Two plays, two breaks.

On the one hand is the alienation of friendship, on the other hand is the choice of love. In the original work of sunrise, the relationship between these two people is the one compared with Plato. Each other is a first love, but also very emotional. After changes of time, their current situation has changed, and there is no way to be together easily.

Although Bo Yan made an adaptation, for example, he slightly modified Li Yiru's role to make the characters more concentrated and the personality contradiction more prominent. The feelings of male and female owners have also been beautified in order to take care of the emotions of spectators. For example, pan Yueting, the woman's financier and banker, is just a figure here. His part of the play has been cut. It's good to know that there is such a background. The ambiguous mood between men and women can also be enlarged, and even some scenes can vaguely indicate that two people have had a period.

But when the story happens, he wants to make sure the whole story goes well. There should not be any scenes of love and love in the picture, but the design of eyes and small movements of some fingers must be in place to express this invisible tension from the lens language.

Even in the final separation here, he also wanted to shoot out the emotion of wanting to say and rest, helpless and pulling. Shooting by yourself and guiding by yourself are completely two concepts. At the beginning of this project, he was still at a loss and did not have a particularly clear projection of the works in his mind. But now, he is fully engaged in the role of director.

But he is also an actor. When a play is projected into his brain and then interpreted, he considers a lot more comprehensively. When I rehearsed with Xia Siyu, I saw not only her, but also the objects behind her, her clothes and all the surrounding environment.

But as soon as Xia Siyu opens his mouth and starts, his eyes will be unconsciously attracted by her and substituted.

As he said this morning, the rehearsal only needs 50% investment, so he has a place to think about her clothes, environment and objects. But Xia Siyu was 100% invested. The feeling of being taken away was too strong. Although according to the people in the play, even if her mood fluctuates greatly, she should not yell or have redundant actions. She should look calm and quiet. But Bo Yan felt that her emotions were inexplicably infected by her and naturally integrated into the plot. She didn't react until the end of the whole rehearsal.

But when the director here said "OK", Xia Siyu began to tremble. Because this play is more important, her makeup, hair accessories on her head and her cheongsam can't be disordered. If she moves disorderly, there will be folds. You can't move your head. It's difficult to make a hairstyle. There are jewelry on her head. The crew is poor and has to pay for it herself. Under limited conditions, she turned her wrists and fingers to express her posture flexibly.

But as soon as she shouted "start", her whole mood immediately converged, just like a student who rang the bell. When class was over, she didn't care how to move like a rabbit. Once in class, she was as quiet as a virgin.

She rehearsed several times, each time. Bo Yan felt the most direct about the play with her. Although she was 100% invested every time, she would also fine tune the details. Maybe she can't express it, but every time she acts, the audience feels on one side: Yes, that's it. The people in the play are like this, so they have to act like this!

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