Chapter 1053

When the matter is finished, it's noon. Since Huang Shanyi is in trouble, it's right to invite him to dinner, and Huang Shanyi happily agrees.

Then, we went out of the office and prepared to go to the restaurant. At this time, Huang Shanyi saw a brocade box in Ying Mingxin's hand and asked, "Mr. Ying, what you're holding in your hand is the high imitation you said?"

When Ying Mingxin nodded his head to confirm, he said, "can you give me some insight?"

Of course, Ying Mingxin would not disagree with this. So the party went to the private room of the restaurant and ordered the food. After that, Ying Mingxin took out the things.

Huang Shanyi was a little surprised when he saw that it was an exquisite blue and white jar with a picture of Huxi sending each other. After he looked at the blue and white jar, he asked, "is this really a fake?"

Seeing that Huang Shanyi looked at himself, Chu Chen explained the flaw again, which made Huang Shanyi completely believe it.

However, what Chu Chen didn't know was that his explanation not only made Huang Shanyi believe his judgment, but also made Huang Shanyi look at him with new eyes. Of course, because of the short time of understanding, Huang Shanyi couldn't completely believe it for the time being.

Huang Shanyi's attention returned to the porcelain in front of him. He thought that Ying Mingxin had said that this kind of porcelain had been discovered several times before. When he thought about the porcelain collections at home, he could not help worrying.

"With such superb imitation technology, I won't catch on, will I?"

Huang Shanyi was very uneasy when he thought about this. When he saw Chu Chen, he came up with a simple and effective solution. Although he didn't know the overall appraisal level of Chu Chen, he certainly had a special study on this kind of porcelain. Now he is worried about this kind of porcelain, so long as he asks Chu Chen to help identify it.

So he quickly asked with a smile: "Miss Chu, I don't know if I can ask you a favor?"

When Huang Shanyi asked, Chu Chen knew what he wanted to do for himself. He promised nothing about it. But this afternoon, he was going to identify Jiang Jiachang's pottery. Will it be put off until tomorrow?

Seeing Chu Chen's hesitation, Huang Shanyi quickly said, "Mr. Chu, I'm not in a hurry. You can go after the work."

At this time, Jiang Jiachang said with a smile that he was not worried about his own affairs. The reason why he said so was because of Chu Chen's consideration. Human feelings are the most difficult thing to pay back. Chu Chen just owed Huang Shanyi a favor, and now it's the best choice. What's more, it's not bad for him to put those sea fishing porcelains there. Why didn't Chu Chen do it for convenience?

Since Jiang Jiachang said so, Chu Chen agreed. Huang Shanyi was very happy about this and expressed his thanks.

After a big lunch, we took a bus to Huang Shanyi's mansion. The area here is larger than that of chuchen's villas. The layout and decoration of the courtyard are Chinese style, and the interior decoration is also the same.

Huang Shanyi was more hospitable. He invited everyone to have a cup of tea and chatted for a while before he got up and took them to a room next to his study.

Chu Chen saw that there were several cabinets like Bogu shelves in the room, on which there were many antiques and artworks, among which porcelain accounted for the largest proportion, about 20 to 30 pieces. Although the quantity is not much, it seems that all of them are high-quality products and national treasures, which makes everyone salivate.

For everyone's reaction, Huang Shanyi also looked a little proud. He said with a smile: "the idea of my collection is that I would rather lack than abuse. I would rather spend more money to buy a rare antique. Even if it is not a complete one, I would not buy low-grade ones."

Zhao Qirui nodded and agreed: "when we buy antiques, we should buy high-quality cultural relics with artistic value, and invest in or collect those low-grade antiques, which is of little significance to us. Even if a thing worth 10000 is doubled, it will only be 30000."

Although Ying Mingxin agreed with this, he asked, "can't you buy a lower grade antique?"

"It's not that you can't buy it, it depends on what you buy it for."

Zhao Qirui said: "if you are interested in and research, it's no problem to buy low-grade antiques. If you use them for collection and investment, it's better to buy high-quality antiques, not to mention fast appreciation, because they are popular and easy to sell. To be specific, we need to listen to the opinions of the industry. "

Seeing that everyone looked at himself, Chu Chen said with a smile: "in fact, it's generally better to have the three standards of" authenticity, refinement and strangeness "when purchasing collections. It really means genuine goods. Refinement is fine antiques, which are of high historical and artistic value. Strangeness is rare, and rarity is the rule in market transactions. It should be better between the rare and the abundant Buy the rare first. "

"In addition to these three points, when we buy antiques, we'd better choose the ones that make the past serve the present..."

Ying Mingxin asked curiously, "what is a strong antique for the present?"

