Chapter 2874

If angel is allowed to name it, the murals at the bottom are: on the throne, on the throne, the road of glory, the man walking the tightrope... Swaddling clothes.

Angel's naming logic is mainly based on the picture content, supplemented by the story of brain supplement.

But now Angel found that his brain mending story was simply wrong.

He always believed that the painting above the throne in the lowest hall was the end of the story of "the newborn will eventually become king".

But the painting "the tightrope walker" struck angel in the face.

According to angel's brain mending story, the painting presented after the tightrope man should be the road of glory.

However, the protagonist in the tightrope walker has removed his bulky armor and lost his long gun; But why is he still wearing armor and weapons in the road to glory?

This is not a logical contradiction.

In other words, this logic is fundamentally reversed.

The real order should be "the road of glory" in the front and "the man walking the tightrope" in the back.

In other words, "on the throne" is not the last painting, but the beginning of the story, the first painting!

Instead, they thought "swaddling clothes", a painting carved on the top of the tree, was the real end of the story!

However, angel and Laplace still feel confused.

The newborn goes through a long time and finally becomes the king. This is the thinking of normal people. But why is it reversed now? Instead, the king finally returned to swaddling clothes?

What does that mean? Or is their current analysis still wrong? The tightrope walker is not throwing away his armor, but summoning armor and weapons from the bottomless abyss? Although Angel himself didn't believe this speculation, he really couldn't understand what the "return of the king to swaddle" meant?

Both angel and Laplace fell into the quagmire of thinking at this time.

After a moment of silence, angel took the lead in saying, "it may be too early to interpret now. It's better to finish reading all the murals?"

Laplace nodded and motioned angel to come with her.

Soon, they came to the fifth hall, and the mural here will be the last mural they saw.

After entering the hall, Laplace hesitated and whispered, "Luigi has come out of the tooth fairy castle. There are some findings from gripnier. Do you want to listen to them now?"

Angel thought for a while, but shook his head and said, "don't be busy until you untie the mural."

Laplace's survey results will not run anyway, and with the passage of time, there will be more and more survey samples on her side, and the results will be more reliable.

Therefore, there is no hurry.

Let's take a look at what the murals in the hall are talking about and what is the connection between them and the last swaddling clothes.

Whether swaddling clothes is the beginning or the end of the story may depend on the fifth mural.

Angel silently analyzed the mural. With the change and lengthening of light and shadow, the mural gradually revealed its semi hidden true face from the beginning of abstraction.

A few minutes later, angel breathed out.

The last mural was also untied.

——Dark abyss, indescribable giant creatures, tiny "people" marching towards giant creatures, and... An ancient city looming behind giant creatures.

This is only the overall picture of the mural. If you pick the details again, you will find that the huge creatures are very huge, just like the 10000 meter high mountain in front of you.

Moreover, there is more than one of these huge creatures that cannot describe the overall appearance. Only the front one occupies the main position. But if you look from the side, you can see that behind the ancient city suspended in the depths of the abyss, there is a similar huge biological outline.

How many are there? I can't be sure, but there must be more than one.

In addition to the giant creatures, the tiny "man" walking opposite to the giant creatures also has details worth mentioning.

This "man" is exactly the same as the humanoid creature in the tightrope walker, and he doesn't wear armor or carry weapons.

This means that angel's previous speculation is indeed wrong. There should be "the road of glory" and then "the man walking the tightrope".

Another evidence is the details of the ancient city.

There is something in the ancient city. I can't see clearly. The only thing I can see is that there is a dark shadow outline above the ancient city. And this outline is as like as two peas in the last painting.

It can be said that this painting is to pave the way for the last swaddling clothes.

This proves once again that swaddling clothes at the top of the tree is the last painting of the story, and on the throne is the first painting.

Here, although angel doesn't know the outline of the story, he has determined that the moral of the story is not "the newborn will eventually become king", and his interpretation of the first few paintings is wrong.

If it is named from the current perspective, it may be better to directly call the first painting the throne.

In the second painting, angel thought that the new king was ascending the throne. In fact, the king has faded the throne. Therefore, it may be more appropriate to name it "the departure of the king".

The third picture is not that the people are cheering the new king's accession to the throne, but that the people are wondering why the king left and lamenting and seeing him off. Therefore, it's better to call it the road to farewell.

The fourth painting, without changing its name, is still the man walking the tightrope.

The fifth painting, which is now this one, can be called ancient city and giant beast.

The sixth painting, that is, the painting on the top of the tree, can still be called swaddling clothes.

However, the best name is to summarize the meaning, but now angel doesn't know what swaddling clothes is for.

A king abandons everything in the past. Why does he just pursue a swaddle?

……

While thinking, angel and Laplace returned to the top of the tree.

Angel presented six murals in midair through illusion.

The mystery of the mural has finally been solved. From the logic line of the mural, it is probably a story of "the king takes off his armor and returns to his newborn".

However, the whole story is full of a sense of absurdity.

Especially when you look at these six murals together, it will be more full of drama.

Laplace's eyes were full of confusion: "what is the meaning of swaddling, and why do you pursue swaddling?"

Angel hesitated for a moment: "swaddling can be understood as a baby's sleep. From the king on the throne to a baby in swaddling, does it mean... Rebirth? Rebirth?"

After a pause, angel whispered, "or, reincarnation?"

"Rebirth, rebirth, reincarnation." Laplace said these words, as if he thought of something, and his expression slowly dignified.

