Chapter 139 – Settle down

Chapter 139 – Settle down

Metropolitan Hospital, a public hospital.

Ursula's girlfriend was a nurse, a white nurse with very white skin. She seemed to have a docile personality, and with a little coercion it wasn't hard to get laid.

The thought of two lesbians being pushed down on him and raped and played with wantonly, that kind of buy one get one free feeling made Chris feel the ultimate pleasure!

Besides, lesbians like Ursula were great tools, able to approach other women over and over again, corrupting them and finally being picked off by Chris, and by the time he fucked them to the ultimate climax, there wouldn't be a single woman left who would resist him!

"POP!" Chris pulled out his cock and brought it to Sally's mouth. Sally's flirtatious eyes dazzled the man and she opened her little mouth to clean the rod for him. There was still thick white cum between her legs, another creampie! A creampie with no any protection!

The RV was sprayed with some lemon air freshener as Ursula got into the car with her girlfriend.

The nurse frowned, she was a nurse and smelled it immediately, it smelled strongly of hormones.

"This is Chris, my boss." Ursula introduced, pointing towards him, "And this is my girlfriend, Elia. Don't even think about messing with her!"

...

Upon returning to New York, Chris settled Ursula and her girlfriend, while he took Sally to reside in the mansion. His mother and other women, including aunt Esther, continued to live on Goddess Island, with the mansion serving merely as a façade.

After registered the film company, Chris began purchasing equipment and managed to recruit Charlie Chaplin, who was not yet a renowned figure but showed promise, to join the company. Chris also managed to find another talented but relatively unknown playwright from the WWII era, Buster, and signed contracts with both of them.

The contracts were demanding, allowing them to only make films under Chris's company. Any breach of contract would require a compensation of five billion dollars unless the company went bankrupt. Despite the stringent terms, the benefits were quite good. They had the freedom to make their own films, and the company would not interfere except for talent management. The films produced would be split 50-50 in terms of profits, excluding production costs.

Such favorable conditions were a pleasant surprise for the two comedy maestros who had no established reputation. Most importantly, the funding was sufficient, and the company wouldn't interfere with their creative process, which was highly valued by talented creators. The worst thing for them was having outsiders dictate their work, often resulting in failure.

Indeed, in the early stages of any industry, it takes time to generate profits. There can be significant financial pressure due to the initial investment, and even a slight setback could result in bankruptcy. However, after signing two comedy maestros, Chris no longer worries about his film production company losing money. In fact, he anticipates making a small profit from it.

...

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