's situation at that time!

As soon as these four screens came into view, Chu Chen couldn't help but praise a "good painting", but then his brows began to wrinkle.

If you look at the style and artistic conception of this painting, it should be the original work of Badashan people. But what makes Chu Chen feel strange is that compared with his paper fan, this painting seems to lack a little charm, which makes him doubt the authenticity of the painting.

"Do you think too much, or do you really have a problem?"

Chu Chen thought and looked carefully at the painting in front of him, but based on his experience, he couldn't see that the four screens would be fake. In the end, he had to use the ability.

After a while, Uncle Wu next to him asked, "Xiao Chen, have you taken care of it?"

Chu Chen returned to his senses, nodded and said, "OK, let's go back."

When they returned to their seats, Zhao Xueyi couldn't wait to ask, "how about Xiaochen?"

Chuchen said with a smile: "Uncle Zhao, let's listen to Mao's opinion about this. I'm really not good at it."

Although he has learned the result from his powers, he can't give a good reason. It's better not to say so.

See Chu Chen said so, Zhao Xueyi did not reluctantly, so we patiently waiting for Mao's explanation.

After a while, see everyone back to their seats, next to Xu Laoxian said: "Lao Mao, as a result, you'd better say it directly, in this way, we also discuss different ways."

Seeing that everyone was in high spirits, Mao knew that there should be no discussion about this situation, so he nodded and said with a smile, "you must have enjoyed these four screens. First of all, I want to say that these four screens are really good paintings, and the author imitated them very well, very well!"

When Mr. Mao talked about it, the scene was suddenly silent, and many faces were stunned.

After a long time, Chai Pingle stood up and asked eagerly, "Mr. Mao, do you think these four screens are imitations?"

Mr. Mao nodded solemnly: "Mr. Chai, although I also hope that these four screens are the authentic works of Badashan people, this is the fact. The result is also agreed by all five of us."

It's said that it was the consensus of five experts. Chai Pingle knew that the result was unlikely to change, which made his face a little more bitter. After a while, he said: "Mr. Mao, I'd like you to ask me..."

"Mr. Chai, if you don't tell me about it, I will certainly explain it..."

Next, Mr. Mao combined the characteristics of Badashan people with the performance of these four screens to give you a vivid lesson. In the end, everyone believed Mr. Mao's explanation.

"Xiao Chu, have you guessed who the author of these four screens is?"

Just as Chu Chen was learning useful experience from what Mao said, he suddenly heard Mao ask him a question, which made him feel a little puzzled. How could Mao know who he had thought of as the author? Could Mao still understand him?

Mr. Mao is sure not to know him. The reason why he thinks that Chu Chen may know the real author is that Chu Chen's thoughtful appearance when he went on stage attracted his attention. In addition, when other people were talking about the four screens just now, Chu Chen didn't talk much about them. Therefore, he thinks that Chu Chen may have seen the inside story.

Speaking of this, Chu Chen's performance makes Mao's heart still very sigh. Chu Chen can see that the four screens are not right at this age. How high is his talent and level in the identification of calligraphy and painting!

If it wasn't for the fact that chuchen had been accepted as a disciple by Mr. Liu, he would have to find a way to bring chuchen under his own door!