On the other side, angel sighed softly: "however, after all, it's just speculation. There are endless secrets in the bottomless abyss. Where is the ancient city, what are those giant beasts, and why the king should return to his swaddling clothes after he has removed his armor... These are unanswerable secrets."

Laplace: No, it can be answered

Angel looked at Laplace puzzled. Instead of talking, Laplace stretched out his finger and gently clicked the illusion released by angel.

Angel could feel that a new force was injected into the illusion of the six murals.

This force is very strange, but without any malice, with a warm and cool feeling like water, it rushed into the magic node.

Although this power feels very gentle, what it does is not gentle at all. It is seizing angel's control over magic.

Angel looked at Laplace and said nothing. He silently gave up the control of the magic node.

With angel's release, Laplace successfully controlled the illusion, and then the illusion began to change very quickly.

The six murals themselves have not changed, but next to the murals, there are rows of words.

These words are all abyssal demons, and they are variant versions.

Angel also saw these words beside the mural before, but he didn't care because he didn't know them.

Now, Laplace put out all these words. Angel looked carefully... He still didn't know them.

Laplace: "as long as these words can be translated, the content in the mural will be able to find the answer."

Angel: isn't that nonsense.

"... but who can unlock these words?" Angel looked at Laplace.

Just as it happened, Laplace turned his head and looked at angel. The two men looked at each other.

From Laplace's eyes, angel saw a glimmer of expectation. Angel was stunned for a moment, hesitated for a moment, stretched out his finger and pointed to himself: "you mean... Me?"

Laplace nodded: "you can decipher the murals, and you can decipher the mystery of words."

Angel just felt that his head was full of question marks.

What logic is this? If I solve the change, I can solve the mystery of words?

It's like the logic that if you step on an ant, you can step on an elephant. There's no analogy at all, okay!

"I didn't want to come this time, but gripnier suggested me. It turned out that her hunch was right."

Angel:... And then? If he doesn't know this character, he doesn't know it. Can he solve it if he doesn't know a character?

"Just before, I disclosed the mural to grepnier; at that time, grepnier got an intelligence and was looking for me." Laplace said it was a pause: "and this is a sign."

By this time, angel had understood Laplace's logic.

He began to engage in "over interpretation" again.

Angel is not saying that there is a mistake in over interpretation. When analyzing inspiration, we really need some reasonable or excessive interpretation.

However, this interpretation is too taken for granted.

He doesn't know these abyss demon texts. How can he interpret them?

Seeing that Laplace was looking forward to looking at himself, angel was helpless and said what he thought.

Laplace thought for a moment: "what if this is not a demon text, but a puzzle similar to a mural?"

Angel: "... If it was a puzzle, the wise master would have solved it long ago. How can I get it?"

The wise master may be a little careful, but if Laplace really wants to ask, angel believes that the wise master will still tell Laplace the truth.

The wise master may have solved the mystery of the mural, but in terms of words, angel still feels that the wise master may be at a loss.

Laplace seemed to have something to say. Angel sighed in his heart: "I said before that I know many friends in the abyss. I may find help to solve these words, but now I can't solve the mystery of these words."

Angel paused and continued, "let's put an end to the mural for the time being. Ms. Laplace said that gripnier got an information. I don't know what it is?"

Although angel is also curious about the murals, he still cares more about his own things than these unknown murals.

Although Laplace is still obsessed with the devil's words, she also understands that what angel is saying is true. Perhaps, as angel said, he can get the real answer only when he finds his friends in the abyss in the future.

"Gripnier's information was obtained from Charlie's palace."

Angel: "Charlie palace?"

Laplace nodded and briefly introduced Charlie palace.

Charlie palace is a special mirror space. Its special point is that it has realistic dependence.

The realistic mirror corresponding to Charlie palace is a strategic alchemy prop called "loose stone mirror". Laplace doesn't know the specific function of this alchemy prop, but it makes an analogy. It is probably like the mirror world created by Jingji. Once there is realistic support, its stability will be very high. As long as it is not made, the mirror space will not be broken.

However, with the support of reality, the aggregation energy in Charlie palace is extremely thin. Generally speaking, the creatures in the mirror don't want to live in such a place.

It's like the mirror world in a savage cave. It's said to be the mirror world, but in fact, it has completely attached to the rules of the wizard world, and there is not even any aggregation energy in it. Therefore, the mirror world can no longer be regarded as the territory of the mirror domain.

The Charley palace is barely within the mirror area, but it is between the cracks.

The reason why there are creatures in the mirror in Charlie palace is very simple. They are worshipped by future generations in reality.

"Is there a younger generation in reality? Is it similar to the one eyed family?" Angel wondered.

Laplace shook his head: "no, what lived in Charlie palace was a group of human beings. But after their death, they became mirror resentment. After some special transformation, they have now become the guardian spirit of Charlie palace."

"It's an acquired mirror creature."

"Therefore, their mastery of polymerization energy is not as strong as that of other native mirror creatures, and their dependence is relatively low."

"These are digressions. Back to the point. Charles I, Charles II and Charles XIII live in the Charles palace. In fact, there are some descendants of Charles who want to enter the mirror field, but in the end, they all failed to transform. Only these three are still alive."

"Charles I and Charles II spent more time in the mirror than I did, and Charles XIII was about the same as me."

It is precisely because these people in the Charlie Palace are old antiques in the mirror field. Even if they stay in the Charlie palace all year round, their strength is not very good, but at least they live a long time and have more knowledge.

That's why gripnier went to Charlie palace.

At the Charlie palace, gripnier learned an interesting intelligence from the three special "mirror resentments".

They almost all stopped dreaming at the same time.

Before that, they dreamed very often.