Chapter 1858

Angel looked carefully for a long time and didn't understand what these unrelated incomplete magic patterns were trying to express.

And why is it engraved on such a armor?

Angel didn't understand the meaning of the existence of this armor for a moment. After thinking about it, he decided to put it aside for the time being and find the laboratory first.

As for the abnormality of this strange armor, if you still don't figure it out later, go and ask Shuling.

Angel thought of this, took a deep look at the armor in the middle of the road, then bypassed it and continued to move forward.

Because of the emergence of armor, angel has determined that this road is different from the road that made him "circle" before. He will certainly not let him walk for more than ten minutes without finding an end.

Indeed, angel walked about twenty steps forward and saw a downward staircase.

It was a staircase winding down like a entrenched snake. When angel went down to the first corner, he saw a door.

As he approached the door, the candlesticks on both sides of the door lit immediately.

Angle was worried about what linkage mechanism it was. He checked the candlestick and found that the two candlesticks were not equipped with lamp oil, but a kind of metal round block, which looked very rough and looked like a semi-finished product of alchemy.

After being identified with Narda's eye, angel confirmed that the metal round block was indeed an alchemical product and was composed of dead phosphate rock.

The characteristic of dead phosphate rock is that it will emit a faint light like phosphorous fire as soon as it senses the breath of living people.

Similar to the situation of this Candlestick, the metal round block probably sensed the living breath from angel and began to shine.

Unlike previous candlesticks, this is not a mechanism.

After confirming that it was not a mechanism, angel looked at the door. Although there are various patterns for decoration, this door is only an ordinary iron door.

On the door was a bronze doorplate, which was written in formal font: reception hall.

Below the reception hall, there is a row of very beautiful fancy words: "although it is used to receive guests, there are not many guests qualified for me to meet."

It can be seen from the lines that the person who left the message is definitely a proud person.

Angel speculates that this may have been left by tizarro, the former relic dweller.

Angel explored the iron door with his spiritual tentacle. As described on the doorplate, there is a very simple reception hall. Behind the red curtain, you can see the long table and Chinese chairs, as well as all kinds of drinking utensils that look very clean but have not been washed for hundreds of years.

Angel went into the reception hall and made a circle. He made sure that there was no energy feedback or mechanism trap in the room, so he came out.

After coming out of the reception hall, angel continued to walk down. On the next floor, I still saw a door. After Angel arrived, the candlestick lit up again.

Through the bright light, you can clearly see that the bronze medal on the door reads: study.

At the same time, there is also a row of flower characters under the study: "I don't need a bedroom, but I want a study where no one can disturb me."

"This is the study?" Angel looked inside through the door, and there were rows of tall bookshelves behind the door.

Mental feedback, no danger. So Angel pushed the door open and went in.

There is really no danger inside. The bookshelves are arranged neatly, but they are basically empty. There was a desk right in front. When Angel approached, the candlestick on the desk lit up directly. It was thought to be the alchemical product of dead phosphate rock.

There are pen holders, ink and blank paper on the desk. They are all neatly arranged. I think someone deliberately cleaned them before sealing the ruins.

The shape of the bookshelf is a bit like the bookshelf of the library on the cloud. There are even special magic patterns to restrict people from reading books. The magic patterns can only be started if they meet the conditions.

However, now the magic stripe has no energy supply, and the mechanism has been cleared and will no longer take effect. Moreover, there are no important books on the shelf, only a few mortal works.

Angel strolled around, confirmed that the study was normal, and continued to walk down the stairs.

To angel's surprise, when he reached the third floor of the stairs, he came to the end.

The third underground floor is also different from before. There are two opposite doors here. There is a door on the left. The bronze plate on the door reads: material warehouse.

The following row of fancy characters is: "the material warehouse is so large that it's better to expand the laboratory."

Angel looked at the typesetting and basically confirmed that tizarro must have left the typesetting, because according to Shuling, there are only two people who occupy the ruins and live forever and regard themselves as masters.

One is the original builder of the ruins, and the other is tizarro.

The bronze characters on the bronze are clearly make complaints about the people who built the ruins. This also shows that the monogram must have been left by tizarro.

Angel didn't check the material warehouse for the first time, but turned his head and looked at the door directly opposite the material warehouse. Te Zar Lo make complaints about it. Angell has basically decided that this door should be a laboratory.

Sure enough, there was a bronze medal hanging on the iron door, which said: laboratory.

Beneath the lab, there are also Te Zar Lo's flower characters, but this time it is not a Tucao, but a very short typesetting: "please don't make complaints about it!"

The bright red font shows tizarro's attitude towards the laboratory, which is obviously different from other rooms.

This is probably what tizarro attaches most importance to.

Angel looked at the laboratory, looked at the material library, and finally decided to go to the material library first. After all, tizarro attaches so much importance to the laboratory that there may be mechanism traps in it.

Pushing aside the material warehouse, what comes into view is not a room, but a huge space.

As Te Zar Lo make complaints about, this material library is amazing.

It is like a huge karst cave, which is several times larger than other rooms in both height and breadth, comparable to a medium-sized square.

In front of angel is a staircase that goes down to the bottom of the space.

After reaching the bottom, angel confirmed that it might really be a natural underground cave. Because he saw a lot of stalactites, but the top of these stalactites emerging from the ground was cut and transformed into tables and display stands.

Angel casually approached and found that words were written next to the display stand near him.

Not fancy characters, but very formal characters: Secret funds.

Secret melt gold is a special magic material.

On this display stand is the secret fund, which means... Was this the place where the secret fund was once placed?

Angel took another look at the other display platforms. Sure enough, the names of various materials were written on them. I think it used to be the place where magic materials were placed. But now it's empty.

Angel walked around the material library and understood why the material library was so large, because there was a miniature woodland for placing magic plants; There are also hot-melt areas simulating the volcanic environment, where various fire series materials are placed... Vacuum areas, frozen areas, sandy areas, artificial lakes, etc., dividing the material library into countless parts.

It can be said that this is a very comprehensive miniature ecological material library.

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