Chapter 1044

Chu Chen's explanation is well founded, coupled with his past experience, so everyone thinks that Chu Chen's judgment should be correct.

At this time, Zhao Qirui said: "but why is there no chronology in this work? How can we judge when Jinnong created it? "

"That's not very clear."

Chu Chen shook his head, then said: "however, the time of creation should be judged from the style of painting. In his later years, Jin Nong added a lot of astringency to the style of bamboo painting, and he used to draw bamboo with double hooks. His pen was calm. It can be said that there were changes in the muscles and bones depicted by iron lines, and the water shield strips. These are not what ordinary painters can do. "

"But in terms of the more unrestrained style of the painting and the use of the pen, it should have been made by Jinnong in the early stage of bamboo painting, which must be slightly inferior to the later mature works. But from this painting, we can also see the change of Jinnong's creative style. From this point of view, this work is still very rare. "

"Oh After hearing this, Zhao Qirui brightened his eyes and said excitedly, "ah Chen, do you think that because of this, other people will misjudge him and think that this is a work written by Jinnong?"

Chu Chen was slightly stunned, thought about it and said, "I can't say no, but judging from the level of this painting, the probability is not big."

Zhao Qirui said with a smile: "as long as there is a chance, maybe we'll take advantage of it."

"If there is a chance, of course, we have to fight for it." Chuchen nodded with a smile.

As I said earlier, apart from Shi Tao's and Jin Nong's works, none of them are works of famous artists. However, it's too early to have dinner now, so we all appreciate other works.

However, when Chu Chen saw a picture of Chen Zhuo's high hidden summer mountain, he was stunned.

Chen Zhuo was a painter in Qing Dynasty. His name was neutral, and his name was pure old man. He is good at painting green landscape, like to make green color, part-time flowers and birds, figures. His landscape paintings are meticulous, precise, meticulous, elegant and refreshing. Flower and bird paintings are colorful and belong to the Jinling School of painting.

To say that Chen Zhuo's painting is also remarkable, but judging from Chu Chen's experience, this work is not Chen Zhuo's style or his level in terms of brush use or artistic conception.

Thinking about this, Chu Chen became interested and studied it carefully.

This painting depicts the mountains and forests, steep mountains and deep valleys; the villa is hidden by the stream, pavilions and pavilions have winding paths; the springs and waterfalls come from the valley, and the strange peaks stand in the clouds. In addition, the signature of this painting only has two words "neutral".

When he saw this, Chu Chen had a flash of inspiration in his mind, and he immediately understood that this was the expert of identification. For some reason, Zhang Guanli Dai had no idea. You should know that among the ancient painters, Chen Zhuo was not the only one with the word "Zhongli". Another very famous painter was fan Kuan, one of the three famous landscape painters in the Northern Song Dynasty.

Fan Kuan's birth and death date is unknown. His real name is Zhongzheng and his character is Zhongli. He is a landscape painter in the Northern Song Dynasty. He lived in the early Northern Song Dynasty and is one of the three famous landscape painters in the Northern Song Dynasty. Because of his generous temperament and informal manners, people called him "Kuan" at that time, so he named himself fan Kuan.

Fan Kuanshan, a landscape painter, learned from Jing Hao and Li Cheng, but he was able to bring forth new ideas from the old. He attached great importance to sketching. He often lived in the mountains and forests. He always observed the bleak clouds and the overcast wind and moon in the morning and evening. Although the months were sometimes not clear, they never stopped. That's why he became a master of landscape painting.

In his paintings of mountains and rocks, his strokes are vigorous, old and hard. With short and powerful strokes (later known as raindrop Cun), he draws the appearance and texture of rocks. The mountains on the painting stand majestic, magnificent, with the momentum of pressing, can be described as magnificent, boundless realm.

Wang Shen, a painter in the late Northern Song Dynasty, compared Li Cheng's and fan Kuan's landscape paintings as "one Wen and one Wu", which shows that fan Kuan's landscape image is opposite to Li Cheng's wild and desolate scenery, but has a unique style. Liu daochun of the Northern Song Dynasty also thinks that "Li Cheng's pen is as short-sighted as a thousand miles away; fan Kuan's pen is as far away as his seat.".

For example, the painting in front of Chu Chen's eyes is vigorous and vigorous, vigorous and far-reaching. Using ink has a strong ink rhyme, thick and moist, and full of aesthetic feeling. The whole picture is powerful and makes people feel like they are on the scene.

However, one of the characteristics of this painting is that there is too much ink on some rocks. At first glance, some rocks and rocks are indistinguishable. Although they are powerful, they are as dark as dusk. Perhaps, it is because of this that the expert made a mistake in his judgment.

But Chu Chen thinks that unless the expert doesn't know about fan Kuan, how can he not know? This is fan Kuan's style in his later years, and he was also rated by Mi Fu as "using too much ink in his later years, regardless of earth and stone.".

