Gong Nanbei and Wang Mong Kok had discussed before, but the revised script was still a bit confusing, for fear that the audience would not understand it.

Gongnan and Nanbei have come to this day by word of mouth. If word of mouth collapses, it will cause a lot of rebound.

Gong Nanbei shakes his head, or decides to write down several scripts first, and then hand them over to the editorial department to see if they have any plans for revision?

After all, professional things should be done by professional people. They are editors, so they must be more professional than Gong Nanbei!

Unfortunately, none of the editors who published Wang Mong Kok before could finish the task. They were all eager for quick success and instant benefit. What they wrote was not what Gong Nan Nan wanted, otherwise Gong Nan Nan would not have to think about the script himself.

Of course, this may also be due to the high requirements of the north and south of the palace.

It's a slow thing to write a script, especially when you have to divide the scenes.

Wang Mong Kok came twice during the period. After seeing the script of Gong Nan Nan, he was curious.

"Why do you always like to write some Western plays recently"

"although we are going to the foreign market, there is no need to give up the domestic market.".

"Our domestic audience will definitely not adapt to the Western scripts. There are too many cultural differences and there is a generation gap.".

Gong Nan Nan nodded. This is a problem indeed. It is very important to find a point that can be accepted by both sides.

He looked at Wang Mong Kok with a wry smile and said, "I'm a little confused these two days. I don't have any good ideas."

Wang Wangjiao said with a smile: "their film is nothing more than two points, love and war."

Gong Nanbei stretched out and said, "but there are too many of these two kinds of films, and the audience is getting tired of watching them. It's hard to break through the box office when shooting these two kinds of films"

Wang Wangjiao shrugged and said, "there are some conflicts between art films and box office. You can't have both fish and bear's paw. If we really want to win prizes, we can sacrifice some at the box office."

However, Gong Nan and Nan are somewhat resistant to this. He doesn't care about the box office money, but feels that he can't get away from the masses!

Box office is the best way to prove the audience's love, a high box office movie, although did not win any awards, but the audience must love to see!

A low box office movie, even if you are the leading actor and heroine, no one wants to see a fart!

It is said that a movie is made for people to see. Since it is for people to see, it has to be good-looking!

As Mr. Guo said in the last life, crosstalk is to make everyone laugh. Just laugh after watching it.

It's unrealistic to expect to learn some life philosophy by watching crosstalk and dare to stop the horse when you go out.

And the movie is for people to see, no matter what you want to spread expression, first of all, first of all, you have to let people want to see!

Wang Mong Kok shrugged when he saw that he couldn't help. He couldn't write a script, but he could read it!

...

Gong Nan Nan thought a lot these two days. Westerners have a strong spirit of adventure and can make an adventure movie.

In those years, "Raiders" won the Oscar! The box office of the later "national treasure" series is also good.

Foreign people like this kind of theme, and domestic people also like it, for example, tomb raiding notes and ghost blowing lamp series.

Let's not talk about word-of-mouth. The reason why the last life was so bad was mainly because of the requirements of the leaders and the problems of the actors.

No acting skills, still get big pay, can look good have ghost, North and South Media shooting, then certainly will not appear this kind of problem!

Gong Nan Nan is holding his chin. It's OK to shoot Xindao, but which one is better?

In the final analysis, this kind of film is not a literary film, it can't teach people anything, and it's not likely to win a prize.

Gong Nan Nan took out his paper and pen and began to write on it at will, so that he could catch his inspiration easily!

Gong Nan and Nan first wrote down three words, male and female, on the paper.

This is a reference to the setting of the ghost blowing lamp series. This is a more open setting. For example, the teams in the last movie Ninja all formed teams with this setting.

The hero must be himself, so don't think about it, or how to be the best actor.

If a man is fat, he is born with a sense of closeness and security.

So the two men in tomb raiding notes and ghost blowing lamp are fat.

As for the choice of Shirley Yang and Zhang Qiling, there are some difficulties. We can only say that each has its own advantages.

But in the end, Gong Nan Nan decided to use Shirley Yang's character setting. There's no way. Zhang Qiling's character setting is really eye-catching. If you take him with you, Gong Nan Nan's identity as the protagonist will be suppressed. This is the charm of the character.

After writing down the setting of the characters, Gong Nan Nan began to design the main line of the story.

He wrote down the word "treasure hunting" in the book. Treasure hunting is also divided into several kinds.

The most common one is the treasure map. At the beginning of the story, it often tells the story of the fall of a dynasty, leaving behind a number of treasures. The guardian of the treasure drew a treasure map, and then the treasure map was handed down to someone. The family had been looking for it for generations, but had no harvest.Finally, a grandson's character erupted, discovered the secret of the treasure map, and finally found the treasure and so on.

The second is archaeology. Whether they are experts or professors, they find clues in some ancient documents and then take people to investigate archaeology.

The third one is tomb raiding, which is similar to the second one, but it can make the audience feel more substituted.

Now the audience's aesthetic is not the same as before. In the past 20 years, whether it's a TV play or a movie, the protagonist must be bright.

They are not even flawed at all. They are almost dedicated to the people.

This kind of protagonist image was very popular in those days, but now the audience doesn't like it.

The reason is also very simple, too false, that kind of person is more like a fabricated saint!

Now people prefer the protagonists who have some small problems, such as gluttony, love money, lust and so on, as long as the principle is not disordered in front of the major right and wrong!

Because people are not saints, who can do nothing wrong, this kind of body has some minor problems of the protagonist, but more real, more can let the audience have a sense of substitution!

It's like stealing tombs, digging up good babies, and then selling money to buy luxury cars and beauties. It's cool to think about it!

The fourth type is passive. The protagonist can be a scholar who is kidnapped and forced to study something, and then goes to some place to search for treasure.

These four are almost the most common in the film market, but which one to choose makes Gong Nanbei hesitant.

In the end, he chose to rob the tomb!

There's no way. The first reason is that this theme hasn't become popular in China. At present, treasure hunting in China is mostly based on the second one. This kind of novel beginning should bring a trend.

But it's almost impossible to win at home.

Because tomb robbery is a crime no matter what!

Just like the "Mao cheat" of that year, the book is a good book, and the audience's reputation is good, but no matter how to help the chivalrous, the thief is the thief after all, and there is no hope of winning the prize.

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