The compact plot makes Qiu Xiaoqi extremely concentrated, especially after the emergence of the role of Bai Chun.

She is a martial arts fan. It can be seen that the sword trace borrows the general plot and the names of the pros and cons of the original Longmen Inn, but that's all.

Without this role, the struggle between the "pros and cons" can still be followed, just like the old film decades ago.

But with the role of Bai Chun, the plot is completely unpredictable.

When decent people were surrounded and killed and there was nowhere to escape to save people, Bai Chun appeared and saved all decent people;

When Bai Chun thought it was a decent help to sweep away the villains, he used his halberd to show his hostile position towards the decent.

However, he is such an opponent, and can make Zhou Huai'an trust at the most critical moment. He is willing to gamble and hand over the child to Bai Chun for protection.

Then, under the surveillance of Dongshi forces, Zhou Huai'an and his party rushed in to save the target.

Bai Chun is there. He affects the action plans of the positive and negative factions. He is arbitrary. Just like the fish monk in Canghai, he has a unique skill in the world. "If there is discord, I will attack it". All the actions of the positive and negative factions should take into account Bai Chun's tendency, lest he provoke such a great enemy.

The plot of the situation suddenly changed, just like Qiu Xiaoqi's mood at this time. At the beginning, he still remembered the snacks in his hand. Later, he gradually forgot everything and immersed himself in the critical plot.

Attention gradually shifted to Bai Chun from the perspective of the protagonist saving the orphans.

This change, I feel the main line of the play.

It's not so much the "decent" who saved "Zhongliang" as the way of the "yanheng" role played by Bai Chun.

Qiu Xiaoqi is a martial arts fan. At a glance, he can see that the role of "yanheng" is the hero of the wolf school martial arts cartoon "poetry of martial arts maniacs", Qingcheng yanheng.

But it's just to borrow a name. The whole sword trace, which Bai Chun cares about, is one thing from beginning to end, that is "no hope".

Seeing through the root cause of the chaos in the world, I don't know how to stop it. I killed one Yang Yuxuan, and countless "Yang Yuxuan" came out to protect the aristocratic family and the people. They were also "loyal and heroic, bringing disaster to the country and the people". They killed them all the time, and even led to the Revenge of Zhou Huai'an, a group of "Jianghu heroes";

Eunuchs in the East factory, controlled by the emperor, killed ministers and collected military funds, which were reviled by the world. Of course, they were wronged, but under Bai Chun's cold eyes, these eunuchs were not good people. They took the opportunity to search and plunder wantonly. Although they stabilized the country for a while, they were less fortunate than people like "Yang Yuxuan", but it was also not the way of the world. It could only be said that they were "using black to make black".

All people, whether scholars, eunuchs or Jianghu xias, seem to focus on those "loyal and good people and adults", striving for power and profit and donating their lives for petty righteousness. As for the people, it seems that they have never appeared in their attention.

This kind of psychology is very obvious in sword trace. Qiu Xiaoqi easily sees it. At the same time, he feels familiar with it. When he reads it a little, he understands the intention of Bai Chun's role.

From the appearance of martial arts films and even films, although they all talk about the "way of Chivalry", it seems that they are shooting a four element warehouse around the great figures of emperors and generals. The people must be ignorant and numb. Only when they are moved by the "hero" can they resist and be saved by the "hero";

Not to mention martial arts movies, it's disgusting to think about rescuing "Zhongliang" all day.

As Bai Chun said in the film, in troubled times, people eat their children and die without a place to bury. No one cries out for them. As soon as people like "Yang Yuxuan" fall into the same situation, there is a large "mouthpiece of the world" running there, lamenting that "the way of heaven is unfair".

But don't think about it. These "Yang Yuxuan" themselves are the existence of sucking people's flesh and blood. What qualifications do they have to talk about the "way of heaven"?

At the thought of this, Qiu Xiaoqi was bored. Now people are not fools. Although there are a group of spiritual capitalists on the Internet who force them to talk all day, they understand the basic truth and are not as easy to fool as before.

Therefore, Qiu Xiaoqi only feels incomparably agree with the psychology of the role of "yanheng".

What about "loyal officials and righteous men", who ride on their heads at ordinary times and set up people there when things happen. Do you think it's ridiculous to have "loyal men" running and working for them?

These complex things, in Qiu Xiaoqi's brain, just turned around, and then he stopped thinking about them.

After all, movies are originally used to relax. As long as there is no problem with three views, there is no need to carry so many unnecessary "meanings". We come to relax by watching movies. Otherwise, do we have to spend movie tickets to learn the truth of being a man in the cinema?

Therefore, Qiu Xiaoqi paid more attention to the design of martial arts.

You know, martial arts has always been difficult to do. Even some classic films, such as Xiaoao Jianghu, the story of relying on heaven to kill the dragon and the romance of the Three Kingdoms, are difficult to satisfy people due to the difficulty of martial arts. Smart directors will add a lot of color to martial arts through editing, but it still looks thin.

Bai Chun uses halberd.

This kind of martial arts play with long weapons has always been difficult. For example, an ordinary person may have a good posture with a sword, but most of them are reluctant to turn around with a halberd.

In the original novel of outlaws of the marsh, there were even two sand sculptures fighting with halberds. As a result, the weapons were entangled together. The difficulty of halberds has always been the first among the long soldiers.

However, it seems that the transportation of this weapon is never difficult in Bai Chun's hands.

Halberd's domineering spirit is deeply rooted by Bai Chun. In the film, he has fought with all kinds of weapons of righteous and villains for many times, and the latter comes first. Each time, he has a different performance.

When he Hu's overbearing heavy sabre is encountered, he breaks his strength with his strength, lives in the field where the other party is best at, and presses the other party out of breath;

When you encounter a sword with changeable recruitment, you change your strain. When you are calculated and approached by the other party with a dagger, when you see that the other party is about to succeed, the thick, long and heavy heavy halberd uses thousands of soft and hundred turns to turn defeat into victory. Unexpectedly, you defeat the other party every time in the place where the other party is best at.

Bai Chun is not good at halberd method, but this "not good at" is enough to stand up. Under the steady basic skills, just like the single bamboo drift that day, although he hasn't used it, he has confidence in his heart.

Under such careful design, why doesn't sword trace shine in the martial arts play?!

Qiu Xiaoqi only saw the blood stirring. He wanted to see all the film and television dramas he had seen. Even if it was only the martial arts drama of Water Margin, he could compare with it, but he saw more fists and swords. How could he have seen such an amazing halberd?

Before the film was over, Qiu Xiaoqi already knew one thing.

"Sword trace", I'm afraid it's going to be a big fire!