Chapter 1830

This time, it is completely different from the Golden Phoenix award more than a month ago.

At that time, Xia Siyu did not have a female host award. Although she had won Cannes before, she was only a female partner after all.

A top class person who has been a top class person for ten years. The mainstream award is a female partner. And she used to make movies mainly based on youth campus and urban love. Although the box office is more pleasant, it can also be said that there is no depth. The characters just change their shapes, and even fall in love.

The mainstream doesn't recognize her very much, especially she is still full of gossip. When it comes to her, the lace news is much more famous than her films.

This situation has not changed even not long ago. Even in the past few years, her films seem to have suddenly enlightened. From the storm, two films with director Ji, "spring", and Bo Yan's "sunrise", her acting progress is obvious to all. As long as she was there, let alone Shang Feier, even if it was thin words, the limelight was robbed by her.

She finally has a story in her eyes. She sits, lies and walks. Regardless of her overbearing and arrogant posture outside the play, as long as she watches the film, her performance can make people enter the play instantly.

But anyway, there's something missing when I didn't win the award. In particular, her pink and black attributes are too strong. As long as she comes out, she must quarrel with each other.

But now, this question has been broken. She won the prize, and the one she won this time deserves it. At the beginning of the year, a lot of female fans who had been fascinated by "divine capture" by her could finally brush "my husband won the prize!"

The sunspot wanted to be black, but she had more stock in her hand. Whether it's "sunrise" or "Qing Guo Qing Cheng", which has cooperated with Wang Ju for the second time, it's a good film that can brush awards.

At the box office, there are super British films waiting. Although the super English film is not without a street style, the film played by Xia Siyu originally had a good story. As long as the magic doesn't change, it won't be bad to shoot according to the script. In particular, her partner is John Scott, the most famous in the whole series. It's like sitting and waiting for the world to brush his face.

On Xia Siyu, I finally analyzed whether Xia Siyu could win the prize.

This time she came out with sunrise. As soon as the film came out, it could almost be sent to the textbook for analysis and research. If the analyst is Bo Yan, his every sentence, every action and every expression have been carefully designed. If you cut down his content afterwards, you can study it frame by frame, and there are rules to follow. But Xia Siyu is different. All her details, tone, look and actions may be changed to others. Some will appear artificial and some will feel too plain. But if you put it on her and put it into the role, it is absolutely 100% the state of the people in the play. Just like traditional Chinese medicine, some prescriptions can't be made into Chinese patent medicine, so they must be tailored to the case.

Also in sunrise, her performance is no longer the jumping style of the past. For example, in the storm, there is a scene in which she clashes with the male host. But the beginning and end of that play, as well as the connection with the next play, can clearly feel that there are still some places that can not be grasped. But in sunrise, her performance is flowing, like water, but when she is excited, it is like a waterfall splashing. When she is quiet, it is like a gurgling stream. And when she was desperate, it was like a cold pool. All emotions continue, and every turning point is just right, even people can't feel the ups and downs in the middle.

Moreover, Bo Yan accompanied her all the way to shoot and study the film with her. The whole movie, like her breath, her heartbeat, rises and falls with her mood. This kind of "stream of consciousness" shooting method in literature completely mixes the original story. In the original story, there is also a feeling of joy or despair from the cold perspective of the third person. But the film completely produced this "liquidity" narrative.

Although Bo Yan later, in order to make a "happy ending", he made a colored egg that the female owner may not die, but also focused on love and reduced the style of the whole film, such shooting is indeed very novel.

Therefore, in addition to Xia Siyu being expected by all parties at this Jinfeng Film Festival, Bo Yan is also.

Moreover, this guy may win two awards: best actor and best director.

**

The golden Month award is also in the tropics.

In mid November, in most parts of China, winter has entered the stall. Most people still wear cool clothes at the golden Month award ceremony. Of course, stars are different. Even in the environment of minus 10 degrees, stars still have to wear dresses and suspender skirts when walking on the red carpet, even if there is a warm baby under the clothes, even if they put on down clothes immediately after taking photos.

This time, Shang Feier also came. However, she was shortlisted for Wang Ju's film the bright moon on the sea. Just after the screening, I immediately came to report for filing. Fortunately, I was able to catch the last bus for registration. "The moon on the sea" is also the theme of the Republic of China, which is different from "sunrise", which focuses on Chen Bailu's personal emotion. It is more like a group image play, which is the rise and fall of honor and disgrace under a big background.

Although "the moon rises on the sea", originally Wang Ju was more optimistic about Xia Siyu playing it. But to be fair, Shang Feier did well. Her calm and dignified temperament has the style of celebrities of the Republic of China. She and Xia Siyu, one is a dignified and knowledgeable lady, and the other is a decadent and gorgeous socialite.

Although Xia Siyu's voice was higher, she did not completely rule out the possibility of winning the prize.

Moreover, there are some other films running this year, including blockbusters with main melody and films focusing on sociality and the rise and fall of small people, which are very good.

Although Xia Siyu took the best female owner, she didn't think Jinfeng was also in her bag - although Jinfeng didn't even give her a ticket two years ago.

In the evening, it was officially on the red carpet. She and Bo Yan are both films of the Republic of China, so one is wearing a pearl white silk cheongsam, the other is wearing a slightly complicated suit, a top hat and gold rimmed glasses.

They stood on the stage and raised their feet as if they had stepped into the old times. They were elegant, noble and a little ethereal.

However, it has to be said that these two people stand together is a landscape.

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