"In the early stage, I let you see files, read books and movies. It's a kind of observation. It's a kind of observation to go directly into their lives and watch them closely. Of course, observation is not enough. There are some things you need to do, you have to learn to do. For example, yesterday you went to fetch water and pull a stone mill. Do you feel the force? That's the experience. When you observe, you do it, and when the camera takes pictures, it's not acting out, it's your muscle memory. Filming depends on intuition, but it also requires thinking.
Do you know why you used to feel ungrounded when filming? Ming Ming acted according to the script, and the performance was good. For example, in the script, you are designed to chat with others in the company. There is only one scene overview. Some fool will stand, stand straight, and then the camera lens 360 degree rotation, you talk to each other, false or not? If you are sitting in a rotating chair with a mouse in one hand and a coffee in the other hand when you are talking, is it better than standing and talking foolishly? "
They come here not to play, not to relax, or to experience life. Everything follows the script. There is nothing in the script. They have seen the archives before. They did what the educated youth in the countryside should do at that time.
Even if the script can't be written, even if it's just a shot, they have to learn to do it.
"If you say that you are experiential, then you should treat yourself as that person. Not only in your mind, you should become that person, but also your whole person. Everything should be close to that person's life in terms of dress, dress, behavior and action. When the audience sees you, they will feel that you are the real character in the movie. It's natural and you will not feel like a play at all. "
Xia Siyu has a kind of feeling of being on top of the world.
Her previous films were all about the same kind of chick, that is, the modern urban Cinderella Mary Sue. This kind of play, as long as it's fresh and pleasant, can cry, laugh and make noise, but it's not too artificial. It's basically the same. The slightly more difficult one is the tempest. But she is still a dancing bar owner, which is also related to her life. With Wang's guidance, she can easily substitute herself.
Her acting skills are not bad now. It's no problem to play a romance, but it's hard to have any depth. She used to feel as if she had reached the ceiling, trying to work hard but not knowing the direction. But Bo Yan has both theory and practice. He took her to break that layer of glass, and she was as if she had gone up a floor.
The gap between the ordinary actor and the film queen is in these details.
All the lessons she missed in college are now picked up by Bo Yan. But now she is different from the one who slept in class. If you rely on her, maybe three years, five years or even longer, you can also learn this. But Bo Yan's help, but let her instantly understand some of her missing subjects.
It's true that some actors haven't even gone to college, but others are very gifted, and they strive for success. They soon transit from box office poison to gifted actors. But how many actors are there like that?
What's more, they don't even have talent, and they never work hard, trying to muddle through with one face.
But Xia Siyu still had doubts: "then why do you want to come with me alone? Not even quiet Tang. "
Bo Yan smiles: "because I want to be alone with you."
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