Chapter 1728

Some very talented directors will shoot with their own artistic style. But Bo Yan is different. Although he hopes to be more artistic, now the company is in the initial stage: he needs money.

There are so many wonderful ideas in his head that he can't shoot them at this time. The best thing is to take a better script and shoot it according to the script. Tell the story honestly and smoothly.

Ideological, artistic and whether it can be passed down through the ages are very important. But at this moment, bread is more important. If he shoots according to what he thinks, the public may not accept it. Even if he wins the prize in the end, the company will lose money at the box office.

But he is certainly not willing to shoot only a "documentary" that does what the cat says. In fact, the original work of sunrise is a little low. It is a degenerate and irretrievable woman. It is a decadent and irretrievable society. Some people who should not but die miserably. People with conscience have no strength to change, and those without conscience are still doing the final carnival.

Such a story is not as bloody as thunderstorm, nor as crazy as wilderness. It's better to make a literary film. If you want to move closer to a commercial film, you can only slightly modify the personal design. Some conflicts have to be set more violently. Especially when it's released on Valentine's day, it must praise feelings.

In addition to making certain modifications to the protagonist's personal settings, he also uses the mirror to create a different protagonist's mood, intense lazy, desperate ridicule by using light and shade, color, flowers and clothes. He never explained the time on TV, except for the bell, the radio and the alternation of light and shadow. Don't write any explanatory things and present them in camera language.

The audience may not be aware of these details for the first time, but they can imperceptibly feel that time is advancing and the protagonist's mood is changing.

However, most of the audience are senior industry insiders, journalists with tricky angles, and some film enthusiasts. Their grasp of mirror movement, light and shade, color, light and shadow should be better than that of the general audience. But even without realizing these techniques, the film also moistens things and silently tells a simple and easy to understand story.

He stood on the stage and asked everyone to ask, "are there any questions? You can express your views."

As soon as he finished, he paused again and smiled: "I know that there are a lot of movie spots. I invited you to come here, not to make you comment. It's to make you say good words, go back and write some better comments to attract the audience. Even if the shooting is bad, I'll try my best to make you boast. In fact, standing here, I probably know what you will say. Do you have talent, ideas and a movie I know. This is my first time filming. I don't want to be too fancy. I just want to tell the story in the original and logical way. Please comment on the rest. "

At the scene, there was a slight pause for several seconds, and then applause broke out.

How to say, there is one thing that looks good or not. The audience has eyes and can see clearly. How much effort the director has spent, whether it is money fraud or heart shooting, and how the actors are, it is clear at a glance.

This is a very complete work. The script is the original work of master Cao. It has changed the human design, but there is no major change, and the tone is still there. The story is also a good story. Unlike some big directors who want to play stream of consciousness, they tell you from the beginning that they are telling you a story, and details can flow from the story.

When I first saw it, it was another emotional tragedy of reunion after a long separation, changes in things and people, and ups and downs in life experience. But when I look back after reading it, I can feel the taste of any scene in it. In particular, with colored eggs, it seems that the woman who was supposed to die may have a chance to survive again.

After Bo Yan said that, the following discussion became heated. For example, someone asked him, "why should we modify the human design?"

Although he also admitted that after changing the feelings of men and women to be more profound and pure, it is true that love accounts for more weight and stimulates the eyes. Finally, when the two people separate, it also stimulates the eyes.

Bo Yan replied, "it's just a little artistic creation. If you copy the original book word by word, it's no different from watching a drama."

Some people criticized him for his low ideological level. Although he had original plots, he was also in love and seemed to have a low style. Although there were new ideas in the operation of the mirror, there were no particularly impressive ideas in the whole film. In other words, those ideas belonged to Cao Yu, the original book, not him.

Bo Yan smiled: "I certainly can't compare with Mr. Cao. I admit that I have increased the love drama and made some modifications for the sake of commercial trade-offs. I hope I don't steal the original tone."

Some people put forward some inappropriate places in the rhythm of his story. Although a little modification was made, the rhythm in the first half hour was slightly lengthy. After all, it was adapted from the drama.

Bo Yan nodded modestly: "indeed, I need to strengthen my sense of rhythm in this place."

He did pave the way in the early stage. In the first 30 minutes, he explained the background of all the characters and the origin of the story. After 30 minutes, everyone gathered in one place, and then increased the explosion points a little bit. In the last half hour, the fate of the major characters reached a climax. The early stage was indeed a little slower.

Some sensitive film critics noticed the lens, light, shadow and color inside. The simplest and easiest thing to find is that the heroine has different moods, and the flowers in the room are different from the clothes she wears.

Bo Yan also nodded honestly: "when I was writing, there were some plots except dialogue, and many people's mood and situation could not be presented intuitively. I asked the hostess to change into different clothes to express her mood. But now it seems that it's a little superfluous."

Bo Yan said "painting a snake and adding feet", which means Xia Siyu's performance... It's really great.

In the notice released a few days ago, some Xia Siyu looked like wearing a cheongsam, but it basically didn't match the plot. There were only one or two simple scenes. Although it was amazing enough, with the plot, it was like -- living.

She lives in the old house very obediently. Her surrounding supplies, furnishings, clothes and her whole breath seem to be integrated with the old building.

She is like a person who lived in that era, brilliant, fresh and decadent.

As Zhang Ailing said, a gorgeous robe is full of lice.

At first, the film critics didn't comment on Xia Siyu because Bo Yan didn't let them boast, but asked them to give more opinions.

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