Now that Li Yiru has joined us, even if she doesn't ask for much money, she doesn't ask for high salary, and if she doesn't ask for a position, she certainly has a demand for people. Another random girl No. 2 will fool her, and she won't agree.

Bo Yan is naturally prepared for this.

Her character in the play is Gu BA's grandmother. She doesn't have much ink, but if she plays well, she will have a brilliant stage. In the original book, Granny Gu uses Qian Wei to tie the "love" bond with Hu Si. She has a saying: "love is that you are willing to take out money to ask him to spend it. You don't have to worry about how he spends it - that's love!" In modern words, I am willing to spend money to raise a white face!

The original book is a thoroughly criticized character. Since it is an adaptation, he has also made some amendments to merge her with another character "Cuixi". Cui Xi is a prostitute in an alley, and she is the bottom of the society. It is said that in order to write a good account of Cuixi's situation, the author also went to eight hutongs to do research and experience life.

On the one hand, it is because the film and television works are not novels after all and need to change a little. Secondly, a movie is often limited. If there are too many clues about the characters, maybe there is no way to dig out all the characteristics of everyone, so we have to make some modifications and cuts.

Since these two people are very important figures in the original book, and they also represent two classes, it is not so easy to adapt them well. In particular, we should combine the two into one. We should not only let people see her decadent and backward side, but also see her last struggle and kindness.

Fortunately, Bo Yan has fully figured out how to excavate and change this character in his previous adaptation. It doesn't look so fragmented, and it won't lose the reputation of the author.

This change has written out the character's struggle and dual character. But the problem is, if you need to play this role well, you have to have kung fu and acting skills. Although Bo Yan and his playwrights are able to be logical and self consistent after the change, he is actually a little worried about whether Li Yiru can play out this feeling.

Now that Li Yiru has accepted the play, she certainly hopes to perform well. She also made preparations before, knowing that these two roles are a bit flattering, so now she also specially dressed me in this direction. But, after all, it's Chen Bailu and Xia Siyu who are the female masters.

It's different from the drama, so the hostess has to make some corrections. She was also very strange. They were so relieved that although Xia Siyu had set up a shelf, she really didn't need to do anything to improve her acting skills? I didn't see her say a word or two while reading the script. It seems that she wrote the script, or she unconditionally believes in the screenwriter, the director and the actor, and doesn't need to make any changes or even explain it.

But she didn't mention it, just a little strange. When she and the other actors put forward their opinions, the round reading of the script was basically over. When she came home after the meeting, she called the nanny.

Her son is nearly one year old and can squeak for his mother. Although she had two nannies since she was born, it was the longest time she had been separated from her child. As soon as she got through, she heard a voice coming from behind and was alert to hang up.

Is Xia Siyu, her face excited: "Bo Yan, quick, look at your brother!"

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