"Yes, according to the records in ancient Chinese. The ancient state of Yan is incomparable and very powerful. The king of Yan himself is very poor and extravagant. He has collected the treasures of the world to make himself happy and enjoy himself

Said Zhu Pang slowly.

"Because of this, we have made a lot of progress this time. How many treasures are there in yanwang's vault! Ha ha... "

Du Qingke smiles.

"Little Taoist, you do well, as long as you do well, I will give you a high dividend."

Du Qingke said to Zhu, which was to give Zhu some encouragement.

"Well, let me see. I'll look for it. There must be a special place for treasure in this hall. "

Zhu Pang, said solemnly.

At the same time, Zhu Pang took out one thing from his bag of heaven and earth.

The shape of this thing is similar to that of a fishing net bag, and some array talismans and patterns are carved on the handle.

In fact, it is the core of the school of moving mountains. It is a secret auxiliary tool for tomb robbing.

"You fat man, you have a lot of things in your hands!"

Du Qingke glanced at the fat man and said with a smile.

"Lord, don't underestimate it. This thing is handed down from our ancestors. It's said that when our ancestors were fishing in the river, they were inspired and invented. "

"To this day, there are no more than three such ancient treasure hunting poles in the world."

Zhu explained.

After that, Zhu pangzi held the probe rod and began to detect it from left to right.

"Didi!"

"Di Di Di ~ ~"

ZHU pangzi has performed some Daoism, attached to the probe rod, and the tip of the probe rod also makes some sound.

The hall area is very large, but Zhu Pang's search for treasure is also very careful.

Every corner, Zhu Pang is not let go, are seriously exploring.

Du Qingke was also idle and began to walk around the hall.

The hall is very open, only some reliefs and murals on the walls. The long-term lights on both sides of the pillars are bright and flickering, and the weak lights are faintly visible, which sets off the quiet and gloomy environment.

Suddenly, Du Qingke was attracted by a group of murals on the east wall of the hall.

This group of frescoes is dedicated to depicting: the ancestral Wizard of the wood system - [Jumang]!

When he mentioned Jumang, Du Qingke also remembered some related myths about the flood and famine:

Ju Mang, the God of wood (the God of spring) in the myth of flood and famine, was in charge of the germination and growth of trees and assisted the Oriental God, the green Emperor Taiji.

Every morning, the sun rises from the hibiscus, and the place where the sun rises belongs to a mang tube.

Jumang was very important in the flood and famine period, and it was held every year in Spring Festival.

Its original appearance is a bird, its body is human face, riding two dragons.

Sometimes, if you look at some ancient sacrificial ceremonies and ancient books, there will be some descriptions of Jumang. The image of Jumang is also extended: it becomes a shepherd boy riding cattle in spring, with a bun on his head and a willow whip in his hand, also known as mangtong.

Don't think that if [Jumang] is the main god of the wood system, the combat effectiveness is not strong?

In fact, in the Honghuang period, both Jumang and Chiyou, the great wizard and demon, once fought in the universe, showing the earth shaking power. They brought the wood system's source force into full play, and made great achievements in war, which are famous for ages.

There are also many records about "Jumang" in some ancient books, such as

the spring and autumn of Lu family: mengchun: "his emperor taibaigao, his God Jumang. "Gao Yinzhu:" taibaigao, the Fuxi family, is the emperor of mude, who died in the East as the king of mude. Jumang, a descendant of the Gao family of Shaobai, was called Zhong, the emperor of Zuoyu de and died as the God of Muguan. "

in the book of rites, Yueling said:" the emperor was a great Baigao, and his divine words were awn. "Zheng Xuan's note said:" Jumang, the son of shaobaigao's family, is a wooden official. "Zhu Xi's note said:" dabaigao is the king of mude. Jumang, the son of Shaobai Gao's family, was said to be Zhong and a minister of wooden officials. After the God of heaven, the first merit and virtue in the people, so the king in spring worship. "

,,,...,,,

the beginning of this group of Jumang murals depicts one of the twelve ancient witches [Jumang]. If you look at it carefully, it seems that it is a part of [Jumang], which once came to the ancient state of Yan.

The subjects of the ancient Yan state, including the king of Yan, were offering sacrifices to Jumang.

Then, on another mural, the scene starts to switch. It seems that the separation of the body of [Jumang] is affected by the piety of the subjects of the ancient Yan state and drops a set of wood [mysterious skills].

The subjects of Yan state are very happy.

Then came the third painting: the king of Yan began to select the right person from his generals, ready to learn and inherit the wood Department [mysterious skill] that [Jumang] had come down from!At the moment, through the murals, it can be clearly seen that there are 13 generals in battle armour around the king of Yan. All of them are powerful, aloof and aloof.

The king of Yan gave the thirteen generals a talk, and the thirteen generals began to recommend each other.

To the fourth mural: a general in green armor, was elected. The king of Yan took the general to the feet of Jumang.

[Jumang] separated himself and began to teach the general a magic wood skill!

From now on, the fifth, sixth, seventh and eighth frescoes, as well as the last [ninth] mural of this group, are all used to describe the wood system [metaphysics].

On the mural, it is very clear that the wood of this door is tied [mysterious skill].

One move in one form, all of them are vividly portrayed.

The supernatural power of Du Qingke's practice is that there is a close relationship between Shangqing Jumang divine code and ancient ancestor wizard Jumang.

See, this homologous already out, such as a withdrawal: sentence mang Xuanji, Du Qingke can not help but be "fascinated".

Du Qingke did not turn his eyes on the murals, from the fifth mural began to drill slowly.

Du Qingke felt that it was very difficult for Du Qingke to do one move in the middle of the whole process, and the first one was very difficult.

The mysterious skill depicted on the mural is a palm technique. It is extremely abstruse and difficult to practice.

For a moment, Du Qingke felt as if he had fallen into a big forest. He was a tiny insect in the forest.

Every tree, even every grass, is full of spirituality, the road is vast, the road is simple!

Fortunately, Du Qingke is not a novice.

As a man of two generations, Du Qingke's mood was like a vast ocean.

Slowly groping down, according to the map, relying on the accumulation of previous life experience, Du Qingke recorded on the fifth mural: the first style, the drill is over!

Right now!

"Bang Dong!"

From tianlinggai to his own four limbs.

The refreshing wood power swept through Du Qingke's whole body.

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