Chu Chen said: "it's the ancient works of art that can be worn, played, displayed and hung for viewing. For example, they are all ancient jades, and the jade pendant and jade tag that can be worn are more valuable than the jade belt hook. "They nodded to show their understanding. Chu Chen then said, "our Antique jargon says that" porcelain is not worth a cent if it is fluffy "," porcelain is not worth half a cent if it is fluffy "and" if you want to collect it, you should collect it completely "are also our common ideas. However, this is also relatively speaking. Otherwise, there would not be a saying that "even if you have a lot of money, it's better to have Jun porcelain."

"In our antique market, the number of first-class famous porcelain is limited and the price is expensive. There are few high-grade porcelain with slight disability, and even severely damaged" fine porcelain "and high-grade porcelain pieces have become high-end hot goods in the market. A low-grade complete Republic of China porcelain is not as good as a high-grade porcelain piece."

"From this, we can see that people have a high recognition of the value of art, so when we buy antiques, we should put the art standard in the first place. You should give priority to the exquisite ones between the low-grade ones and the high-grade ones. For example, the high-grade one is a dragon scale, and the low-grade one is a pig. You should know which one to choose? "

Hearing this, everyone chuckled a few times and recognized Chu Chen's analysis. Of course, they are not bad money owners. Generally, unless the thing has its own characteristics, it is possible for them to buy the residual utensils.

Next, Chu Chen helped to identify the porcelains, while Huang Shanyi took others to appreciate his collection and introduced relevant data and stories from time to time, which everyone enjoyed.

In fact, Huang Shanyi bought these porcelains with the help of famous experts, and there were more than one. Therefore, the possibility of making mistakes was very low. He asked Chu Chen to identify them just for peace of mind. After all, he spent so much money and had a little doubt in his heart, so he had to find out, or he would feel uncomfortable.

After carefully appreciating each piece, Chu Chen found that there were no fakes, but he also felt that his visit was worthwhile when he could see so many rare porcelains all at once.

See Chu Chen came over, Huang Shanyi quickly some nervous asked: "how?"

Chuchen smiles and shakes his head: "I think it should be genuine."

After hearing Chu Chen's reply, Huang Shanyi was relieved and happy. He quickly expressed his thanks to Chu Chen.

Chu Chen waved his hand, saying that he was only doing his best. At this moment, he saw a Tianhuang seal on the Bogu shelf in front of him. The seal looked pure and rich in stone color, yellow with red, clear as ice, and faintly showed the spirit of king. In terms of material, it was a rare good seal.

It's rare to see a Tianhuang seal of such excellent material. Chu Chen was also a little pleased with it. He pointed to the seal and asked, "Mr. Huang, can I have a look at this seal?"

Huang Shanyi followed Chu Chen's eyes and said with a smile that there was no problem.

Chu Chen came forward and took the seal carefully. The seal was square, slender and exquisite with perfect proportion. The grain in the stone is clear, and the silk thread is like brocade. Because it is all plain and has no work, its texture is more spiritual. One side of the plain wall is engraved with a line of inscription, and the seal of "Chang Shuo Wu Jun" is placed at the end of the book.

In addition, the seal characters on the seal face are "jiyixiaozhu".

Seeing that Chu Chen was very interested in the seal, other people gathered around him. When they saw the signature, they were all surprised. Unexpectedly, it was Wu Changshuo's seal.

Wu Changshuo is a famous painter, calligrapher and seal cutter in the late Qing Dynasty. He is an outstanding representative of the "Houhai school". He is also known as the "four masters of the Shanghai school in the late Qing Dynasty" as Ren Bonian, Pu Hua and Xugu.

His Zhuan style was influenced by Deng Shiru and Zhao Zhiqian at the beginning, and later he was flexible in writing shigu.

His seal cutting often shows the characteristics of masculine and charming, clumsy and simple, ugly and beautiful, ancient and modern, changing and correct. Taking Dingyi from the top and Qin and Han from the bottom, he creatively combined Qian song's and Wu rangzhi's cutting and punching techniques with the "sharp and obtuse" carving knife.

His seal cutting works show vigor in beauty, simplicity in fluency and skill in carelessness. His works are also sought after by the world.

Chu Chen at the beginning of the impression of some can not put down, there is an impulse to buy down, but a careful look around the printing surface, he found that there seems to be traces of wear and tear, which makes him a little confused.

Many new Shoushan Stone collectors will have such a move. When an old seal comes into their own hands, they will grind off the engraving on it, because it is not their own name after all, so it is meaningless to keep it. In fact, if you really get the ancient seal, it's better not to easily wear off the seal and the margin, so as to avoid regret afterwards.

Of course, in addition to the fact that it's not their own name, some people may wear off the seal surface and then engrave what they want because they don't like the content on it. But it's Wu Chang's seal, so why wear it off? And that raises the question