For Mi Fu's comments, Chu Chen felt a little unfair, because it is not rare that earth and stone are not separated in nature. Fan Kuan may have sketched the scenery from life. It is also common that the style of painting changes with age, and it is more mellow in his later years. Third, his eyesight deteriorates in his later years, but just like Huang Binhong, he has different interests.Fan Kuan is good at using the methods of raindrop texturing and ink accumulation to create a depressing effect like walking in the mountains at night, which sets off the precipitous and strong mountains. Mi Fu thinks that fan Kuan's shortcomings are that he uses too much ink, and the Loess and stone are not clearly separated. But this is fan Kuan's unique style, and it is also an important basis for identifying the authenticity of fan Kuan's works.

Taking the painting in front of him as an example, in terms of the use of pen and the artistic conception, Chu Chen can be basically sure that the painting was made by fan Kuan, and the result given by the power is exactly the same.

Fan Kuan's works are considered to be the works of Chen Zhuo, a painter of the Qing Dynasty. Chu Chen thinks it's incredible. However, he immediately began to get excited, this is an opportunity to pick up the leak, how can he miss it?

Seeing Chu Chen standing in front of an unknown painting of the Qing Dynasty for a long time, Zhao Qirui felt a little strange and went over: "ah Chen, what are you looking at?" Why

As he spoke, he also looked at the painting of high hidden mountains in summer. However, as soon as the painting came into his eyes, he let out a faint cry. After a while, his face was surprised and puzzled.

Chu Chen recovered and looked around. When no one noticed, he took a long breath. Then he quickly pulled Zhao Qirui aside and said softly, "we'll talk about it when we go out."

At this time, Zhao Qirui also responded and nodded gently.

Because of this painting, Chu Chen didn't want to enjoy other works. However, for the sake of safety, before leaving, Chu Chen used one power on all the objects in the room, and the result also showed that the chance to pick up the leak was only once.

After walking out of the club, Zhao Qirui couldn't wait to ask, "ah Chen, what's the matter with that painting just now? I think in terms of artistic conception, it should not be the level that Chen Zhuo can have? "

Chuchen said with a smile: "yes, the appraiser should have made a mistake. This work should have been created by fan Kuan."

"What?" Everyone knew fan Kuan's position, and they were all quite surprised. Besides being very famous, fan Kuan's authentic works are very rare, and they are basically stored in museums. If that painting is really an authentic one, its value and significance will be enormous.

Zhao Qirui returned to his senses and quickly asked, "ah Chen, are you sure it's fan Kuan's real work?"

Chuchen said with a smile: "although I'm not 100% sure, I'm quite sure. Uncle, you should have noticed the pen used in this painting just now. What do you think of fan Kuan's pen features? "

When Qi Chen recalls, he thinks that the more he thinks about it, the more he thinks about it.

Guo Ruoxu, a famous calligraphy and painting connoisseur and critic of painting history in the Song Dynasty, commented that fan Kuan's brush and ink use was "all embracing brush, all people and all houses are of quality".

"Holding pen" is a method of using pen in calligraphy, which is full of strength. "The quality of people and houses" refers to the sense of texture and volume, which is the effect formed by repeatedly dyeing with a pen. Later generations call it "iron house Stone Man", "boundary words like iron thread", "carving poor silk hair to make the pen hard", and on the whole, it is "the bone method of getting mountains".

There are several views on fan Kuan's texturing. As far as the works are concerned, the strokes are even and straight. First, the steep and carved edges of the rocks are outlined with thick brush and heavy ink. Then, the strong and powerful center is repeatedly used to make the raindrop Cun (or sesame Cun, scraping iron Cun) to create the back grain and sense of quality of the rocks.

When adding a texturing pen on the inner side of the outer contour, leave a little blank along the edge, which is similar to the "high gloss surface" to show the mountain convex concave. This shows that the northern mountains are as strong as iron and steel. Because of the repeated use of ink after texturing, it is "ink accumulation", which is not only thick but also not dry, moist and calm.

Under such a strong momentum, the day seems to turn into night, just like Huang Binhong's feeling when he looked at the painting: "like walking on the mountain at night, there are deep layers in the dark." This is exactly what Mi Fu has just said about fan Kuan. Therefore, Chu Chen thinks that Mi Fu's evaluation is somewhat unfair.

Next, Chu Chen introduced the characteristics of that painting in detail.

Zhao Qirui said with a smile: "needless to say, that painting must be fan Kuan's real work. I don't know what happened to the appraiser, but he made such a conclusion. It's really ridiculous!"

Chuchen nodded with a smile. He couldn't figure out why the appraiser made such a mistake to say that the style of the painting was easy to recognize.

At this time, Zhao Heyan said, "is it possible that this painting looks too new? It's almost a thousand years since the Northern Song Dynasty, and it's still so well preserved. I think it's a bit incredible!" (it's a good activity for pie falling from the sky, cool mobile phone waiting for you! Focus on the Chinese official account (WeChat add friends add official account - enter qdread), join in! Everyone has a prize. Now pay close attention to qdread WeChat official account!