Chapter 1873

But the action is not the key point. The key point is the psychological pressure shown by her words and deeds.

It is true that the pressure of making such a play is not only the acting skills of the actors themselves, but also the oppression brought by the claustrophobic and dark environment. But Xia Siyu's acting skills really make people feel this omni-directional sense of control.

The murderer she plays is different from others. The crime should also be beautifully arranged and have a sense of ceremony. Even if she is chased by the other party, she will decorate the environment artistically.

Even if you are ready to die, you will design it in advance, not only won't make you look very embarrassed, but also let the female owner and the male owner enter the trap she designed, and even you have to drag two to make a cushion for death. Moreover, as a prisoner with high intelligence quotient, she realized the character weakness of men and women early on and took advantage of it. It seems that here she has been exposed and was found by the female owner. Rather, she designed to put her prey in a cage so that she could catch it all.

Extremely arrogant, but calm and crazy. In the words of the play, it is "criminal aesthetics".

This powerful spiritual power was indeed passed on to Shang Feier. In the process of shooting, Shang Feier acted according to the script and the position just discussed at the beginning. But acting, as if he had become the protagonist in the play. The old building is like a maze. I don't know where the murderer will come out, and I don't know where the man is trapped. I want to rescue him. Not only is the environment depressing, but most importantly, the fear of the unknown.

This unknown was played out at the beginning, but acting and acting seemed to really enter the world woven by Xia Siyu. That kind of spiritual control and oppression is more frightening than physical and environmental repression.

Not only Shang Feier, Bo Yan also felt it when shooting.

He was dazed by Xia Siyu at the beginning of the play. When he woke up, he had been tied up and guessed the identity of the prisoner. But even so, it was difficult for him to escape. When the mistress approached them, he was also ready to escape.

But the action is not the key point. The key point is the psychological pressure shown by her words and deeds.

It is true that the pressure of making such a play is not only the acting skills of the actors themselves, but also the oppression brought by the claustrophobic and dark environment. But Xia Siyu's acting skills really make people feel this omni-directional sense of control.

The murderer she plays is different from others. The crime should also be beautifully arranged and have a sense of ceremony. Even if she is chased by the other party, she will decorate the environment artistically.

Even if you are ready to die, you will design it in advance, not only won't make you look very embarrassed, but also let the female owner and the male owner enter the trap she designed, and even you have to drag two to make a cushion for death. Moreover, as a prisoner with high intelligence quotient, she realized the character weakness of men and women early on and took advantage of it. It seems that here she has been exposed and was found by the female owner. Rather, she designed to put her prey in a cage so that she could catch it all.

Extremely arrogant, but calm and crazy. In the words of the play, it is "criminal aesthetics".

This powerful spiritual power was indeed passed on to Shang Feier. In the process of shooting, Shang Feier acted according to the script and the position just discussed at the beginning. But acting, as if he had become the protagonist in the play. The old building is like a maze. I don't know where the murderer will come out, and I don't know where the man is trapped. I want to rescue him. Not only is the environment depressing, but most importantly, the fear of the unknown.

This unknown was played out at the beginning, but acting and acting seemed to really enter the world woven by Xia Siyu. That kind of spiritual control and oppression is more frightening than physical and environmental repression.

Not only Shang Feier, Bo Yan also felt it when shooting.

He was dazed by Xia Siyu at the beginning of the play. When he woke up, he had been tied up and guessed the identity of the prisoner. But even so, it was difficult for him to escape. When the mistress approached them, he was also ready to escape. But the action is not the key point. The key point is the psychological pressure shown by her words and deeds.

It is true that the pressure of making such a play is not only the acting skills of the actors themselves, but also the oppression brought by the claustrophobic and dark environment. But Xia Siyu's acting skills really make people feel this omni-directional sense of control.

The murderer she plays is different from others. The crime should also be beautifully arranged and have a sense of ceremony. Even if she is chased by the other party, she will decorate the environment artistically.

Even if you are ready to die, you will design it in advance, not only won't make you look very embarrassed, but also let the female owner and the male owner enter the trap she designed, and even you have to drag two to make a cushion for death. Moreover, as a prisoner with high intelligence quotient, she realized the character weakness of men and women early on and took advantage of it. It seems that here she has been exposed and was found by the female owner. Rather, she designed to put her prey in a cage so that she could catch it all.

Extremely arrogant, but calm and crazy. In the words of the play, it is "criminal aesthetics".

This powerful spiritual power was indeed passed on to Shang Feier. In the process of shooting, Shang Feier acted according to the script and the position just discussed at the beginning. But acting, as if he had become the protagonist in the play. The old building is like a maze. I don't know where the murderer will come out, and I don't know where the man is trapped. I want to rescue him. Not only is the environment depressing, but most importantly, the fear of the unknown.

This unknown was played out at the beginning, but acting and acting seemed to really enter the world woven by Xia Siyu. That kind of spiritual control and oppression is more frightening than physical and environmental repression.

Not only Shang Feier, Bo Yan also felt it when shooting.

He was dazed by Xia Siyu at the beginning of the play. When he woke up, he had been tied up and guessed the identity of the prisoner. But even so, it was difficult for him to escape. When the mistress approached them, he was also ready to escape. Not only Shang Feier, Bo Yan also felt it when shooting.

He was dazed by Xia Siyu at the beginning of the play. When he woke up, he had been tied up and guessed the identity of the prisoner. But even so, it was difficult for him to escape. When the mistress approached them, he was also ready to escape.

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